Daily Dose Of Jazz…

Rico Belled was born in the Netherlands on May 9, 1970 to Spanish/Swiss parents. Growing up in a multicultural environment, with a pianist father, he was exposed to many styles of music. He started playing piano at age 11, exploring everything from classical music to jazz. At 15 he started playing gigs with local bands doing pop and blues, while slowly getting interested in the bass, which he started practicing at age 17.

In 1989, while studying electrical engineering at the TU Delft, Rico met Roy Cruz in The Hague and joined his weekly Sunday night band at De Pater, exploring the world of Funk and Jazz playing Fender Rhodes. During these sessions they broke down all stylistic walls from playing Weather Report tunes to full on James Brown Funk, featuring as many as 10 people on the little stage. Here he got an education in the art of jamming.

Realizing music was his passion, in 1992 Belled gave up engineering and moved to Los Angeles, California and attended the Musicians Institute in Hollywood. Post graduation he was already playing with a few different groups in the Los Angeles area and in the following years made a name for himself as a bass and keyboard session musician. His breakthrough came when he joined Wrecking Crew pianist Don Randi and the house band at the Baked Potato in 1994. A two year residency offered the opportunity to lead his own group performing his original music at the club.

This led to him performing and recording with Marc Antoine, The Dan Band, Sound Assembly, Jeff Robinson, Leslie Paula’s Latin Soul Band, Liza Minelli, Chris Standring, Scott Grimes, Keiko Matsui and many others. He has co-written and published music with Mindi Abair and Jeff Robinson. All this led to him being asked to join the Rippingtons, starting with recording the album ‘Modern Art’, for which he received a Grammy Nomination in 2010. Still a member, bassist Rico Belled remains one of the top bassists in Los Angeles, known for his deep groove and versatility, staying busy live and in the studio.

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Daily Dose Of Jazz…

Edgar Melvin Sampson was born on October 31, 1907 in New York City, New York. He began playing violin aged six and picked up the saxophone in high school, then started his professional career in 1924 in a violin piano duo with Joe Colman. Through the rest of the 1920s and early 1930s, he played with many big bands, including those of Charlie “Fess” Johnson, Duke Ellington, Rex Stewart and Fletcher Henderson.

In 1934, Sampson joined the Chick Webb outfit and during his period he created his most enduring work as a composer, writing Stompin’ at the Savoy and Don’t Be That Way. Leaving Webb in 1936, his reputation as a composer and arranger led to freelance work with Benny Goodman, Artie Shaw, Red Norvo, Teddy Hill, Teddy Wilson and Webb.

Becoming a student of the Schillinger System in the early 1940s, Edgar continued to play saxophone through the late 1940s and started his own band at the end of the decade. He worked with Latin performers such as Marcelino Guerra, Tito Rodríguez and Tito Puente as an arranger.

He recorded one album under his own name, Swing Softly Sweet Sampson, in 1956. Due to illness, he stopped working in the late Sixties. Composer, arranger, saxophonist, and violinist Edgar Sampson, nicknamed The Lamb, transitioned on January 16, 1973.

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Daily Dose Of Jazz…

Alan Lee was born on July 29, 1936 in Melbourne, Australia. He was one of the first Australian jazz musicians to fuse classical music with jazz and to utilize Latin American rhythms in his music.

He led several jazz bands in Melbourne and Sydney from the late 1950s through the 1980s. Some of his recorded albums include his Seventies’ projects Gallery Concerts, The Alan Lee Jazz Quartet, Moomba Jazz ’76, Live from the Dallas Brooks Hall, and Alan Lee and Friends: Jazz at the Hyde Park Hotel in 1990, among others.

Bandleader, vibraphonist, guitarist, and percussionist Alan Lee at 86 continues to dabble in music.

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Daily Dose Of Jazz…

Dick Collins was born Richard Harrison Collins on July 19, 1924 in Seattle, Washington into a musical family where several of his parents and grandparents were professional musicians. He attended Mills College in 1946–47, where he studied music formally under Darius Milhaud, and moved with Milhaud to Paris, France for the next academic year. As a student at Mills, he first met Dave Brubeck, and while in Paris he played with Hubert Fol and Kenny Clarke.

Returning to the States he landed in San Francisco, California where he began playing with Brubeck in his Bay Area-based octet, then completed his bachelor’s degree in music at San Francisco State College. In the 1950s he performed and recorded with Charlie Barnet, Charlie Mariano, Nat Pierce, Paul Desmond, Cal Tjader, and Woody Herman. By 1957 Dick was working with Les Brown, an association that continued for nearly a decade that included worldwide tours.

In 1965, Collins took a position as a music librarian, which he held through 1967, and took a second position from 1971 to 1986, mostly receding from active performance. In later years, he still occasionally performed live or recorded, including with Nat Pierce, Mary Ann McCall, and Woody Herman.

Trumpeter Dick Collins transitioned on April 19, 2016 in Hesperia, California, at the age of 91.

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Daily Dose Of Jazz…

Brenda Hopkins Miranda was born July 14th, and raised in San Juan, Puerto Rico. Her childhood was filled with sounds from all over the world and from an early age her profound sensibilities led her to intuitively reject stylistic boundaries. She began her musical path at the age of five with piano, ballet and painting lessons at Bonneville School. Her remarkable talent got her admission to the Conservatorio de Música de Puerto Rico to begin undergraduate studies in Classical Piano at 16 while still attending high school.

Holding a Bachelors Magna cum Laude degree in Classical Piano from the Conservatorio, she was awarded a Berklee School of Music scholarship, received a Masters degree with honors in Contemporary Improvisation from New England Conservatory, and completed Doctoral Studies in Musicology at the Universidad de Granada in Spain.

As a bandleader Hopkins Miranda has released six recordings between 1998 and 2017 with her last four albums making the top 20, with three of them in the top 10 and two in the top 5 album list. A recognized composer and artist on several short films and documentaries, throughout her professional career she has been active as a first call pianist on international tours for a host of Latin American artists like Ricardo Montaner, Gilberto Santa Rosa, Marco Antonio Muñiz, Pandora, Ednita Nazario, Glenn Monroig, Yolandita Monge and many others.

In 2006 Brenda moved to Granada, Spain for two years to pursue a PHD in musicology at the Universidad de Granada. She successfully auditioned. Brenda is also a groundbreaking pioneer in education. She was the winner of the Gilles Boulet 2014 first prize and medal awarded in Florianopolis, Brazil by the Interamerican Organization for Higher Education and has created over 300 creativity exercises for musicians. Brenda gives music creativity workshops all over the world.

Pianist, composer, arranger, improviser, bandleader, and producer Brenda Hopkins Miranda currently is a professor at the Universidad Interamericana Recinto Metropolitano Music Program. She continues to perform.

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