Daily Dose Of Jazz…
Barry Miles was born Barry Miles Silverlight on March 28, 1947 in Newark, New Jersey and grew up in North Plainfield, New Jersey. In 1956 he joined the musicians union at age nine as a child prodigy on drums, piano and vibraphone appearing with Miles Davis and John Coltrane among other talents of the day. He appeared live and on television shows including To Tell the Truth, Dick Van Dyke’s variety show, and The Andy Williams Show.
In 1961 at age fourteen he made his solo artist debut recording, “Miles of Genius”, as drummer and composer with sidemen Al Hall and Duke Jordan. Miles continued to perform with his own band in the early 1960s in which he composed the material that enabled up and coming talents such as Woody Shaw, Eddie Gómez and Robin Kenyatta to display their talents.
While a student at Princeton University he concentrated on his piano playing, recording a live album in 1966 entitled Barry Miles Presents His Syncretic Compositions. He followed in 1969 with the eponymously titled album, Barry Miles, incorporating electric instruments.
The Seventies saw him recruiting his brother Terry Silverlight on drums along with guitarists Pat Martino and John Abercrombie to record his White Heat album, which is regarded as one of the pioneering fusion jazz recordings. For the next decade, Miles recorded several albums in which he developed the principle of fusing styles together in jazz.
In the late 1970s and throughout the 1980s, Barry went on to work as Roberta Flack’s musical director for a stint that lasted fifteen years. During that time he composed, produced and recorded songs that Flack recorded in the film Bustin’ Loose, and on her album Oasis. He established a long-lasting relationship with Al Di Meola as his performing, recording and co-producing keyboardist.
He wrote the instruction book, “Twelve Themes With Improvisations”, and is currently out of print. In 2013, he released Home and Away, Volume One, his first album as a leader in 27 years. Pianist, record producer and author Barry Miles continues to perform, record and produce.
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Daily Dose Of Jazz…
Robert Philip Militello a.k.a. Bobby M. was born on March 25, 1950 in Buffalo, New York. He was groomed by the legendary Sam Scamacca at Buffalo’s iconic Lafayette High School in the 1960s.
During the Seventies, Militello went on tour with Maynard Ferguson and returned to Buffalo in the early 1980s to work as a freelance musician.
Moving to Los Angeles, California he spent the rest of the 1980s and early 1990s as a member of orchestras led by Bill Holman and Bob Florence. He toured and recorded with Dave Brubeck from 1982 to 2012.
Saxophonist and flautist Bobby Militello leads a quartet that performs concerts dedicated to Brubeck.
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Daily Dose Of Jazz…
Layla Angulo was born March 12, 1976 to a Greek mother and an Irish-American father and started playing the piano at age 6. However, it was her grandfather’s upright bass playing that inspired her to learn the saxophone at age 10. She began playing in jazz clubs during high school. After graduation, she played in various funk, jazz, and pop and groups and performed as the horn section leader of various salsa bands around the Northwest.
Developing the idea to write her own music. Soon after Layla released her debut album, Live at The Triple Door, was recorded at the noted Seattle theater in 2005. The album’s first single Que Te Vaya Bien was Top 10 for three months. Mientras, her sophomore album, was recorded in New York with Arturo O’Farrill, Oscar Estagnaro, Tony Escapa, and Dario Escanazi and released in 2008.
Moving to New York City in 2009, she subsequently spent a year on tour with reggaeton artist Don Omar. Her third album TriAngulo gave up a single, No Se Como Olvidarte that rose to #16 on the Billboard Tropical Charts. Another song from TriAngulo, La Pelicula, reached #1 in the National Latin Record Pool.
On March 24, 2015, the International Songwriting Competition announced its 2014 Finalists, including Layla’s song Dame Todo.
Alto saxophonist, composer, singer, band director, and recording artist known professionally by the mononym Layla, continues to specialize in Latin music.
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Daily Dose Of Jazz…
Eddie Wasserman was born on March 5, 1923 in Smackover, Arkansas. Growing up he had played the saxophone with many black kids in the neighborhood. After his father died, he moved with his mother to Tyler, Texas and it’s where he fell in love with jazz. His first paid job was in a dance band at age 14.
At the onset of World War II in 1941, Wasserman attended New York’s Juilliard School for a couple of years but he was soon drafted and wasn’t discharged until 1946. He returned to Juilliard to complete his studies and graduated in 1948, and that’s when he started playing with Benny Goodman. In addition to playing with Goodman, he was in big-band live and studio recordings led by Artie Shaw, Manny Albam, Stan Kenton, Louie Bellson and Chico O’Farrell, with whom he co-led a big band in 1953.
By 1955, big band work was beginning to dry up on the East Coast was starting to dry up. On the request of an agent O’Farrell and Wasserman formed a small group to play Latin music in Miami Beach, Florida. Not a good experience but Eddie’s late-1950s quartet recordings with Gene Krupa were great recordings.
Given that the youth-culture explosion in 1966 was changing the face of music, jazz was no longer an ideal way for him to earn a living. So giving up the road and having a degree in education, he became an assistant director of the concert band at Clifton High School in New Jersey. He continued to play club dates and find work in Broadway pit bands.
Saxophonist, clarinetist and flutist Eddie Wasserman died after suffering a heart attack on May 27, 1992. He was 69.
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Daily Dose Of Jazz…
Ernest “EC3 Coleman III was born a second generation musician in Naples, Italy on February 9, 1963 to Ernest and Rebecca Coleman. His father, Ernest Jr. was a jazz musician who played tenor saxophone and was a great arranger and composer.
He studied at the Naval Conservatory of Music in Norfolk, Virginia and was awarded a special honor for being the youngest student to graduate from this conservatory. Moving to Los Angeles, California after his tour with the Navy Band, EC began his true musical quest performing for Guys & Dolls, Ain’t Misbehavin, and A Chorus Line.
Getting the call to work with Loretta Holloway in Las Vegas, Nevada he opened for Jay Leno, Bill Cosby, David Brenner, Yakov Smirnoff, Whoopi Goldberg, Don Rickles and many many more. Coleman took over as Loretta’s musical director and traveled around the world. For twelve years.
He eventually got called to play with jazz bassist Al McKibbon. Excited to get the call, he auditioned and got booked for The Bourbon Street Review show. For three years this was his training ground. Al being like a second father to him, they lived together for many years and this was where he attained most of his great knowledge of music.
When the show closed Billy Higgins was there to offer EC work with saxophonist Azar Lawrence and for the next year and a half they were on the road. A move to Las Vegas, Nevada saw him working with Frank Sinatra’s pianist and conductor Vincent Falcone. Meeting jazz pianist Kevin Toney led him to play with Kevin bassist Brad Bobo.
He went on to work with Kenny Burrell, Russell Malone, Lorendo Alameida, Lorez Alexandria, John Clayton, George Cables, Herman Riley, Charlie Owens, Frank Sinatra, Vic Damone, Diahann Carroll, Pudgy, and the orchestras of Caesar Palace, Harrah’s Tahoe and Reno, and The Las Vegas Symphony.
Since then he embarked on a solo career as a leader, recording eight albums and producing thirteen records for Misha, Wendy C, Wendy B, Rayshun Lamarr, Zac Williams, Fabian, and Troy “Sol” Edler.
Drummer, producer and bandleader Ernest “EC3” Coleman continues to expand the language of his musical talent.
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