Daily Dose Of Jazz…

Ron Blake was born on September 7, 1965 in San Juan, Puerto Rico. He was eight when he began studying the guitar, and at the age of ten, he started learning to play the saxophone after being exposed to the record collection of his father, who was seriously into hard bop, soul-jazz and organ combos.His first saxophone was an alto, but eventually, he learned the tenor, soprano, and baritone saxes, as well as the flute.

After leaving home for the Midwest, Ron graduated from the Interlochen Arts Academy in Michigan before moving to the Chicago area and attending Northwestern University in Evanston, Illinois. Though studying classical saxophone with Dr. Frederick Hemke, jazz ultimately won out. By the late Eighties he was playing a lot of bop gigs in Chi-Town, crossing paths with tenor man Von Freeman and pianist Jodie Christian.

Blake moved to Florida in 1991 to accept a teaching position at the University of South Florida. Then it was off to New York City the following year where he spent five years in trumpeter Roy Hargrove’s quintet and seven years in flugelhornist Art Farmer’s group. By the early 2000s, he was leading his own quartet, which included pianist Shedrick Mitchell, bassist Reuben Rogers, and drummer Greg Hutchinson.

Releasing his first album as a leader, Up Front & Personal on the Tahmun label in 2000, was followed in 2003 with a Christian McBride-produced Lest We Forget on the  Mack Avenue release that found Ron paying tribute to three soul-jazz greats who had died: saxophonists Grover Washington, Jr. and Stanley Turrentine, and organist Charles Earland.

He is a member of the Saturday Night Live Band, Dion Parson & 21st Century Band and the Grammy-winning Christian McBride Big Band. As an educator he holds a position as professor of Jazz studies at The Juilliard School. His discography has four albums as a leader/co-leader and has more than fifty credits as a sideman for Roy Hargrove, Art Farmer, Reuben Rogers, Joey DeFrancesco, Razor & Tie, Ropeadope, Gerald Wilson, Latin pop group, Yerba Buena, Jack DeJohnette,  Michael Cain, Regina Carter,  among others.

Saxophonist Ron Blake is also a band leader, composer and music educator who continues to compose, record, and perform.

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Charles Moffett was born on September 6, 1929 in Fort Worth, Texas, and attended I.M. Terrell High School with Ornette Coleman. Before switching to drums, he began his musical career as a trumpeter. At age 13, he played trumpet with Jimmy Witherspoon and later formed a band, the Jam Jivers, with fellow students Coleman and Prince Lasha. After switching to drums, Moffett briefly performed with Little Richard.

Upon discharge from the United States Navy, Charles pursued a short career in boxing before studying music at Huston-Tillotson College in Austin, Texas. In 1953 he began teaching music at a Rosenberg, Texas public school.

1961 saw him moving to New York City to work with Coleman but the saxophonist soon went into a brief retirement period. Moffett worked with Sonny Rollins, recorded with Archie Shepp on the album Four for Trane, and led a group that included Pharoah Sanders and Carla Bley.

Upon Coleman’s return to performing in 1964, he formed a trio with bassist David Izenzon and Moffett,who also performed on vibraphone. He began teaching music again at New York Public Schools as a way to make ends meet when Coleman made only sporadic performances. He then moved to Oakland, California, where he served as the city’s music director, and was later the principal of the alternative Odyssey public school in Berkeley in the mid-1970s.

The title of his first solo album as a leader was The Gift, a reference to his love of teaching music. His then 7-year-old son Codaryl played drums on that album. Moffett later returned to Brooklyn, New York and taught at PS 142 Stranahan Junior High School. He would go on to record two more albums as a leader and another 28 as a sideman working with Coleman, Shepp, Eric Dolphy, Harold McNair, Joe McPhee, Charles Tyler Ensemble, Bob Thiele Emergency, Frank Lowe, Ahmed Abdullah, Sonny Simmons, Keshavan Maslak and Kenny Millions.

Free jazz drummer Charles Moffett passed away on February 14, 1997 but left us his legacy in his music and his children, double bassist Charnett Moffett, drummer Codaryl “Cody” Moffett, vocalist Charisse Moffett, trumpeter Mondre Moffett, and saxophonist Charles Moffett, Jr.


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Daily Dose Of Jazz…

Otis “Candy” Finch Jr. was born on September 5, 1933 in Detroit, Michigan. He is presumed to be the son of saxophonist Otis Finch Sr. , who performed  with John Lee Hooker and the Boogie Ramblers. Learning to play drums as a child he went on to perform and record in the 1960s in trio and quartet settings with among others Shirley Scott, Stanley Turrentine during the Blue Note years, and with John Patton, Grant Green, Bobby Hutcherson, Billy Mitchell and Dave Burns.

