Daily Dose Of Jazz…
Kamil Běhounek was born March 29, 1916 in the Southern Bohemian section of Blatná, Czech Republic. An autodidact on accordion, having learned to play by imitating recordings and BBC broadcasts, he studied law in Prague, Czech Republic and began performing in clubs. His first recordings on solo accordion date from 1936 and in the late 1930s he worked with the Blue Music Orchestra, Rudolf Antonin Dvorsky, Jiří Traxler, and Karel Vlach.
In 1943, he was forcibly compelled by the Nazis to go to Berlin, Germany where he created arrangements for the bands of Lutz Templin and Ernst van’t Hoff. Upon returning to Czechoslovakia in 1945, he used some of these arrangements for his own band. Kamil returned to Germany the following year and continued arranging for bandleaders Adalbert Luczkowski, Willy Berking, Heinz Schönberger, and Werner Müller.
He played with his own ensemble in Bonn, Germany and, after 1948, in West Germany for American soldiers’ clubs. Between 1968 and 1977, Běhounek recorded several albums of folk music, but continued to play swing with his own groups. He wrote an autobiography, Má láska je jazz (Jazz Is My Love), which was published posthumously in 1986.
Accordionist, bandleader, arranger, composer, and film scorer Kamil Běhounek, who also occasionally played tenor saxophone, passed away on November 22, 1983 in Bonn.
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Daily Dose Of Jazz…
Frank L. Marocco was born January 2, 1931 in Joliet, Illinois but grew up in Waukegan, near Chicago, Illinois. At the age of seven years, his parents enrolled him in a six-week beginner class for learning to play the accordion. His first teacher was George Stefani, who supervised the young accordionist for nine years. Beginning with studying classical music, he soon encouraged the young musician to explore other musical genres. He went on to study piano and clarinet, as well as music theory, harmony, and composition.
At 17, Frank won the first prize in the 1948 Chicago Musicland Festival, and a guest performance with the Chicago Pops Orchestra. His success sent him on a professional music career, establishing a trio and touring the Midwestern states. In the early 1950s he married and moved to Los Angeles, California.
Creating a new band, Marocco played hotels and clubs in Las Vegas, Nevada, Lake Tahoe, Nevada and Palm Springs, California. He later began working in Hollywood, where television studios and movie production companies provided him a successful career.
In the 1960s, Frank recorded a solo album released by Verve Records, worked together with Brian Wilson and the Beach Boys, and performed on the world-famous album Pet Sounds. He performed on a USO tour in the Pacific, appearing onstage with Bob Hope, and also played in the Les Brown big band, during six Love Boat cruises. He performed and recorded in collaboration with hundreds of world-famous jazz musicians, classical artists and conductors during his career.
Marocco wrote and arranged music for solo, duet, and orchestra in a wide variety of musical styles, including jazz, popular standards, international, Latin, religious, and classical. He was the musical director and conductor of an annual music camp, the Frank Marocco Accordion Event, that brought together over 50 accordionists from around the U.S. and Canada.
Accordionist Frank Marocco passed away on March 3, 2012 at his home in San Fernando Valley, California from complications following hip replacement surgery. He was 81 years old.
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Daily Dose Of Jazz…
Johnny Meyer or Johnny Meijer was born Jan Cornelis Meijer on October 1, 1912 in Amsterdam, Netherlands. He began playing accordion as a child and before World War II was playing in Dutch big bands. The post-war years were fertile for him and the liberating sound of his swing accordion, opened opportunities for him to record many swing standards from 1952 to 1957.
He toured Europe but mainly performed in the Netherlands and for a time was known as a virtuoso jazz accordionist. Besides the popular songs, Meyer also played fast swing numbers, Romanian music and classical pieces. In 1974 he recorded the Dutch Swing College Band Johnny Goes Dixie LP, which went gold.
Typically seen during performances with a cigar in his mouth, his accordion showed several burn marks as a result of this. In the last years of his life, Johnny Meyer was rarely invited to play large performances, mainly in connection with his short temper and his drinking, and thus the King of the Accordion saw out his final days mostly in silence, reduced to occasionally playing weddings and parties.
Accordionist Johnny Meyer, who played jazz, swing, classical, folk and was the subject of a film, passed away on January 8, 1992 in Amsterdam.
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Daily Dose Of Jazz…
Robert Uno Normann was born on June 27, 1916 in Borge, Østfold, Norway. An autodidact performer on the banjo, accordion and tenor saxophone, he would eventually make the guitar as his main instrument. He was one of the swing era’s most sought after guitar soloists in Norway and was also a pioneer of the electric guitar.
He began his musical career as a wandering street and backyard musician at age 12 and became a professional musician in 1937. As a part of the Oslo jazz scene, he performed in several swing jazz groups, Freddy Valier, String Swing, and Gunnar Due. He simultaneously led his own quartet. During this period he played tenor saxophone with the Pete Brown Big Band from 1945 and various random jazz groups such as Frank Ottersen, and Willy Andresen. He got several career offers from international artists, including from Benny Goodman and Barney Kessel, that he turned down.
He never listened to recordings by Django Reinhardt but got his inspiration from listening to Teddy Wilson and Leon Chu Berry, and various accordionists. From 1955, he was less active in the jazz context because of significant alcohol problems. As a studio musician, Robert participated in close to 1300 productions, composed music to multiple folk texts, film, theater, and small pieces of music inspired by jazz and traditional Norwegian folk music.
Normann retired as an active musician in 1982 and devoted his time to small scale farming and inventions. Guitarist and jazz guitar pioneer Robert Normann, who made his first electric guitar in 1939 by constructing a pickup of copper wire, magnets and pitch stolen from public phones, passed away at the age of 81 on May 20, 1998 in Kvastebyen, Sarpsborg, Østfold, Norway.
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Daily Dose Of Jazz…
Kamil Běhounek was born on March 29, 1916 in Blatná, Czech Republic and was an autodidact on accordion, having learned to play by imitating recordings and BBC broadcasts. While studying law in Prague he began performing in clubs and recorded his first solo accordion date in 1936. By the late 1930s, he was working with the Blue Music Orchestra, Rudolf Antonin Dvorsky, Jiří Traxler, and Karel Vlach.
In 1943, he was forcibly compelled by the Nazis to go to Berlin and make arrangements for the bands of Lutz Templin and Ernst van’t Hoff. Upon returning to Czechoslovakia in 1945, he used some of these arrangements for his own band, then returned to Germany the following year, where he continued arranging for bandleaders such as Adalbert Luczkowski, Willy Berking, Heinz Schönberger, and Werner Müller.
He played with his own ensemble, including in Bonn, Germany and after 1948 he performed in West Germany at American soldiers’ clubs. Between 1968 and 1977 he recorded several albums of folk music but continued to play swing with his own groups. He also wrote an autobiography, Má láska je jazz (Jazz is my Love), which was published posthumously in 1986.
Bohemian accordionist, bandleader, arranger, composer, and film scorer Kamil Běhounek, who occasionally played tenor saxophone, passed away on November 22, 1983 in Bonn, Germany.
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