Daily Dose Of Jazz…
Jon Ballantyne was born on October 8, 1963 in Saskatchewan, Canada and started playing piano at a very early age with formal study at the age of six. His father Fred a pianist and both parents jazz enthusiasts, he was listening to Miles Davis, Thelonious Monk, Bill Evans and Duke Ellington records from the time he was born. His mother also took him to see Oscar Peterson when he was five.
After the early years of trying to understand his father’s blues-based approach to piano, classical piano studies, and a stint in a garage rock band as a young teenager, Jon decided to immerse himself in jazz and won a scholarship to North Texas State University. As an honors student there, he was asked to play in small group formats with visiting artists Elvin Jones, Ron Carter, Joe Henderson, Nat Adderley, Michael Brecker, Emily Remler, Bob Mintzer and Peter Erskine.
He went on to study at the Banff Centre in Alberta, Canada with Dave Holland, Dave Liebman, Ed Blackwell, Lee Konitz, Cecil Taylor, Kenny Wheeler, John Abercrombie, Don Thompson, Julian Priester, Karl Berger, Eddie Marshall and Steve Coleman. He also studied in New York with Barry Harris, Kenny Barron, Richie Beirach, Hal Galper and JoAnn Brackeen.
This led to a performance career sharing the stage and studio with Joe Henderosn, Roy Haynes, Dewey Redman, Pepper Adams, Billy Hart, Paul Bley, Phil Woods, Bill Goodwin, Drew Gress, Don Braden, Joe LaBarbera, Ray Drummond, Bennie Wallace, Avishai Cohen, Clark Terry, Jimmy Guiffre, P. J. Perry and a host of others.
An educator, Jon has conducted clinics at the Sibelius Academy in Helsinki, the University of Colorado at Boulder, University of Northern Colorado, McGill University, University of Toronto and Concordia University in Montreal. He has recorded nine jazz albums and received two Juno Awards. Based in Manhattan, pianist Jon Ballantyne continues to perform, record and lead a quartet featuring bassist Boris Kozlov, drummer Jeff Hirshfield and saxophonist/bass clarinetist Douglas Yates.
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Daily Dose Of Jazz…
Aaron Parks was born on October 7, 1983 in Seattle, Washington. He studied piano at the University of Washington at the age of 14 through the Transition School and Early Entrance Program as a double major in computer science and music. At 15 he was selected to participate in the GRAMMY High School Jazz Ensembles, which inspired him to move to New York City and transfer to the Manhattan School of Music.
During his final year in school Aaron began touring with Terence Blanchard’s band and recorded three albums with him for Blue Note Records, including the Grammy-winning A Tale of God’s Will (A Requiem for Katrina). He went on to tour with Kurt Rosenwinkel, and he has recorded for Blue Note as a leader. He is a member of James Farm, a quartet with saxophonist Joshua Redman, bassist Matt Penman and drummer Eric Harland.
Parks has seven albums to his credit as a leader, and more the two-dozen as a sideman working with Daisuke Abe, Amanda Baisinger, Walter Smith III, Kendrick Scott, Christian Scott, Gretchen Parlato, Lage Lund and many others. He can be heard on the soundtracks to Their Eyes Were Watching God and Spike Lee films Inside Man, She Hate Me and When The Levees Broke.
He won first place as a Cole Porter Fellow of the American Pianists Association, and third place at the Jas Hennessy Piano Solo Competition at Montreux and in the Thelonious Monk International Jazz Piano Competition. Pianist Aaron Parks continues to compose, record, perform and tour.
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Daily Dose Of Jazz…
Steve Swallow was born October 4, 1940 in Fair Lawn, New York. As a child, he studied piano and trumpet before turning to the double bass at age 14. While attending a prep school, he began trying his hand in jazz improvisation. While attending Yale and studying composition he left oin 1960, settled in New York and began playing in Jimmy Guiffre’s trio with Paul Bley. By 1964 he was with Art Farmer’s quartet where he began to write and during this period his long association with Gary Burton’s various bands commenced.
The early 1970s saw Swallow switching exclusively to the five-string electric bass guitar, encouraged by his favorite drummer Roy Haynes. Along with Monk Montgomery and Bob Cranshaw was one of the firsts to do so. He was an early adopter of the high C string and use of the upper register.
In 1974-76 Steve taught at the Berklee College of Music, contributed several of his compositions to the Berklee students who assembled the first edition of The Real Book. He later recorded an album of the same name, with the picture of a well-worn, coffee-stained Real Book on the cover. By 1978 he became an essential and constant member of Carla Bley’s band and her romantic partner since the 1980s. He toured extensively with John Scofield in the early Eighties, returning to this collaboration several times over the years.
