Daily Dose Of Jazz…

Booker Collins was born on June 21, 1914 in Roswell, New Mexico. Emerging from the New Mexico Military Institute to play in Bat Brown’s Band, a territory band. By the mid-’30s he was keeping very good company playing with pianist Mary Lou Williams and Her Kansas City Seven, cutting sides with her when he was only 16. In 1934, his break came when he got into the band of Andy Kirk and His Clouds Of Joy, staying for the next decade and playing alongside Williams in the rhythm section. Kirk’s hiring replaced the tuba with the double bass.

Booker’s final job of note was with Chicago, Illinois guitarist and drummer Floyd Smith as part of his trio, a stint that lasted from 1946 until the early ’50s, when this great bass man finally laid his big instrument down in terms of full-time playing. He made a few appearances at festival occasions in the ensuing decades but was in Chicago’s recording studios in the late ’50s cutting sides for independent labels.

Returning to performing he joined a combo called the Shades of Rhythm to backup blues singer Mad Man Jones on the demanding Come Here. Collins’ involvement with this group of shifting personnel began in 1952 when he was part of a version that took the risk of cutting sides for the Chance label.

He also performed and recorded with Bert Johnson and the group Six Men And A Girl. Little is known about the death of double bassist Booker Collins who also played the valve trombonist and tuba. It appears he faded into obscurity.

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