Daily Dose Of Jazz…
Cyril Blake was born October 22, 1900 in Trinidad and moved to England about 1918, where he sometimes performed under the stage name of “Midnight,” and quite often appearing well after midnight. He was an essential part of the freewheeling music scene of London in the decades both before and after World War II.
He became well versed in jazz, blasted away in rhythm & blues bands of various ethnic persuasions. and played in a British group called the Southern Syncopated Orchestra. Being a trumpet player and was working in both London and Paris clubs whilst the ’20s roared helped to skyrocket his career.
Working in Paris, France and London as a musician throughout the 1920s, in the 1930s he played in the bands of Leon Abbey, Happy Blake, Rudolph Dunbar, Leslie Thompson’s Emperors of Jazz, Joe Appleton, and Lauderic Caton. 1938 saw Cyril putting together his own band, which was centred on Jig’s Club in London but was also the house band for several other venues around Soho. He recorded several times with this ensemble and in the 1940s led his band behind Lord Kitchener for recordings on Parlophone Records, playing in a calypso style.
Late in his life he returned to Trinidad, where he continued to lead bands. Trumpeter Cyril Blake, along with Bertie King, Lauderic Caton and Brylo Ford were credited in the Who’s Who of British Jazz by John Chilton and influenced generations of British jazz musicians, passed away of an illness on December 3, 1951.
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Daily Dose Of Jazz…
Marc Alan Johnson was born on October 21, 1953 in Omaha, Nebraska but grew up in Texas. By the age of 19, he was working professionally with the Fort Worth Symphony, and during his matriculation at the University of North Texas, he played in the One O’Clock Lab Band and was also the principal bassist in the NTSU Symphony.
1978 saw Johnson joining pianist Bill Evans in what would be Evans’s last trio. He toured and recorded with Evans until the pianist’s death in 1980. In 2007 together with his wife Eliane Elias, he released an Evans tribute album, Something For You.
Marc has recorded albums with Joe Lovano, Michael Brecker, Stan Getz, Bob Brookmeyer, Gary Burton, John Abercrombie, Bill Frisell, Pat Metheny, Eliane Elias, Enrico Pieranunzi, Charles Lloyd, Joey Baron, Philly Joe Jones, Jack DeJohnette, Peter Erskine, Lee Konitz, Paul Motian, Joe Lovano, Toots Thielemans and the list goes on.
As a leader he led Bass Desires, a quartet with Bill Frisell, John Scofield and Peter Erskine, recording several albums for JMT, Verve and ECM record labels. He has received the Danish Music Award for Best Foreign Release, and bassist Marc Johnson continues to collaborate with Eliane as well as compose, record, perform and tour.
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Daily Dose Of Jazz…
Carl Kress was born on October 20, 1907 in Newark, New Jersey and started on piano before picking up the banjo. Beginning in 1926, he played guitar during his brief time as a member of the Paul Whiteman orchestra. For most of his career, he was a studio musician and sideman buried in large orchestras, and his name was little known.
During the 1920s and 1930s Carl worked recording sessions with The Boswell Sisters, The Dorsey Brothers, Bix Beiderbecke, Hoagy Carmichael, Miff Mole, Red Nichols, Adrian Rollini, and Frankie Trumbauer.
Outside of orchestras, Kress played in several guitar duets with Eddie Lang and Dick McDonough in the Thirties, Tony Mottola in 1941, and George Barnes in the Sixties. The late Thirties saw him recording as a solo with Peg Leg Shuffle, Helena, Love Song, Sutton Mutton and Afterthoughts. During the 1940s, he played Dixieland jazz with Bobby Hackett, Pee Wee Russell, and Muggsy Spanier.
Moving to New York City with his wife Helen who sang with the Satisifiers, Perry Como, Frank Sinatra and Jo Stafford. Guitarist Carl Kress continued a career as a bandleader and session player until his passing away of a heart attack on June 10, 1967 while he was on tour in Reno, Nevada.
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Daily Dose Of Jazz…
Rozanne Levine was born October 19, 1945 in New York City and grew up in the Bronx. She studied clarinet and guitar as a youth, performing with the school orchestra as a clarinetist. She went on to matriculate through the New York University College of Arts and Sciences with a degree in Psychology. During the same period she took clarinet lessons with Perry Robinson.
By the end of the 1970s she was clarinetist in William Parker’s and Patricia Nicholson Parker ‘s Centering Music / Dance Ensemble. Since the early 1980s, she has also worked with saxophonist Mark Whitecage in his Glass House Ensemble. In 1993 she again joined William Parker and became a member of the Improvisors Collective. At the same time, she founded her group, Christal Clarinets, with Perry Robinson, Anthony Braxton and Joe Fonda.
Levine also worked with Jemeel Moondoc, Theo Jörgensmann, Steve Swell, Gerry Hemingway, Billy Bang, Polly Bradfield, Tristan Honsinger, Dennis Charles, Charles Brackeen, Jemeel Moondoc among others. In the duo RoMarkable with Mark Whitcage, she improvises to his sound sculptures. She composes chakra tuning for her ensemble and uses her own photographs as a starting point for collective imprints. In 1989, she received the commission Grant From The Painted Bride Art Center for her musical and photographic work.
Improvisational clarinetist, composer and photographer Rozanne Levine passed away on June 18, 2013.
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Daily Dose Of Jazz…
Paul Evans was born on October 18, 1904 in Lawrence, Kansas. Picking up the nickname Stump, originated in his petite size, he was largely taught music by his father, an alto horn player named Clarence Evans. He started out on the same instrument, stretching into trombone for a position in the Lawrence High School Band.
Switching back to alto saxophone not too far into his professional career, he soon became known as one of the better baritone sax players on the scene. He had a reputation for brandishing the full array of saxophones through his many band jobs, even playing the justifiably obscure C-Melody saxophone.
A move to Chicago saw him gigging with a variety of groups including King Oliver’s Original Creole Orchestra, Jelly Roll Morton, Kid Ory and Erskine Tate. He had to quit the latter band due to tuberculosis. Saxophonist Stump Evans passed away from tuberculosis at age 24 on August 29, 1928 in Douglas County, Kansas.
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