Swallow has consistently won the electric bass category in Down Beat yearly polls, both Critics’ and Readers’, since the mid-80s. His compositions have been covered by, among others, Bill Evans, Chcick Corea, Stan Getz, Gary Burton and Jim Hall, who recorded his very first tune, Eiderdown. He has performed or recorded with Don Ellis, Dave Douglas, Steve Kuhn, Pete La Roca, Joe Lovano, Michael Mantler, Gary McFarland, Pat Metheny, Paul Motian, Jimmy Raney, Zoot Sims, Tore Johansen and George Russell.
Bassist Steve Swallow, who performs in the genres of cool, fusion, avant-garde, free, post-bop and hard bop jazz, has fourteen albums to his credit as a leader an co-leader and continues to perform, compose, record and tour.
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Daily Dose Of Jazz…
Dave Holland was born on October 1, 1946 in Wolverhampton, England and taught himself to play stringed instruments, beginning at four on the ukelele, then graduating to guitar and later bass guitar. He quit school at the age of 15 to pursue his profession in a top 40 band, but soon gravitated to jazz. After seeing an issue of Down Beat magazine where Ray Brow had won the critics’ poll for best bass player, he went to a record store, and bought a couple of LPs featuring Brown backing pianist Oscar Peterson and also two Leroy Vinnegar albums. He was also drawn to Charles Mingus and Jimmy Garrison.
A move to London in 1964 saw Dave played acoustic bass in small venues and studying with James Edward Merrett, principal bassist of the Philharmonia Orchestra, who taught him to sight read and then recommended he apply to the Guildhall School of Music and Drama. HoBy age 20, he was keeping a busy schedule in school, studios and Ronnie Scott’s Jazz Club. There he played in bands that supported such touring American jazz saxophonists as Coleman Hawkins, Ben Webster and Joe Henderson as well as John McLaughlin, Evan Parker, John Surman, Chris McGregor, John Stevens and Kenny Wheeler.
In 1968, Miles Davis and Philly Joe Jones heard him at Ronnie Scott’s Jazz Club, playing in a combo that opened for the Bill Evans Trio. Jones told Holland that Davis wanted him to join his band, replacing Ron Carter. Two weeks later he was given three days’ notice to fly to New York for an engagement at Count Basie’s nightclub and his two years with Davis began. His first recordings with Davis were in September 1968, and he appears on half of the album Filles de Kilimanjaro with Chick Corea, Wayne Shorter and Tony Williams. He also appeared on the albums In A Silent Way and Bitches Brew that led to his playing more electric bass with a wah-wah pedal as Davis’ music evolved into more electronic and amp-based.
Post Davis, Holland briefly joined the avant-garde jazz group Circle with Chick Corea, Barry Altshul and Anthony Braxton and recorded a few albums. He would go on to work as a leader and as a sideman with many other jazz artists in the 1970s recording and performing with Sam Rivers, Airto Moreira, Steve Grossman, Keith Jarrett Jack DeJohnette, Gary Bartz, Stan Getz, John Abercrombie and Bonnie Raitt. During the 80’s he worked with his first quintet featuring of Steve Coleman, Kenny Wheeler, Julian Priester or Robin Eubanks; formed a trio with DeJohnette and Coleman, and a quartet with Coleman, Kevin Eubanks and Marvin “Smitty” Smith.
From the 1990s onward Holland renewed an affiliation with Joe Henderson to record So Near, So Far, Porgy & Bess and Joe Henderson Big Band. He reunited with Betty Carter for the Feed The Fire recording, Herbie Hancock’s recordings of The New Standard and the Grammy Album of the Year session, River: The Joni Letters.
Dave continued to create new groups, new music and new recordings winning Best Large Ensemble Album Grammys for his work; he has won Down Beat’s Critics Poll for Musician of the Year, Big Band of the Year, and Acoustic Bassist of the Year, the Jazz Journalists’ Association also honored him as Musician and Acoustic Bassist of the Year; and has received the Miles Davis Award at the Montreal Jazz Festival, among numerous other honors and doctorates from Berklee College of Music, New England Conservatory and the Birmingham Conservatory in England..
As an educator, he has served as the artistic director of the Banff Summer Jazz Workshop, has tught workshops and master classes worldwide at universities and music schools, and is President of the UK-based National Youth Jazz Collective. Double bassist, composer and bandleader Dave Holland continues to perform, record and tour.
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Daily Dose Of Jazz…
Antonio Hart was born on September 30, 1968 in Baltimore, Maryland. He attended the Baltimore School for the Arts initially trained as a classical musician. After graduating he attended and studied with Andy McGhee at Berklee College of Music and his interest turned to jazz. This was followed by a master’s degree from Queens College, city University of New York.
He gained recognition for his work with Roy Hargrove and has performed an recorded with Robin Eubanks, Dave Holland, McCoy Tyner, and Dee Dee Bridgewater. He has recorded nine albums as a leader
Alto saxophonist Antonio Hart is a member of the Alpha Phi Alpha fraternity and currently continues to perform, record and tour in conjunction with his serving as a. full-time professor of jazz studies in Aaron Copland School of Music at Queens College City University of New York.
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