Daily Dose Of Jazz…
Yve Evans was born in El Paso, Texas on July 20, 1950 into an Army family and was around music while growing up as her mother was a gospel singer. When she was three years old she made her first recording of The Lord’s Prayer acapella. In addition to the church music, she began singing and memorizing songs from the radio including all the cartoon favorites like the Mickey Mouse Club.
She learned to play the piano at the age of nine while rehabilitating from injuries she sustained after being struck by a car. The family followed her dad to Germany at age 12 and she began taking lessons from piano virtuoso Frau Anna Benkel, who introduced her to her love of classical piano. In 1964 Yve was hit by a truck and told she would never walk again or have children. The doctors were wrong and while bedridden at home she would still sit up to practive her piano lessons, take a correspondence course in behavioral psychology plus her regular homework.
Yve eventually walked again and began producing in addition to performing and pursuing the art of storytelling while living in Germany. She spent her summers from age13 to 16 playing in a big band, light opera productions and touring Germany with choral groups. At 16 after moving back to America a teacher attempted to discourage her to not rely on a career in music. She continued in the high school and University choral, mentored and encouraged by Carmen Dragon and Jester Harriston.
Evans cites Sarah Vaughn, Ernie Andrews, Joe Williams, Ella Fitzgerald, June Christie, Della Reese, Bobby Darin and Rosemary Clooney as her main influences. As a pianist, she has leaned over the shoulders of, swapped chord changes with and stolen licks from Dorothy Donegan, Bill Evans, Erroll Garner, George Gafney, Carmen McCrae and Shirley Horn.
Vocalist and pianist Yve Evans, who has seven live recordings and is a Grammy nominated artist, continues to tell stories through her music, sing on the local jazz scene and perform around the world at festivals.
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Daily Dose Of Jazz…
Omar Ruben Rada Silva was born July 16, 1943 in Montevideo, Uruguay. Little is known about his early life but his sound comes from his exposure to the music of his country, a chorus of tamboriles and Uruguayan barrel drums.
In 1965, he and Eduardo Mateo formed the band El Kinto Conjunto. This was the first group in Uruguay to create the beat genre in Spanish and to fuse rock with Latin American musical styles. In 1969 the success of his Candombe song Las Manzanas (The Apples) led to his first solo album and participation in the Festival of Popular Music in Rio de Janeiro, Brazil. A year later he formed the band Tótem.
In 1977, he traveled to the United States after an invitation by the Fattoruso Brothers to play with the group OPA. Over the next year, he performed with Tom Scott, Ray Barretto, Hermeto Pascoal, and Flora Purim.
Settling in Mexico for three years beginning in 1991, Rubén worked as a composer and arranger for local musicians such as Mijares, Eugenia León, Stephanie Salas, and Tania Libertad. In 1994 he shared the spotlight with Sting and UB40 at the Palacio de Deportes in Mexico City.
Rada’s renown led him to record on international labels and his songs have been played worldwide and have been recorded by Milton Nascimento, Herb Alpert, and Lani Hall. He was invited by Jon Anderson and Joan Manuel Serrat to appear on their albums Deseo and Utopía, respectively.
He has voiced the part of Lucius Best/Frozone in the 2004 Argentinian dubbing of The Incredibles. Ruben has directed radio and TV shows, and has starred in the television sitcom La Oveja Negra (The Black Sheep).In 2010, the third round of the series LifeLines in Berlin paid tribute to Rubén Rada. That same year he recorded a show in the Argentine program Encuentro en El Estudio, which is run by that country’s Ministry of Education.
Percussionist, composer, singer and television personality Ruben Rada, who has recorded more than thirty albums, continues to perform, compose and record.
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Daily Dose Of Jazz…
Erik Parker was born July 13, 1918 in Århus, Denmark. By 1938 he became a member of the Svend Asmussen Orchestra and from 1939 to 1945 was involved in Leo Mathisen’s Orchestra, where he performed both as an instrumentalist and a vocalist.
He worked as a club manager, and from 1945-1951 he was an actor. In 1953 he emigrated to the United States, where he settled in Los Angeles, California where he became a restaurateur and trumpet teacher.
Throughout his career he was a member of the All Danish Starband, Henry Hagemann & His Full Brass, Henry Hagemann’s Sextet, Kai Ewans And His Swinging 16, Leo Mathisens Band, Leo Mathisens Orkester, Leo Mathisens Ønskeorkester, and Roger Henrichsen Trio.
