Daily Dose Of Jazz…

James Carter was born January 3, 1969 in Detroit, Michigan and learned to play under the tutelage of Donald Washington, becoming a member of his youth jazz ensemble Bird-Trane-Sco-NOW!! As a young man, he attended Blue Lake Fine Arts Camp and become the youngest faculty member at the camp. He first toured Europe (Scandinavia) with the International Jazz Band in 1985 at the age of 16.

By 1988, while at the Detroit Institute of Arts, Carter was a last-minute addition for guest artist Lester Bowie, which turned into an invitation to play with his new quintet in New York that following November at the now defunct Carlos 1 jazz club. This New York invite was pivotal in his career, putting him in musical contact with the world, and he moved to the city two years later.

James has won Down Beat magazine’s Critics and Readers Choice award for baritone saxophone several years in a row. He has performed, toured and played on albums with Lester Bowie, Julius Hemphill, Frank Lowe & the Saxemble, Kathleen Battle, the World Saxophone Quartet, Cyrus Chestnut, Wynton Marsalis, Dee Dee Bridgewater and the Mingus Big Band. On his 2000 album Chasin’ the Gypsy, he recorded with his cousin, jazz violinist Regina Carter.

An authority on vintage horns, Carter owns an extensive collection of them. He continues to be a prominent force as a performer and recording artist on the jazz scene since the late 1980s, playing saxophones, flute and clarinets.

 


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Daily Dose Of Jazz…

Noah Jarrett was born on January 2, 1978 and raised between New Jersey and New York City. He began studying the electric bass at age nine, after five years of violin. His initial interest was in the many forms of rock and spent most of his days after school playing in his basement with friends.

His taste would evolve and he would lean towards jazz, reggae, Indian, African and Gnawan music while also studying the classical traditions. For nine years he primarily has studied the double bass but still plays his electric bass, ultimately graduating from the New England Conservatory. Jarrett plays in a variety of groups around New York and Boston including current group Fat Little Bastard and The InBetweens. He accompanies virtuosic Malian kora player Mamadou Diabatein a variety of music settings.

In addition, Noah plays with a 14-piece band, the Brooklyn Qawwali Party, which commemorates the late Sufi singer Nusrat Faeh Ali Khan. The group uses Pakistani qawwali melodic and propulsive rhythms as a basis for further improvisations.

Double bassist Noah Jarrett has played with John Abercrombie, George Garzone, Bob Gulotti, Bill Goodwin and numberous other New York City musicians. He continues to perform and record.


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Daily Dose Of Jazz…

Danilo Pérez was born on December 29, 1965 in Panama and started his musical training at 3 years old on bongos with his father Danilo Sr., a professional bandleader and singer. By age 10 he was studying the European Classical Piano repertoire at the National Conservatory in Panama, eventually transferring to the Berklee College of Music to study Jazz composition.

During the yeas 1985 to ’88 while at Berklee, Danilo played with Jon Hendricks, Terence Blanchard, Claudio Roditi and Paquito D’Rivera. He would go on to tour Poland in ’95 and play the Summer Olympics in Atlanta in ‘96 with Wynton Marsalis, be a part of the Grammy winning album Danzon, perform at President Clinton’s Inaugural Ball and played piano on the Bill Cosby theme song.

Perez has had the fortune to play and record with such luminaries as Charlie Haden, Michael Brecker, Jack DeJohnette, Dizzy Gillespie, Tito Puente, Joe Lovano, Gary Burton, Wayne Shorter, Tom Harrell, Roy Haynes, Steve Lacy and many others.

Pianist and composer Danilo Perez, whose primary influence of style and thought was Dizzy Gillespie, but as a child gleaned from the recordings the styles of Gershwin, Ellington, Coltrane and Monk. He has recorded over a dozen albums, served as a professor at the New England Conservatory of Music, and serves as the artistic director of the Berklee College of Music Global Jazz Institute.


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Daily Dose Of Jazz…

Michel Petrucciani was born on December 28 1962 in Orange, Vaucluse, France into a musical family with father playing guitar and brothers playing bass and guitar. He came into the world with a genetic disease that caused brittle bones and short stature. Due to this illness, throughout his career Michel was often carried to and from the piano when he performed.

Enthusiastic of Duke Ellington, his desire to be a pianist was driven by his main interest in jazz but trained for years as a classical musician giving his first professional concert at the age of 13. By the age of 18 he was part of a successful trio and in 1982 he moved to the US where he successfully encouraged Charles Lloyd to resume playing actively. Three years later, on February 22, 1985, with Petrucciani cradled in his arms, Lloyd walked onto the stage at Town Hall in New York City and sat him on his piano stool for what would be an historic evening in jazz history: the filming of One Night with Blue Note.

The following year Petrucciani recorded a live album with Wayne Shorter and Jim Hall and throughout his career has played with other greats like Dizzy Gillespie, Stephane Grappelli, Joe Lovano, Stanley Clark, Lenny White, Gil Goldstein and many others. He has recorded over thirty albums, wrote a biography, has a mosaic in the 18th district of Paris and in 1994 was granted a Legion d’honneur.

Michel Petrucciani, whose style is reminiscent of Bill Evans and Keith Jarrett, died on January 6, 1999 from a pulmonary infection, nine days after his 36th birthday. He was posthumously honored in 2009 with a special broadcast event on the French music channel Mezzo.


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Hollywood On 52nd Street

Papa’s Delicate Condition is a 1963 comedy that gave us ”Call Me Irresponsible” which became another jazz classic. Jimmy van Heusen composed the music and Sammy Cahn wrote the lyrics and the tune received an Oscar for Best Song.

The film starred Jackie Gleason and Glynis Johns and was adapted from the Corinne Griffith memoir of the same name. It recounted her father and growing up in Texarkana, Texas.

The Story: If Jack Griffith’s wife doesn’t like the color of a neighbor’s house, he’ll arrange for it to be a house of a different color. If the owner of the ice cream parlor doesn’t believe in selling triple banana splits for a penny, Jack will buy the establishment. And if Jack’s little girl wants the pony in the circus parade, why ot buy the entire circus! This last prank sends Amberlyn Griffith back to turn of the century Texarkana, c. 1900, where her father is running for his third term a mayor. Jack follows, bringing the entire circus.

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