Review: Alex Lattimore | Live
The recorded session has historically been the medium for the listener to fashion a personal venue to partake of an artist’s talent, be it vinyl, cassette or compact disc. But with a live date there is something magical that occurs, and in that space when the artist and the audience connect, an ephemeral relationship is generated. The ordinary becomes exceptional and we remember and carry with us the emotion of the experience. This is just such the case with vocalist Alex Lattimore.
He humbly flaunts a timbre and ease of delivery reminiscent of the spirits of Jon Lucien and Terry Callier, bringing to the fore a small peek into the volume of his talent. With this outing’s arrangements we are privy to two original tunes and also two classic compositions that are songbook standards. His ability to scat is defined right out the gate on Heaven’s Design and justly so closes it out with a winsome whistle that is seldom heard, thus refreshing. Paying homage to Steveland Morris’ My Cherie Amour is a monumental undertaking that he accomplishes with a joie de vivre evident in his inimitable style.
Witnessing a hush fall over the audience exhibits his tenderness with the lyric in his rendition of the Johnny Mercer/Hoagy Carmichael classic Skylark. Alex graciously saves the best for last leaving the audience feeling good and a part of something greater than the individual with Sunlight In My Rain.
But let us be mindful and with the utmost respect to Mr. Lattimore, no man is an island. Understanding that is why he enlisted an exceptional rhythm section comprised of pianist Tyrone Jackson, bassist Brandon Boone, with Henry Conerway and Robert Boone holding down the drum kit. They skillfully apply nuance, reflection and exuberance where and when best needed, griots in their own right. As pleasant an outing as this has been, this band of musicians left the audience wanting more, and thus, we await in anticipation of new treasures that will spring forth.
carl anthony | notorious jazz | february 22, 2016
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