Requisites
Jazz At The Blackhawk: The quartet that Cal Tjader kept together during 1956-57 was devoted to straight-ahead jazz. His Latin fans found ample consolation in the enjoyment of one of the most swinging groups the vibra-harpist ever led. This set was captured at The Blackhawk in San Francisco with an audience that actually got the sound and inspired the players.
Personnel: Cal Tjader – vibes, Vince Guaraldi – piano, Gene Wright – bass, Al Torre – drums
Record Date: Live at the Blackhawk, San Francisco / January 20, 1957
Songs: Bill B., Land’s End, I’ll Remember April, Blues In The Night, Thinking Of You, MJQ, I’ve Never Been In Love Before, Two For Blues Suite, When The Sun Comes Out, Lover, Come Back To Me
More Posts: collectible,vibraphone
Daily Dose Of Jazz…
Joe Roland was born May 17, 1920 in New York City and began as a clarinetist, attending the Institute of Musical Art (The Juilliard School) from 1937 to 1939. He started playing the xylophone in 1940 and then the vibraphone in the middle of the decade, playing in the New York jazz clubs. Influenced by the nascent bebop movement, Roland put together his own ensembles late in the decade.
By the 1950s he was playing with Oscar Pettiford, George Shearing, Howard McGhee, Mat Mathews, Aaron Sachs, and with Artie Shaw and his Gramercy Five alongside Hank Jones, Tal Farlow, and Tommy Potter. Mat Mathews and Aaron Sachs. Roland recorded occasionally as a leader releasing albums for Rainbow, Savoy, Seeco and Bethlehem records.
In the early sixties Joe moved to Miami Florida and became an influential part of a thriving South Florida jazz scene. While working the Coconut Grove he was credited for having trained many young musicians from the University of Miami. Vibraphonist Joe Roland would work steadfastly throughout his life until his death of natural causes at the age of 89 in Jupiter, Florida on October 12, 2009.
More Posts: vibraphone
Daily Dose Of Jazz…
Eddie Bert was born May 16, 1922 in Yonkers, New York and learned to lay the trombone as a child. Among his early teachers were Benny Morton and Trummy Young and by age 18 he was a member of the Sam Donahue Orchestra.
Bert would leave Donahue and join up with Red Norvo in 1941, cutting his first recorded solo on Jersey Bounce. Through the Forties he played with the bands of Charlie Barnet, Woody Herman, Herbie Fields, Benny Goodman and Stan Kenton, rejoining Norvo for the legendary Town Hall concert. By the Fifties he was performing briefly again with Stan Kenton before becoming a leader and recording for Discovery, Savoy, Jazztone and Trans-world record labels.
He has performed and recorded with Charles Mingus, various Miles Davis/Gil Evans projects, Thelonious Monks big bands, and was a part of the Dick Cavett TV big band in the Sixties. He has toured Europe with the Mel Lewis/Thad Jones Orchestra, recorded for several obscure labels, worked extensively as a sideman with Michel Legrand, Nat Pierce, Stan Getz, Gene Harris, Ken Peplowski, Loren Schoenberg and others. When performing, trombonist Eddie Bert continuously played to sold-out shows.
Eddie received a Musician of the Year award from Metronome magazine, a Grammy for Musician of the Year, Jazz at the Kennedy Center honors and is inducted into the Rugers University Jazz Hall of Fame.
Trombonist Eddie Bert, whose photography can be seen on Jazz Giants, To Bird With Love (Chan Parker and F. Pandras) and The Band That Never Was (Spotlight Records album cover and liner notes), passed away on September 27, 2012 at age 90 in Danbury, Connecticut.
More Posts: trombone
Daily Dose Of Jazz…
Joe Gordon was born Joseph Henry Gordon on May 15, 1928 in Boston, Massachusetts and took up trumpet in his youth. His first professional gigs were in Boston in 1947 and he would later play with Georgie Auld, Charlie Mariano, Lionel Hampton, Charlie Parker, Art Blakey and Don Redman into the mid Fifties.
In 1956 he toured the Middle East with Dizzy Gillespie’s big band soloing on “A Night In Tunisia”. Following this Gordon played with Horace Silver and then moved to Los Angeles. During his California stay over the next five years he recorded with Barney Kessel, Benny Carter, Harold Land, Shelly Manne, Donald Byrd, Dexter Gordon and Thelonious Monk.
Trumpeter Joe Gordon would record two studio sessions and one live album as a leader prior to his death in a house fire on November 4, 1963 in Santa Monica, California.
More Posts: trumpet
Daily Dose Of Jazz…
Virginia Mayhew was born on May 14, 1959 in San Francisco, California and took up the saxophone as a child. Early in her career she worked with trombonist Al Grey and contributing arrangements for several recordings. In 1987 she became active on the New York jazz scene, playing with the likes of Earl “Fatha” Hines, Junior Mance, Toshiko Akiyoshi, Doc Cheatham, Joe Williams, Kenny Barron, Ingrid Jensen, Chico O’Farrill and the list continues.
She has performed all over the world in concert and festivals, and has twice been a U.S. Jazz Ambassador. Mayhew would go on to work with Brazilian trumpeter Claudio Roditi, become a member of the Howard Williams Big Band, Carl Thompson and Friends, and the Lou Caputo “Not So Big Band” in conjunction with freelancing around New York.
Virginia is currently the Musical Director and saxophonist of the 9-piece Duke Ellington Legacy group, leads her own quartet and septet, recorded and released a Mary Lou Williams project featuring Wycliffe Gordon, and is working on a project that replaces drums with tap dancing.
As an educator she teaches privately, is on the faculty of the summer jazz camps at Stanford Jazz Workshop, Monterey Jazz Festival, Litchfield Jazz Camp along with conducting clinics at U-Mass, University of Louisville, Bloomington University, Williams College among others. She has worked with Don Braden’s “Jazz For Teens” and Melissa Walker’s “Jazz House Kids”. Tenor saxophonist Virginia Mayhew continues to perform, compose, arrange, adjudicate and teach and establish the “Jazz Workshop” at the Greenwich House Music School in New York City.
More Posts: saxophone