Daily Dose Of Jazz…

Palle Mikkelborg was born on March 6, 1941 in Copenhagen, Denmark. Self-taught on trumpet in his youth, he started playing professionally in 1960 and in 1963 joined the Danish Radio Jazz Group, leading it from 1967-1972.

Performing at the Newport Jazz Festival with a quintet helped solidify Palle as a dominant figure on the Danish and international progressive jazz scenes. He has recorded as a leader for Debut, Metronome, Sonet, Storyville, and ECM.

Releasing several solo records, Mikkelborg has also recorded with various co-founded groups, as well as performing sideman duties or arranger on numerous international records.

His most notable international collaborations include the Gil Evans Big Band, the George Russell Big Band, George Gruntz’s Concert Jazz Band, Abdullah Ibrahim, Dexter Gordon, Karin Krog, Gary Peacock, Niels-Henning Orsted Pedersen, Terje Rypdal, Thomas Clausen, Jan Garbarek and many others. With Miles Davis, he composed a suite and produced the 1989 album release Aura.

In 2001 he was awarded the Nordic Council Music Prize. Avant-garde and post-bop trumpeter, composer, arranger and producer Palle Mikkelborg has continued to perform, record and tour.


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Roseanna Elizabeth Vitro was born in Hot Springs, Arkansas on February 28, 1951 and began singing at an early age, drawing inspiration from various musical genres like gospel from her mother’s side of the family, rock and R&B, theatre and classical. During the 1950s, her father owned a nightclub in Hot Springs called The Flamingo and he loved Dean Martin’s music and opera. . By the 1960s, Vitro was determined to be a rock singer.

She was exposed to jazz and it became her genre of choice after moving to Houston in the 1970s. It was there that Ray Sulienger discovered her and voice coached her and presented her to the Houston Jazz Community. Vitro sang frequently with tenor Arnett Cobb.

She worked for two years in Houston’s Green Room with her group Roseanna with Strings and Things, hosted a radio show on KUHF-FM, featuring guests like Cobb. Many jazz greats stopped in and played with Strings and Things, like Oscar Peterson, Bill Evans, Tommy Flanagan and Keter Betts. Encouraged to dedicate herself to jazz, in 1978 Roseanna moved to New York City with guitarist Scott Hardy and began to study with Professor Gabore Carellia at the Manhattan School of Music.

Vitro started performing with Kenny Werner and Fred Hersch, sat in with and ultimately toured with Lionel Hampton, and appeared at all the major New York jazz clubs. She also appeared with Steve Allen, recorded an album of his compositions and performed and recorded live with Kenny Werner at the John F. Kennedy Center in Washington, DC.

Throughout her career she has collaborated and recorded with Christian McBride, Elvin Jones, Gary Bartz, Kevin Mahogany, and David “Fathead” Newman. She has thirteen albums under her belt and a Grammy nomination for Best Jazz Vocal Album for The Music of Randy Newman. She has been inducted into the Arkansas Jazz Hall of Fame, a U.S. Jazz Ambassador for The John F. Kennedy Center and U.S. State Department, and The Rhythm Road: American Music Abroad featured artist with her band JazzIAm.

As an educator Roseanna Vitro has taught Vocal Jazz at State University of New York at Purchase and currently at New Jersey City University and the New Jersey Performing Arts Center. As a clinician she holds frequent workshops, clinics and master classes.


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Harvey William Mason was born on February 22, 1947 in Atlantic City, New Jersey. He began taking formal drum lessons at the age of seven, playing in various school bands and ultimately buying his first drum kit at 16. He went on to attend Berklee College of Music then on to and graduate from the New England Conservatory of Music.

While in Boston, Harvey worked at Triple A Studios recording everything from jingles to religious albums, molding him into a versatile first-call session musician. Early gigs included four months with Erroll Garner in 1970 and a year with George Shearing from 1970-1971. Soon after leaving Shearing he moved to Los Angeles, California and quickly became established in the studios and working in films and television.

