Daily Dose Of Jazz…

Monica Lewis was born May Lewis in Chicago, Illinois on May 5, 1922, the youngest of three children. Her father was a pianist, composer and musical director for CBS, while her mother was a singer with the Chicago Opera Company. She studied voice with her mother and when she was eleven the family moved to New York City due to The Great Depression.

She began singing on radio after a successful audition with WMCA in New York City, which led to her own program. At age seventeen she started working as a singer for a radio show titled Gloom Dodgers in order to support her family while studying at Hunter College. Shortly afterwards Lewis had a radio show titled Monica Makes Music and went on to co-star on The Chesterfield Supper Club radio show.

Winning a part as a singing cigarette girl in the Broadway show Johnny 2X4, her work on Broadway led to performing at the Stork Club. She dropped out of school, changed her name from May to Monica because she thought it was sexier. In 1943 at an audition in Times Square with hundreds of women participating, she earned the part as a singer. 

She started singing on Hotel Astor’s roof with Goodman’s orchestra and established her career through nationally broadcast shows. Lewis went on to record for Signature Records, MGM Records, Decca Records, Capitol Records, and Verve Records. 

She went on to sing in commercials, became the voice of Miss Chiquita Banana, and appeared on the Toast of the Town which would become the Ed Sullivan Show. It was created and produced by her brother Marlo Lewis.

By 1950 she was signed to a contract with MGM and movies were added to her trades. Over the next three decades she appeared in romantic comedies and disaster films along with television action, crime and western series. Resuming her singing career in the 1980’s and 1990s, she performed at popular clubs in Los Angeles and New York City.

Vocalist Monica Lewis died ten days after an interview with The New Yorker, on June 12, 2015. The article was posthumously published in the September 7, 2015 edition.  



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Daily Dose Of Jazz…

Nina Michelle was born on May 1, 1968 in Vancouver, British Columbia, Canada. She began studying classical piano at an early age of 5 and after graduating with honours, she received a scholarship to continue her music studies in the music and vocal program at Capillano University in North Vancouver.

In Vancouver she regularly performed with Linton Garner at Rossinis jazz club. Her many tours to Switzerland with drummer Charly Antolini and his Jazz Power. Since 1994 she’s been touring Europe with some of the finest musicians.

In 1998 Nina recorded a soundtrack with the Billy Gorldt Orchestra as well as acted in a Süddeutsche-Rundfunk film production directed by Oliver Storz, Against the End of the Night. Nina’s current work includes a live big band recording with the Munich Swing Orchestra for the Bayerischer Rundfunk as well as a Swinging Christmas recording produced by Max Greger Jr.

She has performed with several big bands, including SWR Big Band in charge of Max Greger, featuring among other solo artists Benny Bailey and Hugo Strasser.

At the moment, Nina’s performing with her own quartet, an international group of well-acclaimed musicians, among them Canadian bassist Rocky Knauer, Tizian Jost and Guido May.

Vocalist Nina Michelle currently lives in Munich, Germany and continues to perform and record.

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Daily Dose Of Jazz…

Elissa Lala was born on April 30, 1958 in Philadelphia, Pennsylvania, the daughter of a professional trombonist. She began singing professionally at the age of five and by the time she was in her early teens she was doing background vocal sessions at Philadelphia’s Sigma Sound Studios. Although heavily influenced by R&B, she would be quietly singing Michel Legrand’s You Must Believe in Spring while walking to that all girl Italian high school.

Struggling with a hearing impairment never affected her pitch and falling in love with jazz guitarist John Valentino made the jazz thing stick. The couple performed together at every major venue on the east coast, eventually marrying and moving to Los Angeles, California. While singing at a Burbank studios jazz club, Aaron Spellings’ music supervisor heard Lala and hired her to sing All the Things You Are for the ABC miniseries Crossings.

More film and TV studio work came her way and her credits multiplied. A bout with tinnitus led to more hearing loss and learning about hearing loss. Elissa became trained in hearing instrument fitting and helped hundreds of hearing-impaired children and adults hear better through the use of digital hearing instruments.

As a lyricist she wrote for Ralph Towner’s I Knew It Was You. She has written and/or recorded with Blue Note recording artists Pat Martino, Narada Michael Walden, Michel Legrand, Alex Acuna, Tommy Tedesco, and Bennie Maupin. Her approach to improvisation is fresh, moving, and very in the moment, or documented, recorded or live.

Vocalist Elissa Lala continues to perform, work in film and television, and tour.

ROBYN B. NASH

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Daily Dose Of Jazz…

George Ewing Lee was born April 28, 1896 in Boonville, Missouri, and was the older brother of pianist and singer Julia Lee. They performed with their father’s string trio at neighborhood house parties and church socials. He played in a band while serving in the Army in 1917, and following this period, he sang in a vocal quartet.

In 1920 he formed and led George E. Lee Novelty Singing Orchestra and with his sister as one of the group’s members, he was a regular performer at Lyric Hall in Kansas City, Missouri through much of the 1920s.

Though he played many instruments, singing was his forte and he had a powerful voice and a penchant for ballads and novelty songs. Through the 1920s no group in Kansas City could compete vocally with the Lee Orchestra.

In 1927 they recorded as an octet with Jesse Stone on piano, for Meritt Records. Among the tunes was Down Home Syncopated Blues, and was the earliest recording of Julia Lee’s voice. They recorded six tunes for Brunswick in 1929.

In 1933, his group was absorbed into the Bennie Moten Orchestra. By 1935 he continued to perform with smaller ensembles through the decade. In 1937, at a resort in the Ozarks, Lee fronted a small group that included 17 year-old saxophonist Charlie Parker. Two years later he struck out on his own again, moved to Jackson, Michigan in 1940 and retired from music in 1941. He began

By the 1940s, he moved to San Diego, California. Vocalist and bandleader George E. Lee, who was sometimes billed as the Cab Calloway of the Middle West, died on October 2, 1958.

ROBYN B. NASH

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Daily Dose Of Jazz…

Marc Hoffman was born April 16, 1961 in Salisbury, North Carolina. He attended the North Carolina School of the Arts and received a degree in composition. He continued his education at The Dartington International Summer School of Music in Devon, England then studied film composition at the University of Southern California. He studied with David Ott, Sherwood Shaffer, Leo Arnaud and Neil Hefti.

Up until the early 1990s Hoffman wrote concert music, music for theater, pop, Christian music and film composition. Then he focused his attention on jazz and began writing original compositions, both instrumental and vocal, creating his own arrangements of jazz standards. Establishing his own label, Virillion Music, he recorded Long Way Home in 2003 followed by his sophomore album Christmas Time. In 2010 he released Curioso of all-original jazz.

As an educator and author he teaches and lectures on classical, pop and film music and has published two books. He also is an instructor of piano, composition, and voice at Bold Music in the Charlotte, NC area.

Pianist, composer and vocalist Marc Hoffman continues to write concert music, instrumental and vocal jazz pieces, film scores, as well as performing works solo, or with his trio, quartet or quintet and with four- or five-piece bands in a variety of venues.

ROBYN B. NASH

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