Daily Dose Of Jazz…
John Troy was born on June 3, 1989 in Buffalo, New York. He began playing the saxophone at age twelve. After showing exceptional ability in the classical realm throughout middle school, with the tutelage of William Eicher, his attention gradually turned toward the study of Jazz Saxophone. He honed his skills with lead alto saxophone for Concert and Jazz All-County Ensembles, and New York All-State Bands as well.
John played both lead alto and tenor in the Fredonia Jazz Ensemble, student big band. He can be heard on the 2009 release of the FJE’s, Still Kickin’ and his debut album All Ahead Flank. He led his own small groups, Jazz Quintessential, and an organ trio, the JT Trio both with significant success.
He has performed and/or studied with the likes of Eric Alexander, Grant Stewart, Ralph Lalama, Todd Coolman, Tim Armacost, Chris Potter, Tom Harrell, Stacy Dillard, Hal Galper, Arturo O’ Farrell, and Pete Malinverni, among others.
Tenor saxophonist John Troy continues to find his musical way through performance and recording in the hard bop genre..
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Daily Dose Of Jazz…
Barron W. “Barry” Rogers was born on May 22, 1935 in The Bronx, New York descended from Polish Jews whose name was originally Rogenstein, and was raised in Spanish Harlem. His father and several of his uncles sang in a choir and his mother taught in Africa and Mexico, inspiring an interest in music from other nations. Mambo and jazz were popular in his neighborhood.
As a student of jazz trombonists Jack Teagarden, Lawrence Brown, and J. C. Higginbotham’s playing, he began performing Latin music in the mid-1950s and would be most associated with it from then on. He developed his style while working with Eddie Palmieri, and Willie Colón regarded Rogers as his strongest musical influence and would feature him in many of his productions. Bobby Valentín would feature Rogers in his song El Jíbaro y la Naturaleza, which led Marvin Santiago to nickname him El Terror de los Trombones for the record.
Rogers worked with Israel “Cachao” López, Machito, Manny Oquendo, Celia Cruz, Tito Puente, Cheo Feliciano, Johnny Pacheco, Chino Rodríguez, and the Fania All-Stars. He was a founding member of the band Dreams with Michael Brecker, Randy Brecker, and Billy Cobham. He also worked with George Benson, David Byrne, Ron Carter, Aretha Franklin, Don Grolnick, Bob James, Elton John, Chaka Khan, Bob Moses, Todd Rundgren, Carly Simon, Spyro Gyra, James Taylor, Jimmy Ponder and Grover Washington Jr. as well as others too numerous to name in pop, r&b and rock genres.
Trombonist Barry Rogers, who performed in the jazz and salsa mediums, died suddenly in Washington Heights, Manhattan at the age of 55 on April 18, 1991.
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Daily Dose Of Jazz…
Sergio Lara was born on May 21, 1959 in Mexico City, Mexico and started playing guitar at age nine. Very early he discovered and began studying several musical styles with his greatest influences being John McLaughlin, Jorge Strunz, Paco de Lucia, Tony Rice, Norman Blake, Sam Bush and David Grisman, among others.
Lara appeared on the international music scene in 1983 with the release of his first solo album titled Sergiology. During the following years he formed his own band, New Acoustic Unit, in Nashville, Tennessee and San Antonio, Texas. In 1994 he released a sophomore album Guitarras Hermanas, the first one for Higher Octave Music. This album of all original music, also included a new instrumental version of the very popular and romantic song Sabor a Mi.
1996 saw Sergio releasing his next product titled Two Guitars-One Passion, which received worldwide attention because of its original combination of different musical styles. Throughout the balance of the 1990s he recorded two more albums with instrumental versions of classic songs and his original compositions.
Omn the new millennium he continued to record albums for his new independent label Fusion Acustica Music. With a career that covers many years and more than ten albums under his name, he has shared the stage with Al Di Meola, Larry Carlton, Bireli Lagrene, Dr. John, Craig Chaquico, Joe Sample, Strunz & Farah, Bela Fleck, Sam Bush, Paquito D’Rivera, Julio Iglesias and Ray Charles.
Guitarist Sergio Lara continues to explore new possibilities inside the world of contemporary instrumental music and sharing improvisation.
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Daily Dose Of Jazz…
Ralph Humphrey was born on May 11, 1944 in Berkeley California. While still a student at California State College Northridge he recorded with the Don Ellis Big Band in 1968, and stayed with the band until 1973.
Leaving Don Ellis and jazz he joined Frank Zappa’s band in 1973 and his drumming can be heard on at least a dozen albums. Humphrey, never far from jazz, played drums for Wayne Shorter, Al Jarreau, and Manhattan Transfer, as well aas pop stars Barbra Streisand, José Feliciano, Bette Midler, Captain and Tenille, Richard Carpenter. His music has been heard in television series such as American Idol, Charmed, The Simpsons, Family Guy, and more.
As an educator he has taught the drum curriculum at the Los Angeles Music Academy. He and Joe Porcaro created the drum program for the Percussion Institute of Technology, a part of the Musicians Institute in Hollywood, California. Between 1980 and 1996 he taught the program and headed the department.
Drummer Ralph Humphrey, whose name has been spelled differently in some credits as Humphry or Humphries, continues to perform, record, tour and educate.
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Daily Dose Of Jazz…
Julius Wechter was born on May 10, 1935 in Chicago, Illinois and studied and learned to play the vibraphone and percussion, which he did with the Martin Denny group by the time he was out of highschool in the 1950s. The early Sixties saw him moving to movie soundtracks, television and session work for the Beach Boys, the Monkees, Sonny & Cher, and various Phil Spector productions.
His long and successful association with Herb Alpert and his Tijuana Brass started when he played percussion on their first hit, The Lonely Bull in 1962. He later composed Spanish Flea. He went on to play marimba and vibes on many of Alpert’s songs in the 1960s, as well as writing at least one song on most of those albums.
Encouraged by Alpert, he formed the Baja Marimba Band which was quite successful, hitting four chart songs in Billboard’s Top 100, and numerous on its Easy Listening Top 40. Disbanding in the mid Seventies, Julius turned his attention to television and movies again, but continued to play with Alpert.
In his later years, he devoted himself to psychology, earned a master’s degree, and served as vice president of the Southern California chapter of the Tourette Syndrome Association.
Marimba and vibraphonist Julius Wechter died on February 1, 1999 at his home in California of lung cancer, at the age of 63, a day after his song Spanish Flea was used in The Simpsons episode Sunday, Cruddy Sunday.
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