Daily Dose Of Jazz…

Randy Weston was born April 6, 1926 in Brooklyn, New York of Jamaican heritage and studied classical piano and dance as a child. He attended and graduated from Boys High School in Bedford-Stuyvesant taking piano lessons from Professor Atwell who allowed him to play outside the classical music paradigm. Among his piano heroes are Count Basie, Nat King Cole, Art Tatum, Duke Ellington and his cousin Wynton Kelly but it was Thelonious Monk who had the greatest impact.

After serving in the Army during World War II he ran a restaurant that was frequented by many of the leading bebop musicians. In the late 1940s Weston began gigging with bands including Bullmoose Jackson, Frank Culley and Eddie “Cleanhead” Vinson. He worked with Kenny Dorham in 1953 and Cecil Payne in ’54 before forming his own trio and quartet. That same year he recorded and released his debut as a leader, Cole Porter In A Modern Mood.

In 1955 Randy was voted “New Star Pianist” in Down Beat magazine’s International Critics’ Poll. Several fine albums followed, with the best being Little Niles near the end of that decade for which trombonist Melba Liston provided arrangements for a sextet playing his compositions.

By the 1960s, Weston’s music prominently incorporated African elements, and again teamed up with arranger Melba Liston on two albums, a large-scale suite Uhuru Afrika and Highlife. During these years his band often featured the tenor saxophonist Booker Ervin, traveled throughout Africa, settled in Morocco, running the African Rhythm Club in Tangier from 1967 to 1972 and produced a best-selling record for CTI titled Blue Moses on which he plays electric keyboard.

For a long stretch Weston recorded infrequently on smaller record labels but in 1992 he released a two-CD recording The Spirits of Our Ancestors featuring once again arrangements by his long-time collaborator Melba Liston as well as Dizzy Gillespie and Pharoah Sanders guest playing. He would go on to produced a series of albums in a variety of formats: solo, trio, mid-sized groups, and collaborations with the Gnawa musicians of Morocco.

Among his many honors and awards he has received the French Order of Arts and Letters, Japan’s Swing Journal Award, the Black Star Award, the NEA Jazz Master. Randy has been given honorary degrees from Brooklyn College, City University of New York and Colby College, was the recipient of a Guggenheim Fellowship, has been honored by King Mohammed VI of Morocco, and he has been celebrated in a “Giant of Jazz” concert with all-star musicians Monty Alexander, Geri Allen, Cyrus Chestnut,, Barry Harris, Mulgrew Miller, and Billy Taylor.

After more than five decades devoted to music, pianist and composer Randy Weston continues to perform throughout the Americas, Africa, Asia, the Caribbean, and Europe and uses Ghananian master drummer Kofi Ghanaba’s composition “Love, the Mystery Of…” as his theme song for some 40 years.


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Herbert Alpert was born on March 31, 1935 and raised in the Boyle Heights section of East Los Angeles, California. His family was Jewish, emigrating from Radomyshl, now present day Ukraine and Romania. His father, a talented mandolin player, his mother taught violin, and his older brother a drummer. He began trumpet lessons at the age of eight and played at dances as a teenager. Acquiring an early wire recorder in high school, he experimented on this crude equipment.

Following graduation in 1952, he joined the U.S. Army and frequently performed at military ceremonies. After his service in the Army, Alpert tried his hand at acting, but eventually settled on pursuing a career in music. While attending the University of Southern California he became a member of the USC Trojan Marching Band, and appeared in the un-credited role as “Drummer on Mt. Sinai” in the film The Ten Commandments in 1056. In 1962, he had an un-credited part in a scene in the film Mr. Hobbs Takes A Vacation, playing a solo in a dance band.

In 1957, Alpert teamed up with Rob Weerts, co-wrote a number of Top 20 hits including Baby Talk for Jan & Dean and Wonderful World for Sam Cooke. By 1960 he was signed with RCA Records as a vocalist under the name of Dore Alpert.

In 1962 along with Jerry Moss they founded A&M Records and their very first hit was “The Lonely Bull” adapted from the mariachi bands and the cheers of bullfighting spectators. The title song reached No. 6 on the Billboard Pop Singles chart and became A&M’s first album with the original release number being #101.

By the end of 1964, with top session players he began touring with the Tijuana Brass. Television specials followed by 1967, as well as two albums, Whipped Cream and Other Delights and Going Places. The single “A Taste Of Honey” won a Grammy Award for Record of the Year.

The Brass would go on to perform the title tack to the first movie version of Casino Royale in 1967. His music would be used on The Dating Game, bringing him greater exposure. The band would win six Grammy Awards, fifteen of their albums went gold, fourteen platinum, and in 1966 outsold the Beatles.

 Alpert’s only No. 1 single during this period, and the first No. 1 hit for his A&M label, was a solo effort of “This Guy’s In Love With You” by Bacharach/David. In the 1970s, 1980s, and 1990s, Alpert enjoyed a successful solo career. In 1979 he had his biggest instrumental hit titled “Rise”. He would go on to work with Jimmy Jam, Terry Lewis, Janet Jackson and Lisa Keith. He performs with Gato Barbieri, Rita Coolidge, Brian Culbertson, and others. With his wife kani Hall (Sergio Mendes fame), they have released the live album Anything Goes. In 2013, he released a new album, Steppin’ Out which won a Grammy.

Herb and Moss received a Grammy Trustees Award, a Grammy Lifetime Achievement Award, he was awarded the National Medal of Arts by President Obama in 2013, has a star on the Hollywood Walk Of Fame, and received the “El Premio Billboard” for his contributions to Latin music. Trumpeter, pianist, vocalist, composer, arranger, songwriter, record producer of jazz, Latin and pop music continues to perform, record and tour.