Trumpeter and vocalist Erik Parker, who is considered one of the most significant Danish jazz musicians and a distinguished representative of golden age jazz, died in 2003.
Daily Dose Of Jazz…
Seger Pillot Ellis was born on July 4, 1904 in Houston, Texas and began his career as pianist playing live for a local Houston radio station in the early 1920s. In 1925, he was added to the orchestra of Lloyd Finlay for a recording session for Victor Records, and was also allowed to cut two piano solos. This led to Ellis being invited to Victor’s regular recording studio in Camden, New Jersey, to cut a number of piano solos, all or most of them compositions of his own. These were among the earliest records Victor made using the new electric microphone and recording equipment.
After his first recording experiences, Ellis returned to Houston and radio work as well as playing in vaudeville theaters. During this period Seger began adding singing to his piano playingwhich led to an invitation to New York City to make vocal test recordings. His first issued vocal record was “Sunday” on the Columbia label, then a string of records for Okeh Records.
Ellis selected many of the best jazz musicians of the time, including Tommy and Jimmy Dorsey, Joe Venuti, Eddie Lang, Andy Sannella and Louis Armstrong. His first recording career ended in 1931, however, in the late Thirties he returned to conducting and singing with his own big band, Choirs of Brass Orchestra. Later in his career, he focused more on songwriting, but recorded sporadically as well as playing the piano.
In 1939, Ellis reorganized and his new band featured the conventional four-man reed section. He disbanded in 1941, and was enlisted in the United States Army Air Forces in 1942. After his discharge he moved back to Texas and began to be less active as a performer and more a songwriter and composer. His compositions were recorded by Harry James, Gene Krupa, Bing Crosby, Count Basie with a Mills Brothers vocal.
Pianist and vocalist Seger Ellis, who made a few brief film appearances in collaboration with director Ida Lupino, died on September 29, 1995 in a Houston retirement home.
Acquaint an inquisitive mind with a dose of a Houston pianist who is in the company of musical genius around the world as a member of the jazz canon…
Seger Ellis: 1904~1995 | Piano, Vocal
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Requisites
The very first time I heard Shirley Horn sings and play piano was in the 1970s at the Bohemian Caverns in Washington, D.C. and I fell in love with her voice and style. By then she had recorded five albums and when I was on the radio she became a part of my regular playlist. Here’s To Life is a studio album recorded in September 1991 by the vocalist, and released in 1992. The album was arranged by Johnny Mandel who composed three of the songs on the album. He also received a Grammy Award for Best Instrumental Arrangement Accompanying Vocals on this album. It’s a quiet album of ballads that once again showcases Shirley’s talent. Johnny Mandel arranged and conducted the recording session for the Verve label.
The album opens with the title track with Here’s To Life which became her signature song. The music was written by Artie Butler and the poignant lyrics were written by Phyllis Molinary. The lyric, known world-wide as one of her finest works and the song is considered a modern day jazz standard. She followed with a medley of Come A Little Closer/Wild Is the Wind. The former song is about New Yorkers, the city and the cell phone that disputes a couple’s marriage. The song is paired with Wild Is The Wind which was written as the theme song for the 1959 film of the same name and recorded by Johnny Mathis. It was nominated for an Oscar for Best Song.
How Am I to Know? by Jack King and Dorothy Parker takes the third slot on the album. A Time for Love was written for the 1966 film An American Dream. The Begman/ Mandel tune, Where Do You Start tells the story of a couple breaking up and undecided about what belongs to whom. The next song You’re Nearer is a Lorenz Hart/Richard Rodgers composition for the Broadway musical Too Many Girls. Our next entry in Return to Paradise was written for the 1953 film of the same name by Dimitri Tiomkin and Ned Washington. Isn’t It A Pity was composed by the Gershwins for the unsuccessful 1933 musical Pardon My English, however, the song became a part of the Great American Songbook.
Quietly There is taken from the noir film Harper that starred Paul Newman as a detective. If You Love Me is an English adaptation of the popular French song “Hymne à l’amour of Hymn To Love. The album closes with Summer is the first English version of the Italian standard Estate. She ordered English lyrics after hearing Joao Gilberto’s version, which spread the song to worldwide fame.
Shirley Horn sings and plays piano and is joined by bassist Charles Ables and dummer Steve Williams as her core trio. She invited trumpeter Wynton Marsalis – to play on A Time For Love and Quietly There. Richard Todd plays the French horn on the title track. Reminding me of how precious life is and how much we should live and love, this has become my favorite album by this vocalist. I hope you enjoy it just as much as I.
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