Daily Dose Of Jazz…
Sharkey Bonano was born Joseph Gustaf Bonano on April 9, 1904 in the Milneburg neighborhood of New Orleans, Louisiana near Lake Pontchartrain. In the 1920s he was in the local bands of Freddie Newman and Chink Martin. After moving to New York City he found work as a member of the Wolverines and with Jimmy Durante.
He worked next to Frankie Trumbauer and Bix Beiderbecke as a member of the Jean Goldkette orchestra. At the end of the 1920s, he led a band which included Louis Prima. During the 1930s he formed the Sharks of Rhythm and played in the Original Dixieland Jass Band. His sidemen during this period included Santo Pecora and Thurman Teague.
After World War II he toured Europe, Asia, and South America, played residencies in Chicago and New York, and then was a regular on Bourbon Street in the New Orleans French Quarter. In 1949, he appeared at the Roosevelt Hotel’s Blue Room and the Famous Door Bar.
Trumpeter Sharkey Bonano transitioned on March 27, 1972, at the age of 67.
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Daily Dose Of Jazz…
Derek Hogg was born April 8, 1928 in Oldham, England and started playing early in his career with marching bands. He began working in professional ensembles in the Fifties, including those of Freddy Randall, Don Rendell, Joe Saye, Ken Moule, Buddy Featherstonhaugh, Kenny Baker, Sandy Brown and Al Fairweather’s All Stars group.
He played with Vic Lewis in 1959-1960, then with The Squadronaires and Dudley Moore in the first few years of the decade. In 1962 he began working with Danny Moss, with whom he would continue to perform until the end of his career. Hogg went on to perform with Rosemary Clooney, Tony Coe, Digby Fairweather, Budd Johnson, Colin Purbrook, Benny Waters and Teddy Wilson.
Drummer Derek Hogg retired from active performance in 1987.
Confer a dose of an Oldham drummer to those seeking a greater insight about the musicians around the world who are members of the pantheon of jazz…
Derek Hogg: 1928 | DrumsMore Posts: drums,history,instrumental,jazz,music
Daily Dose Of Jazz…
James Wesley “Bubber” Miley was born April 3, 1903 in Aiken, South Carolina into a musical family. At the age of six, he and his family moved to New York City, New York where, as a child, he occasionally sang for money on the streets, and later, at the age of 14, studied the trombone and cornet.
In 1920, after having served in the Navy for 18 months, he joined a jazz formation named the Carolina Five, and remained a member for the next three years, playing small clubs and boat rides all around New York City. After leaving the band at the age of 19, Miley briefly toured the Southern States with a show titled The Sunny South, and then joined Mamie Smith’s Jazz Hounds, replacing trumpeter Johnny Dunn. They regularly performed in clubs around New York City and Chicago, Illinois. While touring in Chicago, he heard King Oliver’s Creole Jazz Band playing and was captivated by Oliver’s use of mutes. Soon Miley found his own voice by combining the straight and plunger mute with a growling sound.
Miley’s talent and unique style were soon noticed in New York’s jazz scene by Duke Ellington who wanted him to jump in for trumpeter Arthur Whetsel. His collaboration with Ellington has secured his place in jazz history. Early Ellington hits, such as Black and Tan Fantasy, Doin’ the Voom Voom, East St. Louis Toodle-Oo, The Mooche, and Creole Love Call, prominently featured Miley’s solo work.
After leaving Ellington’s orchestra in 1929, Bubber joined Noble Sissle’s Orchestra for a one-month tour to Paris, France. After returning to New York, he recorded with groups led by King Oliver, Jelly Roll Morton, Hoagy Carmichael, Zutty Singleton and with Leo Reisman’s society dance band. In 1930, he recorded six songs for Victor Records under the name Bubber Miley and his Mileage Makers, a formation of thirteen musicians including clarinetist Buster Bailey.
His alcoholism terminally affected his life. Trumpet and cornetist Bubber Miley who specialized in the use of the plunger mute, transitioned from tuberculosis on May 20, 1932 on Welfare Island in New York City.
Daily Dose Of Jazz
Keith John Smith was born on March 19, 1940 in Isleworth, Middlesex, England. Originally intent on pursuing studies in engineering, he began playing trumpet at the age of 15. Soon after he began playing in local amateur ensembles, including Norrie Cox’s band and the New Teao Brass Band, the latter including Chris Barber and Ken Colyer.
His first professional gig came in 1960 as a member of Mickey Ashman’s Ragtime Jazz Band. In 1962, he started the Climax Jazz Band and began recording. In 1964, Smith visited New Orleans for the first time, where he played with George Lewis. Intending to move to the U.S. permanently, he worked briefly in New Orleans, Louisiana before spending time in California and New York. In 1966, he organized an all-star band to tour Canada and Europe, which included Pops Foster, Jimmy Archey, and Alvin Alcorn.
Moving to Denmark in 1972 he remained there until 1975, playing with Papa Bue in his Viking Jazz Band. Afterwards he returned to England, where he founded a new band, Hefty Jazz. This group lasted over a decade, toured internationally and over the years featured George Chisholm, Mick Pyne, Peanuts Hucko, Nat Pierce, Johnny Mince, and Barrett Deems. Concurrently, he was named leader of the Louis Armstrong All-Stars in 1981, and in 1984 served as producer for Stardust Road, a televised film made as a tribute to Hoagy Carmichael. Late in his life he lived in Germany, still active as a performer.
Trumpeter Keith Smith, principally active on the trad jazz and Dixieland revival scenes, transitioned on January 4, 2008 in London, England from a heart attack at the age of 67.
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Daily Dose Of Jazz…
Alcide Patrick Nunez was born on March 17, 1884 in St. Bernard Parish, Louisiana of Isleño and French Creole descent. The family moved to New Orleans, Louisiana when he was a child. Growing up amid the Marigny and Bywater districts of New Orleans, he joined several bands in which he played guitar, although switched to clarinet about 1902. He soon became one of the top clarinetists in the city. By 1905 he was a regular in Papa Jack Laine’s band, in addition to playing with Tom Brown and sometimes led bands of his own.
Though he could play several instruments, he mainly played the clarinet and was able to improvise variations on the songs he heard. Before he was able to make music a full-time profession, Nunez worked for a while driving a mule-drawn wagon with fellow musician Chink Abraham.
In early 1916, he went north to Chicago, Illinois with Stein’s Dixie Jass Band, but he left the band shortly before they made their first recordings. After spending some time playing with Tom Brown’s band in Chicago, he went to New York City with Bert Kelly’s band and became his bandleader. He went on to help form the Louisiana Five, led by drummer Anton Lada, becoming one of the most popular bands in New York that recorded for several record labels.
In 1922, after Bert Kelly replaced him with Johnny Dodds, he returned to Chicago to lead the house band at Kelly’s Stables and played with the band of Willard Robison. Soon thereafter Nuñez began to lose his teeth, impairing his ability to play clarinet. He returned to his family in New Orleans, but after getting dentures he regained his ability to play the clarinet. He joined the police department to join the Police Band and at the same time was a member of The Moonlight Serenaders band and several other dance bands that played in New Orleans.
For a time in 1921, he settled in Baltimore, Maryland where he bought a large house but eventually returned home to New Orleans. Clarinetist Alcide Nunez, who was also known as Yellow Nunez and was one of the first musicians of New Orleans to make audio recordings, transitioned from a heart attack on September 2, 1934.
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