Daily Dose Of Jazz…
Hilde Hefte was born on September 1, 1956 in Kristiansand, Norway and received much of her musical education from the Barratt Due Institute of Music in Oslo, Norway with piano as primary and vocals as secondary instruments. She played saxophone and clarinet for ten years when she was young, apprenticing with her father who was saxophone teacher and musician. She also trained as an actor, landing numerous roles.
During a period of years she taught music at Agder musikkonservatorium before she started as a full-time musician. She released her debut solo album Round Chet’s Midnight in 1999 to great reviews, from song others Down Beat Magazine. Hefte went on to quickly release five more albums under her own name, and has written lyrics and composed music to both her own albums and for a host of other artists.
Never far from acting, Hilde continues her leading roles at the theatre, among others, the main role as Edith Piaf. She has written and arranged music for various local theatre productions. To date she has recorded eight solo albums as a leader highlighting the music of Chet Baker, Bill Evans and bossa nova, as well as an album with the Prague Philharmonic Orchestra and inclusion in the Putamayo compilation Brazil Around The World.
With already ten collaborative albums under her belt with no sign of stopping, vocalist Hilde Hefte founded and runs Norsk Jazzforlag in 2003 and the record label Ponca Jazz Records the following year.
Bestow upon an inquiring mind a dose of a Kristiansand vocalist to motivate the perusal of the genius of jazz musicians worldwide whose gifts contribute to the canon…
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Daily Dose Of Jazz…
Albert George Hibbler was born on August 16, 1915 in Tyro, Mississippi and was blind from birth. At the age of 12 he moved to Little Rock, Arkansas where he attended Arkansas School for the Blind where he joined the school choir. He went on to begin working as a blues singer in local bands before failing his first audition for Duke Ellington in 1935. However, after winning an amateur talent contest in Memphis, Tennessee, he was given his start with Dub Jenkins and his Playmates. He later joined the Jay McShann band in 1942, followed with replacing Herb Jeffries a year later and joining Ellington’s orchestra.
He stayed with Ellington for almost eight years, and featured on a range of Ellington standards, including Do Nothin’ Til You Hear From Me, I Ain’t Got Nothin’ But the Blues and I’m Just a Lucky So-and-So. Do Nothin’ lyrics were written specifically for him, reaching #6 on the Billboard pop chart and #1 for eight weeks on the Harlem Hit Parade in 1944.Considered undoubtedly the best of Ellington’s male vocalists, while with Ellington, he won the Esquire New Star Award in 1947 and the Down Beat award for Best Band Vocalist in 1949.
Leaving Ellington’s band in 1951 after a dispute over his wages, Al then recorded with various bands including those of Johnny Hodges and Count Basie, and for various labels including Mercury and Norgran. His biggest hit was Unchained Melody, which reached #3 on the US pop chart, sold over one million copies, and was awarded a gold disc. Its success led to network appearances, including a live jazz club remote on NBC’s Monitor. His other hits were He, 11th Hour Melody, Never Turn Back and After the Lights Go Down Low.
In the late 1950s and 1960s, Hibbler became a civil rights activist, marching with protestors and getting arrested in 1959 in New Jersey and in 1963 in Alabama. The notoriety of this activism discouraged major record labels from carrying his work, but Frank Sinatra supported him and signed him to a contract with his label, Reprise Records. However, he made very few recordings after that, occasionally doing live appearances through the 1990s.
In 1971, he sang two songs at Louis Armstrong’s funeral. In 1972 he made an album, A Meeting of the Times, with another fiercely independent blind musician, the multi-instrumentalist Rahsaan Roland Kirk. Baritone vocalist Al Hibbler transitioned on April 24, 2001 at Holy Cross Hospital in Chicago, Illinois at the age of 85.
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Daily Dose Of Jazz…
Joseph Copeland Garland was born on August 15, 1903 in Norfolk, Virginia and studied music at Shaw University and the Aeolian Conservatory. He started by playing classical music but joined a jazz band, Graham Jackson’s Seminole Syncopators, in 1924, where he first recorded.
He had a long run of associations as a sideman on saxophone and clarinet from 1925 to the end of the decade with Elmer Snowden, Joe Steele, Henri Saparo, Leon Abbey Charlie Skeete and Jelly Roll Morton. By the 1930s he was playing and arranging with Bobby Neal and the Mills Blue Rhythm Band from 1932 to 1936. When Lucky Millinder replaced him, he joined Edgar Hayes in 1937, then Don Redman the following year, and Louis Armstrong from 1939 to 1942.
In the 1940s, he played with Claude Hopkins and others, and then returned to Armstrong’s band mid decade for two years. Following this he played with Herbie Fields, Hopkins again, and Earl Hines. In the 1950s, he went into semi-retirement.
Garland wrote a number of well-known swing jazz hits, including Serenade To A Savage and Leap Frog. He is credited as the composer with lyricist Andy Razaf for In the Mood which became a Glenn Miller hit. Saxophonist, composer, and arranger Joe Garland transitioned on April 21, 1977 in Teaneck, New Jersey.
