Daily Dose Of Jazz…
Bernie Glow was born on February 6, 1926 in New York, New York. During the Second World War while attending The High School of Music & Art he played in bands with Stan Getz, Tiny Khan, Shorty Rogers and George Wallington. Early on his influences were Snooky Young with the Jimmie Lunceford band, and Billy Butterfield with Benny Goodman.
At just sixteen and out of high school, Glow spent a year on the road with the Richard Himber Orchestra. Two years later he performed first with Xavier Cugat and then Raymond Scott on CBS radio. At the end of the war he played lead trumpet with the Artie Shaw band. Following that stint, he worked with Boyd Raeburn.
1949 saw the twenty-three year old retiring from the road after more than a year with Woody Herman and his famous Second Herd. Bernie worked as a trumpet player in big bands, Latin bands and dance orchestras. He performed in theaters, dance halls, night clubs and on the radio around Manhattan. This was the final preparation that launched him into the burgeoning commercial and studio scene.
During the last years of the big-band era his first-call studio work included Miles Davis, Frank Sinatra, Ella Fitzgerald and did thousands of radio and television recording sessions. Many of these studio big-band sessions were led by composer/arrangers Nelson Riddle, Quincy Jones and Oliver Nelson.
Trumpeter and sideman Bernie Glow, who played on the seminal Miles Davis and Gil Evans collaborations Miles Ahead, Porgy and Bess, Sketches of Spain, and Quiet Nights, died of a blood disorder in Manhasset, New York at the age of 56 on May 8, 1982.
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Daily Dose Of Jazz…
Alejandro Vargas Rodríguez was born on February 4, 1980 in Havana, Cuba and started his musical studies at six years old, receiving lessons from Joel Rodríguez Milord, Ulises Hernández and Harold Gramatges. These continued until he graduated as a concert pianist from the University ISA (Instituto Superior de Arte) in Havana. He completed his studies with different seminars led by Herbie Hancock, Chucho Valdés, Danilo Pérez or Jorge Luis Prats.
When he was 20 he recorded his first album Calor, performing the arrangements of Benny Moré compositions. He began his jazz career performing at the Festival Jazz Plaza while attending college.
Forming his first jazz trio he competed in the 2001 in the Jojazz competition winning 1st Prize. Two years later his band Alejandro Vargas and Oriental Quartet is one of the most recognized in the country. With this fame he began touring internationally and his album Trapiche recorded in was awarded the best jazz jazz album of the year in Cubadisco contest in 2008.
Experimenting with a wide range of styles he moves from abstract to traditional where jazz standards and popular Cuban music are taken to the aesthetic of free improvisation. His trio plays between the contemporary and the afrocuban. For two years in 2006 he was a professor of Harmony and Popular Piano at the University of Havana and worked as a composer of audio visual and documentary at the school of international cinema of San Antonio de los Baños.
Developing an intense work on free improvisation and free jazz, he continually explores new horizons. Pianist Alejandro Vargas Rodríguez is currently recording a new trio album across different landscapes from the sonority of the oriental organ evoking the rural Cuban fields to mambo to the blues to Monk’s minimalism.
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Daily Dose Of Jazz…
Hector Rivera was born on January 26, 1933 in New York, New York. He had been playing for over a decade, beginning in the early 1950s when he joined the band of Elmo Garcia as a teenager. Making his recorded debut as a bandleader in 1957 when Garcia didn’t have enough material prepared, Mercury Records asked if he had any music. Wanting to record a solo album Mercury offered to record him as a solo artist, issuing his debut, Let’s Cha Cha Cha.
Over the next few years, Rivera would be known mostly as a sideman to bandleaders Joe Cuba, Pacheco, and vocalist Vincento Valdez. He made his biggest splash as a bandleader with the 1966 album At the Party, with a large band featuring several trumpet players and percussionists, as well as bassist Cachao.
Dividing his approach between instrumentals and vocals, he employed several singers, including David Coleman who is most heard on the At the Party album. The success of the title cut enabled Hector to cut several more albums, along with continuing to write and arrange. He would go on to participate in projects for Ray Barretto, Machito, and Tito Puente among others.
Pianist, arranger, composer, bandleader and producer Hector Rivera who was one of the more renowned performers of the Latin soul genre, died on January 8, 2006 in his hometown.
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Daily Dose Of Jazz…
Ronald Edward Cuber was born on December 25, 1941 in Brooklyn, New York. In 1959 he was playing tenor saxophone when he joined Marshall Brown’s Newport Youth Band at eighteen, but switched to the baritone. His first notable work was with Slide Hampton in 1962 and then went with Maynard Ferguson the following year until 1965. George Benson recruited him for a year in ‘66 to 1967.
As a leader he was known for hard bop and Latin jazz, the latter with Eddie Palmieri, As a sideman he played outside the genre with B. B. King, Paul Simon, Eric Clapton, J. Geils Band, and one of his most spirited performances is on Dr. Lonnie Smith’s 1970 Blue Note album Drives. He was also a member of the Saturday Night Live Band.
Ronnie played with Frank Zappa on the live album Zappa in New York, which was recorded in 1976. He went on to gain membership in the Lee Konitz nonet from 1977 to 1979.He was a member of the Mingus Big Band from its inception in the early 1990s until his death. He performed as an off-screen musician for the movie Across the Universe.
Baritone saxophonist Ronnie Cuber, who also played soprano and tenor saxophones, clarinet and flute, died at the age of 80 on October 7, 2022 in his New York’s Upper West Side studio from internal injuries sustained after a fall that could not be treated due to overwhelming Covid patients at the start of the pandemic.
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Daily Dose Of Jazz…
Nathan Gershman was born Nathan Gerschman on November 29, 1917 in Philadelphia, Pennsylvania. He received classical training at the Curtis Institute of Music, graduating in 1940 and from that point in his life he played with the Cleveland Orchestra.
In 1947 Nathan moved to New York City to work as a studio musician, then worked in the same capacity in Los Angeles, California after 1954. Three years later he replaced Fred Katz as cellist in Chico Hamilton’s band, playing and recording in his band until 1961. As a jazz musician, he worked with Nat Adderley, Gábor Szabó, and Ronnie Laws during the 1970s.
Gershman was frequently active as a session player and studio musician for television, theater, and recordings in and around Los Angeles from the Sixties into the 1990s. He recorded on albums by David Axelrod, The Beach Boys, Geronimo Black, David Bromberg, Neil Diamond, Lee Hazlewood, Wayne Henderson, Van Dyke Parks, Esther Phillips, and Pleasure.
Cellist and session musician Nathan Gershman, who played in popular music, jazz, and classical idioms, died on September 13, 2008 in the North Hollywood neighborhood of Los Angeles, California.
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