In addition to his work through the years with Minnie Riperton, The Sylvers, Earth, Wind & Fire and Carlos Santana, Mason has often been part of the jazz world. He played with Herbie Hancock’s Headhunters, co-composing the hit Chameleon in 1973, Gerry Mulligan, Freddie Hubbard, Donald Byrd, Grover Washington, Jr., George Benson, Gary Bartz, Bobbi Humphrey, Ralph MacDonald, Chick Corea, Lee Ritenour, Victor Feldman and Bob James, Gene Harris, Eddie Henderson, Bobby Hitcherson and Joe Henderson, among numerous others.

By 1998, Harvey was paying tribute to Art Blakey’s Jazz Messengers in some local Los Angeles club gigs. By the turn of the millennium he was continuing with his steady session work, releasing two albums with Trios and With All My Heart and has since revisited his ’70s Headhunters roots. He is a mainstay in the fusion genre as a member of the group Fourplay along with Chuck Loeb, Nathan East and Bob James, whose success led their debut album to hit and stay at the top of the charts for 34 weeks.

He has worked with Michael Colombier, Michel Legrand, Miles Davis, Dave Grusin, Thom Newman, John Williams, Lalo Schifrin, Isaac Hayes, Johnny Pate and Alan Silvestri on such films as Purple Rain, Dingo, Three Days of the Condor, The Fabulous Baker Boys, On Golden Pond, The Player, The Lion King, Mission Impossible 1,2 & 3, Ratatouille and Dream Girls. In addition he composed the music for the films The Color Purple, Only The Strong and Deadly Takeover.

Multi-Grammy nominated and winning drummer and composer Harvey Mason continues to stretch his musical diversity across four decades and many jazz genres.


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Warren Vaché, born February 21, 1951 in Rahway, New Jersey came from a musical family. His father was a bassist, author of several jazz books and a critic, while his mother was a secretary at Decca Records. He began playing piano in the third grade but soon switched to trumpet so he could play in the fourth grade band and his father immediately bought him a cornet.

Over the years Warren has looked to Louis Armstrong, Roy Eldridge, Bobby Hacket, Fats Navarro, Tom Harrell and Ruby Braff as his sources of inspiration. Throughout high school and while attending Montclair State College he played gigs from dance to weddings and all kinds of receptions.

Part of his formal training by studying under Pee Wee Erwin and continued with him playing in polka, Dixieland, big dance and Broadway pit bands, as well as small jazz groups and large free-wheeling combos.

His first professional job was with the Billy Maxted band in Detroit in 1972. From there he ventured on to play th Broadway production of Mr. Jazz, work with George Wein and finally landing in Benny Goodman’s band. There he played with Hank Jones, Urbie Green, Zoot Sims and Slam Stewart.

He became part of the Condon’s house band, had his debut release, First Time Out on the Monmouth label, but Concord Records gave him his biggest exposure working with Scott Hamilton, John Bunch, Jake Hanna and Cal Collins. He has also worked with Bucky Pizzarelli and Howard Alden.

Swing master cornet, flugelhorn and trumpeter Warren Vaché currently maintains a full schedule of recording, worldwide festivals appearances, Broadway and club dates.


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Anthony Davis was born in Paterson, New Jersey on February 20, 1951. He has received acclaim as a free-jazz pianist, having co-leader or been a sideman with various ensembles, playing with Wadada Leo Smith from 1974 to 1977. He has worked with Anthony Braxton, Barry Altshul, Marion Brown, Chico Freeman, Jay Hoggard, Leroy Jenkins, George Lewis, David Murray, to name a few.

In 1981, Davis formed an octet called Episteme, wrote incidental music for the Broadway version of Tony Kushner’s Angels in America, and has incorporated into his music jazz, rhythm and blues, gospel, non-Western, African, European classical, Indonesian and experimental styles.

Davis is best known for his operas including X, The Life and Times of Malcolm X, Amistasd, Wakonda’s Dream, and Lilith, all composed between 1986 and 2009 and appeared at the New York City Opera, the Lyric Opera in Chicago, Opera Omaha, and Conrad Prebys Music Center at University of California, San Diego, respectively.

As an educator, he has taught at Yale and Harvard Universities, and is currently professor of music at the University of California, San Diego. In between teaching and performing, pianist and composer Anthony Davis has two orchestral works, seven for stage, and nineteen albums as a leader or co-leader.


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