Daily Dose Of Jazz…
Juul Johansson, better known as Mads Mathias, was born on January 9, 1981 in Silkeborg, Denmark and grew up partly in Tanzania. Growing up in a musical home, his exposure to music began at infancy, picking up the saxophone as his main instrument by age 11. A car accident at seventeen left his right hand injured, losing his index finger and half of two other fingers. Afraid that his days of playing the saxophone were over, he started singing and writing songs instead.
Inspired and influenced by the great jazz vocalists of the past and present from Nat King Cole and Frank Sinatra to Harry Connick Jr, and with a deep respect for the crooner tradition, Mathias is nevertheless an original talent with a unique and effortlessly charming vocal delivery and a skill for writing catchy and memorable, stylishly crafted tunes.
Fortunately the rehabilitation of his hand made him able to play the saxophone again and at age 20 he was entered the Rhythmic Music Conservatory, graduating in 2007.From an early age, Mads Mathias was a part of Jutland jazz scene and today is part of the Danish music scene: As a studio musician, he has contributed to several record releases and frequently used live dates.
In 2012 released debut solo album Free Falling which won him a Danish Music Award for “Best New Danish Jazz Artist of the Year”, He also won an Honorable Mention Award at one of the world’s largest songwriting competitions for his song “Fool for Love” and Kvintet with the addition of Espen Laub in addition to critical reviews and airplay on Danish radio.
Besides his own Mads Mathias Orchestra, Mads formed Mads Mathias Kvartet with Peter Rosendal, Regin Fuhlendorf and Morten Ankarfeldt and appears with The Danish Radio Big Band, Tivoli Big Band and Six City Stompers. The vocalist, songwriter and saxophonist continues to perform and record.
Put A Dose In Your Pocket
Daily Dose Of Jazz…
Maurice Brown was born on January 6, 1981 in Harvey, Illinois. Showing a remarkable affinity for the trumpet, he performed with Ramsey Lewis at Chicago’s Symphony Center while matriculating through Hillcrest High School. Following graduation, he received a full scholarship to attend Northern Illinois University, and later continued his studies at Southern University in Baton Rouge, Louisiana, where he worked with famed clarinetist Alvin Batiste.
Relocating to New Orleans shortly thereafter, Maurice began sitting in with numerous jazz veterans, including Clark Terry, Johnny Griffin, Ellis Marsalis and Lonnie Plaxico. He recorded as a sideman with Curtis Fuller, Fred Anderson, Roy Hargrove, Michelle Carr and Ernest Dawkins among others.
In 2001 Brown would win first place in the National Miles Davis Trumpet Competition and in 2003 he released his first album as a bandleader, heading his own quintet for Hip to Bop. The project showed an amazing affinity for bop-inflected jazz, along with a willingness to expand the genre’s lexicon through innovative techniques like playing trumpet solos through a wah-wah pedal.
Trumpeter Maurice Brown continues to live in New Orleans, playing both with his quintet and a hip-hop/funk combo called Soul’d U Out.
Dose A Day – Blues Away
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Daily Dose Of Jazz…
Peter Cincotti was born July 11, 1983 in New York City. The singer, songwriter and pianist started playing a toy piano at the age of three and attended the Horace Mann School. While in high school, he regularly performed at clubs throughout Manhattan and performed at the White House.
At the 2000 Montreux Jazz Festival he won an award for a rendition of Dizzy Gillespie’s “A Night In Tunisia” and in 2002 Peter reached No. 1 on the Billboard Traditional jazz Charts, the youngest solo artist to do so to date.
Cincotti appeared in a small role and contributed to the soundtrack of the 2004 Bobby Darin biopic Beyond The Sea, had a small role as the Piano Player in Spider-Man 2, and his song “December Boys” is featured in the 2007 film of the same name.
His self-titled debut album is a compilation of traditional jazz songs, while his second album, “On The Moon” featured some of the artist’s own songs, that was followed by his third “East of Angel Town”. Combining pop, jazz, rock and dance, Peter created his fourth studio album, “Metropolis” and released worldwide in the spring of 2012.