With Turrentine he recorded from 1962 and 1964 at Blue Note with Bob Cranshaw, Blue Mitchell, Curtis Fuller, Herbie Hancock, Herbie Lewis and Les McCann. In 1967 he accompanied Dizzy Gillespie on the Impulse! album Swing Low, Sweet Cadillac. The following year he joined Dizzy’s Reunion Big Band  and performed with them at the Berlin Jazz Festival. He is a modern style swing drummer and was active in the 1960s and 1970s.

Bebop and swing drummer Candy Finch passed away on July 13, 1982 in Seattle, Washington. He was never recorded as a leader.


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Michael Cochrane was born September 4, 1948 in Peekskill, Westchester County, New York. A pianist by choice, in 1956 he started piano lessons at the age of eight. He continued to perform throughout his high school years in band program under the direction of Vincent Corozine. During these teen years was when he received his first exposure to jazz and the big band sound.

He would go on to enroll at Boston University studying science and math while taking an after school music program at Berklee College of Music. By his junior year in school, the jazz bug had bitten, he switched majors, graduated with a degree in psychology and became a regular on the local Boston jazz scene.

For the next four years  Boston was home until he moved to New York City and began a long collaboration with trumpeter Hannibal Marvin Peterson. They toured the world and eventually recorded One With the Wind for Muse Records. He has performed and/or recorded with artists including Sonny Fortune, Jack Walrath, Eddie Gomez, Valery Ponomorev, Paul Nash, John Clark, Clark Terry, Nancy Monroe, Chip White, Michael Brecker, Chico Freeman, Galen Abdur Razzaq, The Spirit Of Life Ensemble, Bob Ferrel, The New World Quintet, Ted Curson, Oliver Lake, Oliver Lake, Sonny Fortune, Tom Harrell, Bob Malach, Dennis Irwin, James Madison and many more.

He has recorded for SteepleChase Records, as well as Soul Note and Landmark Records. Michael has received fellowships from the National Endowment For The Arts, the The Puffin Foundation and the Mid-Atlantic Arts Foundation. Pianist Michael Cochrane has studied with Jaki Byard, Eleanor Hancock and Madame Margaret Chaloff, and is currently a New York University Jazz Piano faculty member and continues to perform, record and tour.

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Emil Richards was born Emilio Joseph Radocchia on September 2, 1932 in Hartford, Connecticut.  He began playing the xylophone at age six and went on to graduate from the Julius Hartt School of Music. He took private lessons from Asher George Zlotnik and performed with the Hartford Symphony Orchestra and with various jazz musicians in New England.

After serving as Assistant Band Leader of the First Cavalry Army Band for two years, his career took off. He became first call percussionists for jazz, rock and other popular music as well as performing on countless movie and television soundtracks.

In 1954 Emil moved to New York City and played jazz gigs with Charles Mingus, Ed Shaughnessy and Ed Thigpen, while doing studio recordings for artists such as Perry Como, the Ray Charles Singers and Mitch Aires. In 1955 Emil joined the George Shearing Quintet and stayed with the group for over four years, playing 51 weeks a year.

1959 saw Richards settling in Los Angeles,California and working with the Paul Horn Quintet, Jimmy Witherspoon, the Shorty Rogers Big Band, Don Ellis, Lalo Schifrin, Dizzy Gillespie, Stan Kenton, Shelly Manne, Alphonse Mouzon, Dakota Staton, Gábor Szabó, Lenny Bruce and Lord Buckley. He also recorded with Frank Sinatra, Nelson Riddle, Judy Garland, Sarah Vaughan and Doris Day. In 1962, in response to a request from President John F. Kennedy, he and a small jazz combo joined Sinatra on a tour around the world for the benefit of underprivileged children.

He would go on to work with Harry Partch, go on a world tour, then return to Los Angeles to perform and record with among others the Beach Boys, Jan and Dean, Bing Crosby and Nat Cole, Frank Zappa’s Abnuceals Emuukha Electric Symphony Orchestra. He also worked on film scores for Jerry Goldsmith, John Williams, Henry Mancini, Elmer Bernstein, Johnny Mandel, Quincy Jones, Oliver Nelson, Neal Hefti, Lalo Schifrin, Dave Grusin, Michel Legrand, Alex North and Bill Conti, to name a few.

Emil began collecting ethnic percussion instruments that became so diverse and expansive that is became known as the Emil Richards Collection. Having served several terms on the Board of Directors for the Percussive Arts Society, and donating the largest single-donor collection of instruments to the society museum, he directed the sale of part of the collection to be sold to the L.A. Percussion Rentals so that the instruments continue to be heard.

Percussionist Emil Richards remains active in Musicians’ Union Local 47 as part of their campaign to get musicians credited in the film industry.


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