Daily Dose Of Jazz…

Chuck Wayne was born Charles Jagelka on February 27, 1923 in New York City to a Czechoslovakian family. As a boy, he learned banjo, mandolin, and balalaika. By the early 1940s he was playing in jazz bands on 52nd Street and after two years in the Army, he returned to New York City, joined Joe Marsala’s band, and settled in Staten Island until a 1991 move to New Jersey. He changed his musical style after hearing Charlie Parker, recording with Dizzy Gillespie in 1945. Frustrated with the difficulty of getting the sound he wanted, he considered switching to saxophone.

Wayne was a member of Woody Herman’s First Herd, the first guitarist in the George Shearing quintet, worked with Coleman Hawkins, Red Norvo, Bud Powell, Jack Teagarden, George Shearing, Lester Young, and Barbara Carroll. During the 1950s, he played with Tony Bennett, Gil Evans, Brew Moore, Zoot Sims, and George Wallington. In the Sixties, CBS hired him as a staff guitarist and for the next two decades, he played on Broadway, accompanied vocalists, and performed in guitar duos with Joe Puma and Tal Farlow.

He wrote Sonny in honor of Sonny Berman. Years later, Miles Davis took the song, renamed it Solar, and claimed he wrote it. His Butterfingers and Prospecting have been incorrectly attributed to Zoot Sims. Chuck was known for a bebop style influenced by saxophone players of his time and he developed a technique not widely adopted, and also developed a comprehensive approach to guitar chords and arpeggios.

Over the course of his career, he recorded eight albums as a leader beginning with his 1953 album The Chuck Wayne Quintet on the Progressive label. He worked as a sideman with Gil Evans, Anthony Perkins, Dick Katz, Duke Jordan, and Frank Wess, among others. Guitarist Chuck Wayne, one of the first jazz guitarists to learn bebop, passed away on July 29, 1997.

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