BILLY CHILDS

Six Time Grammy Winner and seventeen time nominee Billy Childs has emerged as one of the foremost American composers of his era, perhaps the most distinctly American composer since Aaron Copland – for like Copland, he has successfully married the musical products of his heritage with the Western neoclassical traditions of the twentieth century in a powerful symbiosis of style, range, and dynamism.

He has received orchestral and chamber commissions from, among others: Esa-Pekka Salonen and the Los Angeles Philharmonic, the Detroit Symphony Orchestra under the baton of Leonard Slatkin, the Los Angeles Master Chorale, the National Symphony, the Minnesota Orchestra, the Orpheus Orchestra, the St. Paul Chamber Orchestra, the Kronos Quartet, the Dorian Wind Quintet, the Lincoln Center Jazz Orchestra, the Isidore Quartet, the American Brass Quintet, the Ying Quartet, the Lyris Quartet, Anne Akiko Meyers, Rachel Barton Pine, and Inna Faliks. His works have been performed at Carnegie Hall, Kennedy Center, and Disney Concert Hall.

Jimmy Johnson ~ Bass
Justin Brown ~ Drums
Andrew Renfroe ~ Guitar
Billy Childs ~ Rhodes

$40.00 1st Set Inside Seating (+$4.25 fee)
$35.00 2nd Set Inside Seating (+$4.25 fee)
$20.00 Patio Seating (+$4.25 fee) | Live video concert and you are NOT inside the club

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KEYON HARROLD

Keyon Harrold Present “Foreverland”

An inventive, multidisciplinary, genre-fluid artist; trumpeter and vocalist; a composer, arranger, and platinum music producer; bandleader and major recording artist,Keyon Harrold’s career is a spectrum of greatness. From touring and recording with Jay-z and Cirque Du Soleil to being signed by legendary Rapper Nas (Mass Appeal) and writing the theme song for The Queen Latifah’s Show. Harrold is a first-call artist with feature credits with Keith Richards, Black Pumas, Mac Miller (Stay), and Nas (The Jarreau of Rap) and Harrold’s latest collaboration with UK crooner Samm Henshaw        (Still Broke). Keyon is a frequent collaborator with YEBBA, Robert Glasper, Maxwell, Common, PJ Morton, and Gregory Porter. He is an activist for social justice and equality.

$35 ~ $45 | $15 Streaming Pass (plus fees)

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ALLYN JOHNSON

CD Release Celebration

The native Washingtonian is a multi-talented musician, composer, arranger and producer whose trademark sound gives brilliance and fortitude to the art of jazz improvisation. While a student at the University of the District of Columbia, Allyn was mentored by the late great jazz legend Calvin Jones. Allyn hopes to continue Jones’ rich legacy of service, musicianship and academic excellence. He is revered by musical giants as well as the “young lions” of his generation. In 2024, Allyn recorded a new trio album entitled “The Big Comeback” featuring Eric Kennedy on drums and Romeir Mendez on bass.

Allyn Johnson ~ piano
Tim Green ~ alto saxophone
Herman Burney ~ bass
Eric Kennedy ~ drums

Cover: $30~35 | $15 Streaming Pass (plus fees)

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Daily Dose Of Jazz…

David Panton was born on October 20, 1946 in the Midlands, England where his formative musical experience revolved around singing in the local church choir and later with a mixed voice choir and an amateur operatic society. He began teaching himself classical piano from the age of twelve and by fifteen had begun to compose by improvising at the keyboard. At seventeen he joined the army as a bandsman, taking up the oboe and being posted for a year in 1964 to Kneller Hall, the Military School of Music. He later attended Birmingham School of Music for piano tuition under the late William Fellowes for a year from 1966. His composing took on a more modern direction which was largely unintelligible to his military colleagues.

After four years as bandsman he resigned to pursue a musical career back in civilization, taking up the alto saxophone as a result of hearing some of the American and British free jazz players of the time such as Ornette Coleman and Mike Osborne. He formed several groups and gave solo performances at the Birmingham Arts Lab, Midlands Arts Centre, Birmingham and Midlands Institue as well as numerous pubs. He made contact with London based musicians John Stevens, Evan Parker, Derek Bailey and Maggie Nichols which led to occasional appearances around the city.

He ventured into folk music with the group Forest, followed by the experimental theatre group Chameleon Laboratory Theatre. In 1979 he received an Arts Council jazz bursary, allegedly the first provincal based musician to do so, with a second following in 1981. By 1989 he abandoned music and started up an audio cassette duplication business. When the demise of the audio cassette undermined business viability, David opted to take up a civil service post in the late Nineties from which he retired in 2006.

In 2009 he was awarded the MA in Music from the Open University and has continued to pursue music activities in academia.

SUITE TABU 200

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Daily Dose Of Jazz…

Mervyn Africa was born on October 18, 1950 in Cape Town, South Africa and studied music there and sang in the boys choir. Moving to the United Kingdom in 1981 he searched for work in the bands of fellow exiles, trumpeter Hugh Masekela, percussionist Julian Bahula and saxophonist Dudu Pukwana. With drummer Brian Abrahams and Russel Herman he was a co-founder of the Afro/jazz group District Six.

He put together a quartet consisting of bassist Michael Mondesir, trumpeter Dave Defries and percussionist Nana Tsiboe. Drawing from his rich cultural and musical background, he created a strong reputation as a solo performer, band leader and big in African jazz.

As a composer he is known for his piano improvisations and unique compositions, Mervyn’s influences range from classic and carnival music through to township jazz and Malay musical heritage.

Pianist and composer Mervyn Africa, also known for his 2010 portrayal in Master Harold and The Boy, remains a major presence on the London scene. 

SUITE TABU 200

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