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Daily Dose Of Jazz…
Armando Joseph “Buddy” Greco was born Armando Joseph Greco to an Italian-American family in Philadelphia, Pennsylvania on August 14, 1926. His mother introduced him to piano at age four and as a child he sang on the radio, and in his teens performed in the city’s night clubs. Sixteen saw him hired by Benny Goodman and spent four years touring the world with the Goodman orchestra, playing piano, singing, and arranging. Becoming acquainted with Great Britain in 1949 he spent many years performing in numerous clubs. He moved to Essex, keeping his Palm Springs property as a vacation home.
In 1951 he started his recording career, signing with labels such as Coral, Kapp, Epic, and Reprise. 1969 saw Buddy form a duo with jazz guitarist Ron Escheté. He opened a small club in Palm Springs, California which became popular for celebrities to dine. After closing it, he moved to England.
In 2008, he and singer Lezlie Anders toured the UK, performed with the BBC Big Band and at Ronnie Scott’s Jazz Club in London. He was the first Las Vegas headliner to star at a British casino when he performed at the Circus Casino, and he performed a tribute to Frank Sinatra for BBC Radio 2 with the 42-piece BBC Concert Orchestra. He toured the UK with the Swinging Las Vegas Legends show beginning in July 2010.
In 2010, Greco and his wife Lezlie produced the stage show Fever! The Music of Miss Peggy Lee, which met with critical acclaim at its London West End opening. They continued to perform and tour for the next seven years. Vocalist Buddy Greco transitioned on January 10, 2017, in Las Vegas, Nevada, at the age of 90.
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The Quarantined Jazz Voyager
The Jazz Voyager is still taking the variants very seriously and wearing his mask and social distancing as conditions present themselves. There is no evidence that stipulates that this is over and recommendations are still in place to wear your mask when in indoor public spaces.
Standing On The Rooftop is the sixth studio album by jazz vocalist Madeleine Peyroux. It was produced by Craig Street and released on June 14, 2011 on the Decca/Universal record label. All songs except 1, 6, 8, & 11 were written by Madeleine Peyroux 2 to 5, 7, 9, 10, 12 to 15.
The fifteen songs were recorded in February 2011 at several studios – Sear Sound in New York City on February 14~17 and Motherbrain Studio in Brooklyn, NY on February 26th, with additional recording at Downtown Music Studios and Wild Arctic in NYC, Vel Studios~ Brooklyn, Phantom Vox~Los Angeles, The Odd Bedroom, Basement & Garage and Sterling Sound. The mixing was done by Kevin Killen (tracks: 5 to 8), Matthew Cullen (tracks: 1, 3, 4, 9 to 12), and Tony Maserati (tracks: 2, 13 to 15)
This was the first album of Peyroux with Decca Records and her first with producer Craig Street, interrupting her longtime collaboration with Larry Klein. Standing on the Rooftop featured originals, along with three covers, Martha My Dear, I Threw It All Away and Love In Vain, plus Marc Ribot’s Lay Your Sleeping Head, My Love. It also paired Peyroux with new songwriting partners.
Track List | 56:36- Martha My Dear (John Lennon, Paul McCartney) ~ 2:32
- The Kind You Can’t Afford (Peyroux, Bill Wyman) ~ 3:59
- Leaving Home Again (Peyroux, Wyman) ~ 3:35
- The Things I’ve Seen Today (Peyroux, Jenny Scheinman) ~ 3:44
- Fickle Dove (Peyroux, Scheinman) ~ 3:28
- Lay Your Sleeping Head, My Love (music by Marc Ribot, lyrics by W. H. Auden) ~ 3:23
- Standing on the Rooftop (David Batteau, Peyroux) ~ 5:46
- I Threw It All Away (Bob Dylan) ~ 3:15
- The Party Oughta Be Comin’ Soon (Peyroux) ~ 5:00
- Superhero (Jonatha Brooke, Peyroux) ~ 3:21
- Love In Vain (Robert Johnson) ~ 3:40
- Don’t Pick a Fight with a Poet (Peyroux, Andy Scott Rosen) ~ 4:28
- Meet Me in Rio (Peyroux) ~ 3:51
- Ophelia (Batteau, Peyroux) ~ 5:12
- The Way of All Things (Peyroux) ~ 4:02
- Madeleine Peyroux ~ vocals
- John Kirby ~ keyboards
- Glen Patscha – keyboards
- Patrick Warren ~ keyboards
- Allen Toussaint ~ piano
- Jenny Scheinman ~ violin
- Christopher Bruce ~ guitar
- Marc Ribot ~ guitar
- Meshell Ndegeocello ~ bass guitar
- Charley Drayton ~ drums
- Mauro Refosco ~ percussion
- Creative Director ~ Pat Barry (3)
- Design Concept [Package Coordination] ~ Rafael Hernandez (2)
- Design [Graphic] ~ Rebecca Meek
- Engineer ~ Matthew Cullen
- Photography By [Cityscape Panorama] ~ Keith Sirchio
- Photography By [Portrait] ~ Mary Ellen Mark
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