Daily Dose Of Jazz…
Ralph Peterson, Jr. was born on May 20, 1962 in Pleasantville, New Jersey into a family of drummers, having four uncles and a grandfather as drummers. He began on percussion at age three and was raised in Atlantic City where he played trumpet in high school and worked locally in funk groups. He applied to Livingston College Rutgers for drums but failed the percussion entrance exam and enrolled as a trumpeter instead.
In 1983 he joined Art Blakey’s Jazz messengers as the second drummer, playing with him for several years. He has worked with Terence Blanchard. Donald Harrison, Walter Davis, Tom Harrell, Out of the Blue, Branford Marsalis, David Murray, Craig Harris, James Spaulding, Roy Hargrove, Jon Faddis, Dewey Redman, George Colligan, Stanley Cowell, Mark Shim, Betty Carter, Charles Lloyd, Wynton Marsalis and many, many others.
After living in Canada for some time he returned to Philadelphia where he worked further with Fo’Tet and also recorded as Triangular Too with Uri Caine. He also led a group Hip Pocket with whom he played trumpet. He has recorded 15 albums as a leader and another six with Uri Caine and David Murray.
Drummer Ralph Peterson has taught at Philadelphia’s University of the Arts, currently teaches at Berklee College of Music in Boston, Massachusetts and continues to perform, record and tour.
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Daily Dose Of Jazz…
Julian Joseph was born May 11, 1966 in London, England. As a jazz pianist, bandleader, composer, arranger and broadcaster he has worked solo, in his all-star big band, trio, quartet, forum project band or electric band.
Joseph’s style combines a respect for the modern developments in jazz piano with its history and works in both contemporary and traditional situations with his music. He is also active in jazz education helping to form the jazz syllabus for the Associated Board of the Royal Schools of Music in Great Britain.
Starting with his first album The Language of Truth in 1991, Julian has a total of seven albums to date, one single, and a soundtrack to his credit, and a baker’s dozen as a sideman. He has focused on live performance such as, at the London Jazz Festival, also broadcasting as he hosts several radio shows on BBC Radio 3, including Jazz Line-up and the celebrated Jazz Legends as well as composing and teaching.
He has also made two jazz television series for Meridian, a jazz series for Sky TV’s Artsworld Channel and the documentary A Festival of Jazz Piano for the BBC in Wales directed by Celia Lowenstein. He continues to perform and record.
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From Broadway To 52nd Street…
Evita opened at the Broadway Theatre on September 25, 1979 and ran 1,567 performances. The musical starred Patti Lupone, Mandy Patinkin, Bob Gunton, Mark Syers, Jane Ohringer singing music composed by Andrew Lloyd Webber with lyrics by Tim Rice. The show began as a rock opera concept album released in 1976. Its success led to productions in London’s West End in 1978, and on Broadway a year later, both of which enjoyed considerable success. A major 1996 film of the musical was made, starring Madonna and Antonio Banderas. The musical was revived in London in 2006. Evita has had numerous professional tours and worldwide productions, and numerous cast albums have been recorded, and won a 1980 Grammy. “Don’t Cry For Me Argentina” has become an entry into the catalogue of jazz standards.
The Story: Evita is a musical that concentrates on the life of Argentine political leader Eva Peron, the second wife of Argentinian President Juan Peron. The story follows Evita’s early life, rise to power, charity work, and eventual death.
Broadway History: The Booth Theatre was given its name in recognition of one of the great contributors to American theatre. However, the current Booth Theatre does not get its name from an accomplished actor, playwright, or producer. It comes instead from the original Booth Theatre, which was originally located on 23rd Street and 6th Avenue. The original Booth Theatre, which opened on February 3, 1869 with a production of Romeo and Juliet, derived its name from Edwin Booth, an accomplished Shakespearean actor, who unfortunately happens to be the brother of infamous actor/assassin John Wilkes Booth. Although demolished only fourteen years later in 1883, the theatre revolutionized American drama by incorporating hydraulic ramps to change scenery, an electric device that allowed changes in lighting, and a sprinkler system. Fun fact, the top floor of the original theatre’s adjoining shop and rehearsal space was reserved as Edwin’s personal apartment.
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From Broadway To 52nd Street
Sweeney Todd opened at the Uris Theatre on March 1, 1979 and ran for 557 performances. The musical starred Angela Landsbury and Len Cariou with music composed by Stephen Sondheim from which came the song Pretty Women that entered into the jazz pantheon. The show would also win Best Musical for that year.
The Story: The Demon Barber of Fleet Street was set in the 19th century London. Todd is a barber who dispatches his victims by pulling a lever as they sit in his barber chair. Todd “polishes them off”, slitting their throats with his straight razor before dispatching them into the basement via the revolving trapdoor. After Todd has robbed his dead victims of their goods, Mrs. Lovett, his partner in crime assists him in disposing of the bodies by baking their flesh into meat pies and selling them to the unsuspecting customers of her pie shop. Todd’s barbershop is situated at 186 Fleet Street and is connected to Mrs. Lovett’s pie shop by means of an underground passage.
Jazz History: The end of the 70s decade saw trumpet virtuoso Wynton Marsalis in New York and a hard bop revival was soon underway. Bassist and composer Charles Mingus dies in Mexico at the age of 56. Vocalese singer Eddie Jefferson dies on May 9 in Detroit, Michigan. A jam session at the Brecker brothers’ club will produce the group Steps Ahead. Gil Scott Heron is experimenting with a new form of music which involves spoken poetry set to music, similar to what will later be known as hip hop and rap; the first Sony Walkman (model TPS-L2) hits the market and two years later the word “Walkman” enters the dictionary, and the product changes listening habits forever.
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From Broadway To 52nd Street
Ain’t Misbehavin’ opened at the Longacre Theatre on May 8, 1978 and ran for 1604 performances, establishing it as one of the blockbuster musicals of Broadway. Thomas “Fats” Waller who left an indelible imprint on the music by the time of his death at age 41 composed the music that included jazz favorites “Ain’t Misbehavin”, “Honeysuckle Rose” and “I’m Gonna Sit Right Down And Right Myself A Letter”. Richard Maltby directed Nell Carter, Andre Deshields, Armelia Mcqueen and Ken Page.
The Story: Began performance at the Manhattan Theatre Club, this musical retrospective of the life of Fats Waller, master of the stride piano, comedian, last of the great Black minstrel showmen, uses his songs written with various lyrics. In spirit, Ain’t Misbehavin’ evokes the late days of Prohibition when “vipers” smoked “reefers” and bootleg booze could be the worst or the best depending on the source of supply. Title song first sung in the 1929 revue “Hot Chocolates”. The musical won a Grammy in 1978 for Best Cast Show Album.
Broadway History: By the Seventies Broadway is a disheveled cornucopia of porn shows, strip clubs, drug dealers, pimps, prostitutes, runaways, hustlers and street people. The American Musical was not dissuaded by this environment as it morphed into a cultural consciousness during the Seventies to become an instrument of social commentary bringing plays with mixed casts like Hair, Jesus Christ Superstar, Godspell, Two Gentlemen From Verona and the longest running play on the avenue A Chorus Line. Though the country was still reeling from Vietnam, plays like Company gave audiences an opportunity to view middle-class morality and their problems. Black audiences got to see shows like Bubbling Brown Sugar, Timbuktu, Eubie and Purlie opening up the stage for more Black actors and musicals to shine on the Great White Way.
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