Daily Dose Of Jazz…
Philip William Seamen was born on August 28, 1926 in Burton upon Trent, Staffordshire, England. He began playing drums at the age of six, turning professional at the age of 18 by joining Nat Gonella and his Georgians in 1944. At 20 he spent a year with Gordon Homer Big Band at the Coronation Ballroom in Ramsgate. He joined the Tommy Sampson Orchestra in 1948 and by 1949, Seamen and tenor saxophonist Danny Moss formed a bebop quintet from within the ranks and was featured on a radio broadcast by the orchestra.
He then went on to play in the Joe Loss Orchestra for about 14 months before taking the top job with Jack Parnell from 1951 until midway 1954. Seamen, being much sought after during the 1950 played in Kenny Graham’s Afro-Cubists projects from 1952 to 1958, from 1954 onwards with the Joe Harriott Quartet, the Ronnie Scott Orchestra and Sextet. He was recruited opn countless sessions as well to perform with Dizzy Reece, Victor Feldman, Jimmy Deuchar, Kenny Baker, Vic Ash, Don Rendell, Stan Tracey, Laurie Johnson, Big Bill Broonzy and Josh White, to name a few.
In 1957 Phil was on his way to America with the Ronnie Scott Sextet as part of a Musicians’ Union exchange tour deal. Unfortunately the Southhampton custom officers found him in possession of drugs, killing his lifelong dream of visiting the States. In 1958, the West End production of West Side Story opened with him after Leonard Bernstein reputedly specifically asked for him, so the producers hired him.
During the first half of the 1960s, he worked often with Tubby Hayes, Joe Harriott, played a couple of nights with Dexter Gordon at Ronnie Scott’s, and recorded with Carmen McRae. In 1964 he played R&B with Alexis Korner and Georgie Fame.
He started teaching in 1962, one of his pupils being Ginger Baker, who went on to influence a whole generation of rock drummers. However, his addiction to alcohol, heroin and other drugs hampered his health and career as many bandleaders refused to hire him with the exception of Freddie Hubbard in 1964 and Roland Kirk in 1967 with a UK tour. On October 13, 1972 drummer Phil Seaman transitioned in his sleep at his home in Old Paradise Street Lambeth, South London, at the age of 46.
Bestow upon an inquiring mind a dose of a Burton upon Trent drummer to motivate the perusal of the genius of jazz musicians worldwide whose gifts contribute to the canon…
Daily Dose Of Jazz…
George Walker “Big Nick” Nicholas was born August 2, 1922 in Lansing, Michigan. Picking up the tenor saxophone during his teen years, he was strongly influenced by his hero, Coleman Hawkins. He started playing professionally during the 1940s with Hank and Thad Jones, Earl Hines, and Tiny Bradshaw prior to military service.
Once discharged from the Army late in the decade he went on to work with bands led by Sabby Lewis, J. C. Heard, and Lucky Millinder. He would go on to play with Duke Ellington, Cab Calloway, Charlie Parker, and Charlie Mingus.
Nicholas contributed the 16-bar solo to Dizzy Gillespie’s classic 1947 African-Cuban jazz composition Manteca. At that time, he also started playing with Hot Lips Page, a working relationship that continued until 1954. He then joined Buck Clayton in 1955.
Big Nick influenced a young John Coltrane to compose his tribute Big Nick, included on the 1962 album Duke Ellington & John Coltrane.
Saxophonist and singer Big Nick Nicholas transitioned from heart failure in Queens, New York on October 29, 1997 at the age of 75.
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Daily Dose Of Jazz…
Adam Shulman was born on August 1, 1979 in San Francisco, California. Taking what he learned studying piano during his formative years, he headed to Santa Cruz he matriculated through the University of California with a degree in classical performance. While at UCSC he studied jazz piano with Smith Dobson.
Returning home he became a staple on the city’s jazz scene, leaning towards and playing in the bop genre. Adam has been seen working with countless bay area musicians and vocalists such as Marcus Shelby, Anton Schwartz, Ed Reed and Kellye Gray among many others. Beyond the locals he has played and/or recorded with Stefon Harrism Willie Jones III, Dayna Stephens, Mark Murphy, Alan Harris, Luciana Souza, Sean Jones, Grant Stewart and John Clayton to name a few.
A consummate sideman, Adam is a composer and arranger. He has done much of the arranging for the jazz and cabaret singer Paula West and has released four albums of original music as a leader and continues to perform, arrange and compose.
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Daily Dose Of Jazz…
Alan Lee was born on July 29, 1936 in Melbourne, Australia. He was one of the first Australian jazz musicians to fuse classical music with jazz and to utilize Latin American rhythms in his music.
He led several jazz bands in Melbourne and Sydney from the late 1950s through the 1980s. Some of his recorded albums include his Seventies’ projects Gallery Concerts, The Alan Lee Jazz Quartet, Moomba Jazz ’76, Live from the Dallas Brooks Hall, and Alan Lee and Friends: Jazz at the Hyde Park Hotel in 1990, among others.
Bandleader, vibraphonist, guitarist, and percussionist Alan Lee at 86 continues to dabble in music.
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Daily Dose Of Jazz…
James David Hughart was born July 28, 1936 in Minneapolis, Minnesota to Fritz and Annette Hughart, the father being bassist with the Minneapolis Symphony and San Diego Symphony. He began studying the bass as a child.
Starting his music career working as a musician in 1953, four years later he received a B.A, degree in Music Composition & Theory, Bass from the University of Minnesota. Following graduation, Hughart was drafted into the Army and for two years, traveled throughout Europe performing with the Seventh Army Symphony Orchestra. After his discharge he joined Ella Fitzgerald’s touring band following a recommendation from Ray Brown. During his three years with Fitzgerald, he started his extensive recording career.
A move to Los Angeles, California in 1964 put him imposition to become a very active session musician. He studied electric bass under the veteran session musician Carol Kaye.
He performed as a regular sideman for guitarist Joe Pass and singer Tom Waits. He has participated in over 200 record albums, 300 motion picture scores, and many television shows. Jim has recorded with many artists including Frank Sinatra, Peggy Lee, Frank Rosolino, Paul Smith, Barney Kessel, Milt Jackson and Natalie Cole, as well as Diana Ross, Joni Mitchell, Joan Baez, and Barry Manilow,
Double bassist Jim Hughart continues to work locally and resides in Los Angeles.
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