Daily Dose Of Jazz…

Donald Tyson Ewell was born in Baltimore, Maryland on November 14, 1916. He played with Bill Reinhardt’s Jazz, Ltd. band in Chicago, Illinois in 1947, 1948, and 1949. From 1956 to 1962, he was a member of the Jack Teagarden band and after Teagarden’s death, he went on tour in Europe.

Returning to New Orleans, Louisiana he performed in clubs and hotels. From 1976 to 1978 he performed in concert while battling alcoholism, he lived with his friend King Denton, the manager of a jazz club where Don was Artist in Residence.

He worked with Sidney Bechet, Kid Ory, George Lewis, George Brunis, Muggsy Spanier, and Bunk Johnson. He recorded twenty-one albums as a leader and seven as a sideman with Barbara Dane, Doc Evans, Bunk Johnson, Jack Teagarden. Moving back to Maryland. After his daughter’s death from cancer and after two strokes, stride pianist Don Ewell passed away on August 9, 1983.

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Daily Dose Of Jazz…

David Friedrich Dallwitz was born on October 25, 1914 in Freeling, South Australia. He studied violin as a child and after moving with his family to Adelaide, South Australia in 1930, he developed an aptitude for jazz piano. Beginning in 1933 for two years he studied concurrently at the South Australian School of Art and the North Adelaide School of Fine Art.

He led the Southern Jazz Group, a Dixieland band that performed at the first Australian Jazz Convention. Abandoning jazz for a period, he studied at the Elder Conservatorium of Music, composing symphonic and chamber music and taking up bassoon and cello. He became involved in composing and arranging music for revues, leading to the formation of the Flinders Street Revue Company, for which he also directed and played piano.

Returning to jazz in 1970, he resumed recording. He worked with Australian progressive musicians such as John Sangster, Bob Barnard, and Len Barnard. He led the Dave Dallwitz Ragtime Ensemble.

Pianist, bandleader, composer, and arranger, painter, and art teacher Dave Dallwitz, who led jazz, Dixieland and ragtime bands, passed away on March 24, 2003 in Adelaide after finishing the artwork for his album The Dave Dallwitz Big Band live at Wollongong, December 1984.

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Daily Dose Of Jazz…

Jimmy Archey was born on October 12, 1902 in Norfolk, Virginia. He began playing when he was twelve and was getting professional gigs a year later. He studied at Hampton Institute from 1915 to 1919, played in Atlantic City, New Jersey for a while before moving to New York City in 1923.

During the Roaring Twenties, he played with Edgar Hayes, Most noteworthy for his work was in several prominent jazz orchestras and big bands of his time, including leading one of his own. He performed and recorded with the James P. Johnson Orchestra, King Oliver, Fats Waller, and the Luis Russell Orchestra, among others.

The late 1930s saw Archey participating in big bands that simultaneously featured musicians such as Benny Carter, Coleman Hawkins, Cab Calloway, Duke Ellington, and Claude Hopkins. In the 1940s he toured France with Mezz Mezzrow and in the 1950s, he spent much of his time working with New Orleans revivalist bands with artists such as Bob Wilber and Earl Hines.

Becoming a bandleader, during the next few years, he headed a sextet, which in 1952 had trumpeter Henry Goodwin, Benny Waters on clarinet and pianist Dick Wellstood. A major yet underrated musician, his only sessions recorded as a leader were for Nec Plus Ultra, the French Barclay and the 77 label. Trombonist Jimmy Archey passed away on November 16, 1967 in Amityville, New York.

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George Girard was born on October 7, 1930 in Jefferson Parish, Louisiana. In high school, he studied music under Johnny Wiggs and became a professional musician immediately after graduating in 1946. He played and toured with the bands of Johnny Archer and Phil Zito before co-founding the band The Basin Street Six, made up mostly of friends he had grown up with, including clarinetist Pete Fountain. The band got a regular gig at L’Enfant’s Restaurant in New Orleans, as well as regular television broadcasts over WWL. The band started receiving favorable national attention, but Girard was dissatisfied with it and broke up the band in 1954.

He found his own band, George Girard & the New Orleans Five which included trombonist Bob Havens, drummer Paul Edwards, and bassist Bob Coquille. He landed a residency at the Famous Door in the French Quarter, recorded for several labels, and got a weekly broadcast on CBS. His ambitions to make a national name for himself and the musical ability to do so fell short of time as he became ill and in 1956 had to give up playing.

Trumpeter George Girard, a member of the Basin Street Six whose technical ability combined Dixieland and big band style trumpet, passed away from colon cancer in New Orleans, Louisiana on January 18, 1957.

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Big Chief Russell Moore was a Pima American Indian born on August 13, 1912 in Komatke, Arizona and lived in Blue Island, Illinois from age twelve, where he studied trumpet, piano, drums, French horn, and trombone. Moving to Los Angeles, California in the early 1930s, he worked freelance with Lionel Hampton, Eddie Barefield, and others. Departing Los Angeles for New Orleans, Louisiana in 1939, he worked with Oscar Celestin, Kid Rena, A.J. Piron, Paul Barbarin, Ernie Fields, Harlan Leonard, and Noble Sissle.

He played with Louis Armstrong’s last big band from 1944 to ‘47, then worked freelance on the Dixieland jazz circuit. The 1950s saw him playing with Ruby Braff, Pee Wee Russell, Eddie Condon, Wild Bill Davison, Jimmy McPartland, Tony Parenti, Mezz Mezzrow, Sidney Bechet, and Buck Clayton. He returned to play in the Louis Armstrong All-Stars in 1964–65, but fell ill and had to leave the group. After recovering he led a Dixieland group of his own, which toured Canada repeatedly.

He worked with pianist Eddie Wilcox shortly before Wilcox died in 1968, then played with Cozy Cole in 1977 and Keith Smith in 1981. Trombonist Big Chief Russell Moore, who recorded as a leader for Vogue, Trutone, and Jazz Art record labels, passed away in Nyack, New York on December 15, 1983.

GRIOTS GALLERY

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