That same year, Peter and his sister Pia Cincotti wrote and produced an original full-length musical titled “How Deep Is The Ocean?” that debuted at The New York Musical Theater Festival to sold out audiences in New York. He continues to perform, compose, record and tour.
Inspire A Young Mind
Daily Dose Of Jazz…
Adolphus Anthony Cheatham, better known as Doc Cheatham was born on June 13, 1905 in Nashville, Tennessee. Growing up without jazz, he was introduced by early recordings and touring bands of the late 1910s. Abandoning family plans to be a pharmacist to play music, he retained the name Doc and started with the soprano and tenor saxophone in addition to trumpet in the African American Vaudeville theatre.
He toured the TOBA circuit (Theatre Owners Booking Association) accompanying blues singers but it wasn’t until his move to Chicago and hearing King Oliver that his focus turned to jazz. A year later Louis Armstrong added his influence on Doc’s playing. Cheatham went on to play with Ma Rainey, worked in the big bands of Bobby Lee, Wilbur de Paris, Chick Webb, Sam Wooding, Cab Calloway, Fletcher Henderson, Benny Carter, Claude Hopkins and Teddy Wilson through the 30s and 40s.
By the late 40s into the 50s Doc play in New York City Latin bands of Ricardo Ray, Marcelino Guerra, Perez Prado and Machito. In the 60s he led his own band for five years then worked with Benny Goodman. In the 70s he began singing after scatting during a Paris recording session, was well received and he continued to sing for the rest of his life.
Cheatham created his best work after the age of 70, winning a Grammy with Nicholas Payton and Butch Thompson for the Verve Record release of “Doc Cheatham and Nicholas Payton”. Trumpeter, singer and bandleader Doc Cheatham continued playing until two days before his passing on June 2, 1997, eleven days shy of his 92nd birthday.
Dose A Day – Blues Away
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From Broadway To 52nd Street
Sophisticated Ladies had a preview run of 15 shows beginning February 16th prior to its official opening at the Lunt Fontanne Theatre on March 1, 1981 and ran for 767 performances. Duke Ellington composed the music for the revue with a cast that included Gregory Hines, Judith Jamison, Phyllis Hyman, Hinton Battle, Gregg Burge and Mercer Ellington. Hines’ older brother Maurice joined the cast later in the run.
The score includes classic jazz tunes “Mood Indigo,” “Take The “A” Train, I’m Beginning To See The Light, Hit Me With A Hot Note and See Me Bounce, It Don’t Mean A Thing (If It Ain’t Got That Swing), I Let A Song Go Out Of My Heart, Old Man Blues, In A Sentimental Mood, Sophisticated Lady, Don’t Get Around Much Anymore, Satin Doll and I Got It Bad And That Ain’t Good among numerous others.
Jazz History: In the 1980s the jazz community shrank dramatically and split. A mainly older audience retained an interest in traditional and straight-ahead jazz styles. Wynton Marsalis strove to create music within what he believed was the tradition, creating extensions of small and large forms initially pioneered by such artists as Louis Armstrong and Duke Ellington. In the early part of the decade, a commercial form of jazz fusion called pop fusion or smooth jazz became successful and garnered significant radio airplay.
Smooth jazz received frequent airplay with more straight-ahead jazz in “Quiet Storm” time slots (a format begun at Howard University’s WHUR by host Melvin Lindsay) at radio stations in urban markets across the United States. This helped to establish or bolster the careers of Grover Washington, Jr., Kenny G, Kirk Whalum, Boney James and David Sanborn and vocalists including Al Jarreau, Anita Baker, Chaka Khan and Sade.
In this same time period “Echoes of an Era” was released by the sextet comprised of Chaka Khan (vocal), Joe Henderson (saxophone), Freddie Hubbard (trumpet), Chick Corea (piano), Stanley Clarke (bass) and Lenny White (drums). The quintet released another “Echoes” enlisting the vocal talents of Nancy Wilson. The quintet would also release two albums titled “The Griffith Park Collection”.
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