Daily Dose Of Jazz…
Antoine Roney was born on April 1, 1963 in Philadelphia, Pennsylvania and started out musically learning to play the clarinet but soon turned his attention to the saxophone after his older brother Wallace turned him on to John Coltrane’s Live at Birdland album.
Roney graduated from the Duke Ellington School of the Arts in Washington, DC and then went on to attend college at the Hartt School of Music of the University of Hartford, where he studied with alto saxophonist, Jackie McLean.
Throughout the 80s and 90s Antoine worked as a sideman with McLean, Donald Byrd, Clifford Jordan, Ted Curson, John Patton, Rashied Ali, Arthur Taylor, Jesse Davis, Ravi Coltrane, Michael Carvin, Geri Allen, Chick Corea and Elvin Jones.
Roney released his first album The Traveler” in 1992 followed with his sophomore project “Whirling” in 1996. To date he has released five albums as a leader, and participated in Miles Davis tribute project Bitches Brew Revisited, with drummer Cindy Blackman. The tenor and soprano saxophonist continues to perform and tour extensively with his trio.
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Daily Dose Of Jazz…
Ralph MacDonald was born on March 15, 1944 in Harlem, New York under the close mentorship of his Trinbagonian father, Patrick MacDonald, a calypsonian and bandleader known on stage as “Macbeth the Great”. He began showing his musical talent, particularly the steelpan and at 17 started playing pan for the Harry Belafonte show.
Remaining with the Belafonte band for a decade, he struck out on his own in 1967, together with Bill Eaton and William Salter, he formed Anisitia Music, based in Stamford, Connecticut.
MacDonald’s composition Where Is The Love written with Salter was recorded in 1971 by Roberta Flack and Donny Hathaway, won a Grammy for Best Pop Performance by a Duo or Group with Vocal and received a gold record status. One of his best-known compositions, Just The Two Of Us” was recorded by Bill Withers with saxophone by Grover Washington, Jr reached #2 on the Billboard Hot 100 and has been sampled by many.
Ralph worked with Quincy Jones, Ron Carter, Milt Jackson, Paul Desmond, Max Roach, Don Sebesky, Shirley Scott, Arif Mardin, Hubert Laws, Bob James, David Sanborn, George Benson, Roberta Flack, Donny Hathaway, Patti Austin, Bernard Purdie and Grover Washington as well as Burt Bacharach, Carle King, Aretha Franklin, Billy Joel, Average White Band, Art Garfunkel, Ashford & Simpson and numerous others.
He travelled regularly back to Trinidad and Tobago, where he renewed his work in the steelpan, “beating iron” in “The Engine Room”, a steel band’s rhythm section is often called. At 12:50 AM on Sunday, December 18, 2011, songwriter, arranger, record producer, percussionist Ralph MacDonald passed away of lung cancer.
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Daily Dsoe Of Jazz…
Hilliard Greene was born on February 26, 1958. Taking up the double bass, his studies have been a thirty-year journey that included matriculating through Berklee College of Music and the University of Northern Iowa. His emphasis has been classical, jazz, blues, rock, R&B, tango and music of other countries and regions.
Hill, as he is known, was musical director for balladeer and jazz vocalist Jimmy Scott for 20 years. He has served as concertmaster for Cecil Taylor’s ensemble Phtongos and was a member of the Don Pullen Trio. His list of who’s who that he has performed and/or toured with include but not limited to Gloria Lynne, Jacky Terrasson, Rashied Ali, Leroy Jenkins, Jimmy Ponder, Eddie Gladden, Vanessa Rubin, Yoron Israel, Cindy Blackman, Electric Symphony, Charles Gayle, Jack Walrath, Don Pullen, Dave Douglas, Bobby Watson, Greg Osby, Kenny Barron, Joanne Brackeen, Carla Cook, Josh Roseman, John Hicks, and the Village Vanguard Orchestra.
Greene, as a bandleader, has released three albums with his ensemble The Jazz Expressions and a solo album titled “Alone”. As an educator, he is currently on the faculty of the Bass Collective in New York City and he teaches privately doing workshops and master classes in double bass and bass guitar for both children and adults.
Double bassist Hilliard Greene, whose concentration lies in Modern Creative and improvised music, performs widely in the New York City area in recitals, nightclubs, recordings, television and radio programs, in addition to throughout Europe, United States, Asia and South America.
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Daily Dose Of Jazz…
Wingy Manone was born Joseph Matthews Manone on February 13, 1900 in New Orleans, Louisiana. He lost an arm in a streetcar accident, which resulted in his nickname of “Wingy”. He used prosthesis so naturally and unnoticeably that his disability was not apparent to the public.
After playing trumpet and cornet professionally with various bands in his hometown, Manone began to travel across America in the 1920s, working in Chicago, New York City, Texas, Mobile, California, St. Louis and other locations; he continued to travel widely throughout the United States and Canada for decades.
Wingy’s was a frequently recruited musician for recording sessions. He played and recorded with Benny Goodman and recorded fronting various pickup groups under pseudonyms like “The Cellar Boys” and “Barbecue Joe and His Hot Dogs.” His hit records included “Tar Paper Stomp” was later used as the basis for Glenn Miller’s “In The Mood” and a hot 1934 version of a sweet ballad of the time “The Isle of Capri”.
In 1943 he recorded several tunes as “Wingy Manone and His Cats”, performed in Soundies movie musicals and his autobiography, Trumpet on the Wing, was published in 1948. From the 1950s he was based mostly in California and Las Vegas, although he also toured through North America and Europe appearing at jazz festivals. In 1957, he attempted to break into the teenage rock-and-roll market with his version of Party Doll but never rose higher than 56 on the Billboard pop charts.
He composed numerous songs and in 2008, “There’ll Come a Time (Wait and See)” was used in the soundtrack to the Academy Award-nominated movie The Curious Case of Benjamin Button. Trumpeter, vocalist, composer and bandleader Wingy Manone remained active until his passing on July 9, 1982 in Las Vegas at the age of 82.
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Zoltan Sagi was born in Hungary on February 10, 1956. He attended the Guildhall School of Music studying clarinet with Robert Earle and later Frank Allen at Warwick University. Self-taught on saxophone, he draw much of his inspiration from Johnny Hodges, Cannonball Adderley and Stan Getz.
His early career was spent playing in dance bands and in New Orleans jazz genre playing in festivals stateside and overseas. This was followed by a period as an educator as Director of Music and a country music service manager. He spent two and a half years extensively touring the world with Chris Barber.
Zoltan has recorded numerous CD’s and other recordings as a freelance session musician and has also appeared with such musicians as Earl Warren, Benny Waters, Kenny Davern, Bob Humphrey Lyttleton, Marty Grosz, Digby Fairweather, Duncan Swift, , Janusz Carmello, Bill Coleman, Greg Abate, Alan Barnes, Paul Degville and John Barnes among many others.
Has worked extensively both in this country and abroad. His experience spans from New Orleans jazz to jazz fusion. Sagi has been a part of several groups including Harlem, Swing Syndicate and The Charleston Chasers. Clarinetist Zoltan Sagi also plays all saxophones and currently performs with the Sticky Wicket Big Band, the Big Chris Barber Band, the Stars of British Jazz and with his own quartets and trios.
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