Hollywood On 52nd Street
Moon River is another jazz standard originally composed for Breakfast At Tiffany’s by Henry Mancini for music with lyrics written by Johnny Mercer. Blake Edwards directed this 1961 American romantic comedy that starred Audrey Hepburn and George Peppard with support from Patricia Neal, Buddy Ebsen, Martin Balsam and Mickey Rooney. The film is loosely based on Truman Capote’s novella of the same name.
Hepburn’s portrayal of Holly Golightly as the naïve, eccentric café society girl is generally considered to be the actress’ most memorable and identifiable role. However, Hepburn regarded it as one of her most challenging roles, since she was an introvert required to play an extrovert.
The song received an academy Award for Best Original Song for its first performance by Hepburn, won Mancini the 1962 Grammy Award for Record of the Year and Mercer a Grammy Award for Song of the Year.
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Hollywood On 52nd Street
Days of Wine and Roses is a popular song and jazz standard from the 1962 movie of the same name. Henry Mancini composed the music with lyrics by Johnny Mercer. They received the Academy Award for Best Original Song for their work. The song is composed of only two sentences, one for each stanza. Though the best-known recording of the song was by Andy Williams in 1963, several others have recorded the song, including the composer Henry Mancini, Perry Como, Wes Montgomery (1963: Boss Guitar), Lenny Breau, and Joe Pass and Ella Fitzgerald on their Pablo Records album Easy Living.
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Hollywood On 52nd Street
A Second Chance comes from a 1962 film Two For The Seesaw adapted from the Broadway play written by William Gibson. Robert Wise directed and Robert Mitchum and Shirley MacLaine played the lead roles. Andre Previn composed the music with lyrics by Dory Langdon.
The Story: Nebraska attorney Jerry Ryan (Mitchum) recently separated from his wife gets away from it all by moving into a shabby New York apartment. While struggling with the divorce, he meets struggling dancer Gittel Mosca (MacLaine) at a party. They instantly get along, begin to fall in love but the relationship is rocky and hampered by their differences in background and temperament. Gittel has a fling and Jerry can’t separate himself from his ex though the divorce is final. He decides to move back to Nebraska.
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Daily Dose Of Jazz…
Eric Revis was born on May 31, 1967 in Los Angeles, California. He grew up listening mostly to funk and rock music and it was not until when he was 14 years of age that he picked up an electric bass and taught himself how to play. He attended Southern University as biology major for a year, Eric relocated to San Antonio, TX where he got a regular gig playing 6 nights a week.
While working the gig Revis got turned onto jazz, notably Kind Of Blue, which influenced him to switch to acoustic bass. He studied under Ellis Marsalis at the University of New Orleans but came to prominence attending the legendary school of Betty Carter in the mid-1990s.
In 1997, Eric met Branford Marsalis at a recording session with Russell Gunn. So impressed with the young bassist asked he Eric to join him on his recording, Bug Shot along with Kenny Kirkland and Jeff “Tain” Watts. The rest is history and the jazz bassist and composer has been a member of Branford Marsalis’s ensemble since 1997.
He released his debut album as a leader in 2004 titled Tales of the Stuttering Mime, has a sideman catalogue of thrity albums performing with Branford Marsalis, Kurt Rosenwinkel, Jeff “Tain” Watts, Joe Locke, Ralph Peterson, Orrin Evans, Frank McComb, J.D. Allen, Winard Harper, Sherman Irby and Russell Gunn among others. He has directed the Jazz Ensemble at Trinity University, in San Antonio, Texas from 2007/2008. He continues to perform, record and tour.
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Daily Dose Of Jazz…
Sean Jones was born on May 29, 1978 in Warren, Ohio. Among his first musical experiences were the gospel music he heard in church where he sang and performed with the Saint James’ Church of God in Christ choir. As a beginning musician, Jones started on the drums and switched to trumpet in the fifth grade after his grandmother told him about his grandfather playing that instrument during World War II. He developed an interest in jazz around the same time, after receiving two albums by Miles Davis from his band instructor, namely Kind of Blue and Tutu.
By the time he entered high school Sean had decided to pursue a career as a professional musician, and studied classical trumpet as well as jazz. In 2000, Jones obtained an undergraduate degree in classical trumpet performance from Youngstown State University and later a master’s degree from Rutgers University.
As a session musician he has performed with several notable ensembles and musicians, including Tia Fuller, Gerald Wilson, Joe Lovano, Tom Harrell, Jon Faddis, Jimmy Heath and Frank Foster. He has had a six-month stint with the Lincoln Center Jazz Orchestra, after which Marsalis offered him a position with the ensemble as lead trumpeter, became a music professor at Duquesne University.
Sean is featured on Nancy Wilson’s Grammy winning “Turned To Blue”, has released five albums for Mack Avenue Records as a bandleader, has played the Monterey, Detroit International and Montreal International Jazz Festivals and currently holds the position of Interim Artistic Director for the Cleveland Jazz Orchestra and held a position as Associate Professor of Jazz Trumpet at Oberlin Conservatory for the 2012-13 academic year. He continues to perform, record, teach and tour.
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