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Daily Dose Of Jazz…

Ximo Tebar born Maximum Tébar in Valencia, Spain on March 30, 1963 and began playing the guitar at age seven. By seventeen he decided to pursue music professionally. Since then, he has toured and recorded throughout Spain, Europe and the Americas leading his own group or with Johnny Griffin, Benny Golson, Joe Lovano, Tom Harrell, Tete Montoliu, Anthony Jackson, Lou Bennett, Lou Donaldson, Louie Bellson, Joey DeFrancesco, Jan Ackerman and too many to mention.

He has played all the major festivals, won awards for best soloist two consecutive years of 1989-90, moved to New York City in 2003 and entered the jazz scene playing with the likes of Anthony Jackson, Arturo O’Farrill, Dave Samuels, in Clubs like Smoke, Dizzy’s and Birdland. Signing with Sunnyside Records he played on numerous sessions and produced recordings.

Considered by international critics specialized as the creator of the Son Mediterranean, his 14 discs consists of traditional jazz  “The Jazz Guitar Trios” comprising 4 volumes recorded with the best organists including Joey DeFrancesco, Dr. Lonnie Smith, Lou Bennett, Idris Muhammad, Billy Brooks and many others.

Guitarist Ximo Tebar currently resides between Valencia and New York, tours, records, produces and holds master classes and seminars, is the director of his label Omix Records and artistic director of one of the most innovative projects in Spain, “Ivam Jazz Ensemble”, an initiative of the IVAM (Museum of Modern Art in Valencia) that promotes creation and experimentation programs about modern music and jazz continuously as an integrated part of the museum’s activities.


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Michael Leonard Brecker was born on March 29, 1949 in Philadelphia, Pennsylvania and raised in the suburb of Cheltenham Township. Exposed to jazz at an early age by his father, an amateur jazz pianist, he grew up as part of the generation of jazz musicians who saw rock music not as the enemy but as a viable musical option. He began studying clarinet then moved to alto saxophone in school, and eventually settling on the tenor as his instrument of choice.

Graduating high school he entered Indiana University for a year before moving to New York City in 1969. He carved out a niche for himself as a dynamic and exciting jazz soloist and first made his mark at age 21 as a member of the jazz-rock band Dreams that included his older brother, trumpeter Randy Brecker and drummer Billy Cobham. Though the band was short-lived it attracted Miles Davis to attend some of their gigs.

Brecker went on to work with Horace Silver and Billy Cobham before teaming with his brother to form the Brecker Brothers. Following the jazz-rock trends of the time, but with more attention to structured arrangements, a heavier backbeat, and a stronger rock influence, the band stayed together from 1975 to 1982, with consistent success and musicality.

Michael was in great demand as a soloist and sideman from mainstream jazz to mainstream rock and played on over 700 albums with James Taylor, Paul Simon, Steely Dan, Lou Reed, Donald Fagen, Dire Straits, Bruce Springsteen, Frank Zappa, Parliament Funkadelic and Joni Mitchell as well as Frank Sinatra, Herbie hancock, Chick Corea, Chet Baker, George Benson, Quincy Jones, Charles Mingus, Jaco Pastorious, McCoy Tyner and Elvin Jones. And that is the short list.

During the early 1980s, he was a member of NBC’s Saturday Night Live Band, co-led the group Steps Ahead, he recorded a solo album ning him back towards more traditional jazz. As a leader throughout the 1990s and 2000s, Michael won multiple Grammy Awards of which one was for Directions In Music: Live At Massey Hall with Herbie Hancock and Roy Hargrove. He consistently sold out his solo and group tours in major cities worldwide.

While performing at the Mount Fuji Jazz Festival in 2004, Brecker experienced a sharp pain in his back. Shortly thereafter in 2005, he was diagnosed with the blood disorder myelodysplastic syndrome or MDS. Unable to find a matching stem cell donor, and an experimental partial match that proved unsuccessful, he played his final public appearance with Herbie Hancock at Carnegie Hall in 2006.

On January 13, 2007, tenor saxophonist Michael Brecker passed away from complications of leukemia in New York City. He was awarded two posthumous Grammy awards for his involvement on his brother Randy’s 2005 album Some Skunk Funk, his final recording, Pilgrimage that same year, and again posthumously awarded two additional Grammy Awards for this album in the categories of Best Jazz Instrumental Solo and Best Jazz Instrumental Album, bringing his Grammy total to 15. He was awarded an Honorary Doctorate from Berklee College of Music and inducted into the Down Beat Jazz Hall of Fame.


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Flip Phillips was born Joseph Edward Filipelli on March 26, 1915 in Brooklyn, New York. In the mid-1940s, he was one of the anchors of the Woody Herman band, and also played with the Woodchoppers, a small spin-off group that Herman led. After this period he went out on his own and joined Jazz at the Philharmonic. His deep, strong and articulate playing with a very full sound contrasted him to his successors such as Stan Getz in the subsequent Herman bands.

Phillips recorded extensively for Clef Records, now Verve, in the 1940s and 1950s, including a 1949 album of small-group tracks under his leadership, with Buddy Morrow, Tommy Turk, Kai Winding, Sonny Criss, Ray Brown and Shelly Manne. He accompanied Billie Holiday on her 1952 Billie Holiday Sings album. He became a frequent player at the Odessa Jazz Party in Odessa, Texas from 1971 to 1991.

Tenor saxophonist and clarinet player Flip Phillips, best known for his work with Jazz At The Philharmonic from 1946 to 1957, passed away in Fort Lauderdale, Florida on August 17, 2001 at the age of 86.


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