Daily Dose Of Jazz…
Jon Faddis was born July 24, 1953 in Oakland, California and studied music and trumpet as a child. At 18, he joined Lionel Hampton’s big band followed with tenure in the Thad Jones/Mel Lewis Orchestra as lead trumpet. After playing with Charles Mingus, he became a noted studio musician in New York, appearing on many pop recordings in the late 1970s and early 1980s.
The mid-Eighties saw Jon leaving the studios to pursue his solo career, which resulted in albums like Legacy, Into The Faddisphere and Hornucopia. Becoming the director and main trumpet soloist of the Dizzy Gillespie 70th Birthday Big Band and Dizzy’s United Nation Orchestra, in 1992 he began leading the Carnegie Hall Jazz Band at Carnegie Hall, conducting over 40 concerts in ten years.
Faddis has led the Dizzy Gillespie Alumni All-Stars and the Dizzy Gillespie Alumni All-Stars Big Band, was appointed artistic director of the Chicago Jazz Ensemble, heads the Jon Faddis Jazz Orchestra of New York. As an educator he teaches at The Conservatory of Music at Purchase College-SUNY and is a guest lecturer at Columbia College Chicago.
A jazz trumpeter, conductor, composer, and educator renowned for both his highly virtuosic command of the instrument and for his expertise in the field of music education, trumpeter Jon Faddis also leads master classes, clinics and workshops around the world often bringing promising students along to his gigs to sit in, and has produced a number of CDs for up-and-coming musicians.
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Daily Dose Of Jazz…
Peter Ind was born July 20, 1928 in Middlesex, England who didn’t begin playing double-bass professionally until the late Forties as part of the house band on the Queen Mary. Relocating to New York in 1951 he played with Lennie Tristano, Lee Konitz, Buddy Rich, Booker Ervin, Mal Waldron and Slim Gaillard.
Branching into production Peter became a pioneer in stereo recording and the overdubbing of jazz in the Fifties. He produced sessions in his loft for Zoot Sims, Gerry Mulligan and Booker Little and founded his own “Wave” label in 1961, releasing as a leader “Looking Out” featuring Joe Puma and Dick Scott.
By 1963 Ind had moved to Big Sur, California where he remained until 1966. During this period he concentrated on performing unaccompanied, and recorded several albums of solo material. In 1965 he played with Konitz and Warne Marsh and continued to play with Marsh and Konitz into the 1970s after his return to England in 1967. Private recordings under the Wave imprint began to be issued.
In 1984 he opened a nightclub in London called the Bass Clef and after several successful years, the club had to close for tax reasons. Peter Ind continues to record and issue CDs, perform internationally and has written two books – “Jazz Visions” that explores the legacy of Lennie Tristano and “The Environment and Cosmic Metabolism” centering on energy concerns.
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Daily Dose Of Jazz…
Carmell Jones was born in Kansas City, Kansas on July 19, 1936 and was reared by parents how were both teachers. He became interested in music and jazz, by his own admission, at the age of two. Piano lessons began at age five, gave way to the “that’s for sissy’s attitude” and trumpet started at seven.
He spent two years in the army followed by two years at the University of Kansas as a music education and trumpet major. Leaving the Midwest for the Pacific coast, he became a California studio musician in 1960 recording with such artists as Sammy Davis Jr., Bob Hope, and Nelson Riddle. During this chapter in his success story, he was being compared to Clifford Brown and Fats Navarro. Carmell developed a close association with Bud Shank as a member of his quintet. He recorded with many other notables and most importantly he recorded his first album under his own name and contract with Pacific Jazz – “The Remarkable Carmell Jones”.
In ‘64 moving to New York he joined the Horace Silver Quintet recording three albums with Silver including “Song For My Father”. Down Beat Magazine awarded Jones the designation of “New Star Trumpeter” and signing with Prestige, he recorded what he considers his most successful personal album, “Jay Hawk Talk”, with pianist Barry Harris, tenor Jimmy Heath, drummer Roger Humphreys and bassist Teddy Smith. This album received the critics 5 Star Best Album Award.
The next year Carmell left the U.S. for Germany and spent the next fifteen years working with Milo Pavlovic, Herb Geller, Leo Wright and Eugene Cicero, the SFB Big Band and Radio Free Berlin recording 8 hours a day, composing and arranging for radio, TV and film. Upon his return to the States he devoted much of his time building new musicians from the ground up teaching music in his hometown elementary schools.
Carmell Jones, trumpeter, composer, arranger, music publisher, educator and recording artist with over sixty albums to his credit passed away in Kansas City, Kansas on November 7, 1996.
Daily Dose Of Jazz…
Leroy Vinnegar was born on July 13, 1928 in Indianapolis, Indiana and the self-taught bassist established his reputation in Los Angeles during the 50s and 60s. His trademark was the rhythmic “walking” bass line, a steady series of ascending or descending notes, and it brought him the nickname “The Walker”. Besides his jazz work, he also appeared on a number of soundtracks and pop albums, notably Van Morrison’s 1972 album, Saint Dominic’s Preview.
He recorded extensively as both a leader and sideman and came to public attention in the 1950s as a result of recording with Lee Konitz, Andre Previn, Stan Getz, Shorty Rogers, Chet Baker, Shelly Manne, Joe Castro and Serge Chaloff. He played bass on Previn and Manne’s My Fair Lady album, one of the most successful jazz records ever produced. He also performed on another of jazz’s biggest hit albums, Eddie Harris and Les McCann’s “Swiss Movement” released in 1969.
Moving to Portland, Oregon in 1986, the Oregon State Legislature honored him in 1995 by proclaiming May 1st as Leroy Vinnegar Day. The bassist died from a heart attack at the age of 71 in Portland on August 3, 1999.
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Daily Dose Of Jazz…
Paul Gonsalves was born July 12, 1920 in Brockton, Massachusetts to Cape Verdean parents. His first instrument was the guitar, and as a child he was regularly asked to play Portuguese folk songs for his family. Growing up in New Bedford, Massachusetts he was a member of the Sabby Lewis Orchestra.
His first professional engagement in Boston was with the same group on tenor saxophone, that he had learned to play prior to and during World War II military service. After the war he played in Count Basie and Dizzy Gillespie’s big bands before joining the Duke Ellington Orchestra in 1950.
At the 1956 Newport Jazz Festival, Gonsalves’ solo in Ellington’s song “Diminuendo and Crescendo in Blue” contained 27 choruses and the publicity from which is credited with reviving Ellington’s career. This performance is captured on the album Ellington at Newport. He was a featured soloist in numerous Ellingtonian settings and received the nickname “The Strolling Violins” from Ellington for playing solos while walking through the crowd.
Tenor saxophonist Paul Gonsalves died on May 15, 1974 in London just a few days before Duke Ellington’s death. Gonsalves and Ellington, along with trombonist Tyree Glenn, lay side-by-side in the same New York funeral home for a period of time.
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