Daily Dose Of Jazz…
Ron Mathewson was born 19 February 1944 Lerwick, Shetland Isles, Scotland into an unusually musical household. At eight years old he was studying classical piano, continuing his studies and performing classical piano until he reached sixteen. A year earlier he started playing bass guitar and his talent was noted and encouraged by Shetland musician, Peerie Willie Johnson.
In 1962, Mathewson was in Germany playing professionally with a Scottish Dixieland band, then in London he also performed with various jazz and R&B bands through to the middle of the decade. Around this time he was also a member of the Kenny Clarke-Francy Boland Big Band.
By1966 Ron became a member of the Tubby Hayes band, with which he performed until 1973. From 1975 on in to the 1990s, he was frequently a participant in various Ronnie Scott recordings and concerts.
In 1983, he appeared on Dick Morrissey’s solo album After Dark with Jim Mullen, John Critchenson, Martin Drew and Barry Whitworth. In 2007 a benefit concert was held for him after he had an accident that left him recovering from two broken hips, a broken wrist and a burst artery.
Best known for his years spent with Scott, the double bassist and bass guitarist has recorded with Stan Getz, Joe Henderson, Ben Webster, John Taylor, Gordon Beck, Philly Joe Jones, Roy Eldridge, Tony Oxley, Kenny Wheeler, Oscar Peterson, John Stevens, Terry Smith, Bill Evans, Phil Woods and His European Rhythm Machine, Acoustic Alchemy, Ian Carr, Spontaneous Music Ensemble, Ray Nance and Charles Tolliver, among numerous others.
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Daily DoseOf Jazz…
Spike Heatley was born February 17, 1933 in North London, England. Studying the bass as a child by the time he was twenty-five he was playing with the Vic Ash Sextet along with Ian Hamer, Johnny Scott and Alan Bascombe. He went on to join The Jazz Couriers just before they disbanded, then played briefly with the Tubby Hayes Quartet with Terry Shannon and Phil Seaman.
Heatley then joined pianist Eddie Thompson’s house trio for the opening year at the original Ronnie Scott’s on Gerrard Street. During this period he also played with John Dankworth staying with him until 1962, then joining the Tony Coe Quintet, and touring with trumpeter Kenny Baker. In 1963 he was with the Bill Le Sage and Ronnie Ross Quartet, with Allan Ganley.
It was around this time that Spike stretched out and began session work in the same rhythm section as Jimmy page and John McLaughlin. He was an early member of Alexis Korner’s Blues Incorporated and between 1970 and 1974 he was part of successful jazz-rock fusion group CCS, and played on recording sessions for Rod Stewart.
In the 1970s he was in the house band for the children’s TV show Play Away. During the 1980s and early 90s, he was with the American all star group the Great Guitars featuring Herb Ellis, Charlie Byrd and Barney Kessel which also sometimes featured British player, Martin Taylor.
He went on to play in Kessel’s trio with Malcolm Mortimore and then with Canadian pianist Oliver Jones. These days, bassist Spike Heatley spends most of his time in France.
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Daily Dose Of Jazz…
Ahmed Abdul-Malik was born Jonathan Tim, Jr. on January 30, 1927 in Brooklyn, New York. Taking violin lessons from his father, by age seven he was attending the Vardi School of Music and Art to continue his violin training. Over time he took up the piano, cello, bass, and tuba. He continued studying with local bassist Franklin Skeete before joining the High School of Music & Art in Harlem, where his skills on violin and viola earned him a spot in the All-City Orchestra.
In the mid-1970s, Abdul-Malik was a substitute teacher at Junior High School 281, in Bensonhurst neighborhood of Brooklyn as well as the strings instructor at Junior High School 117 in the Brooklyn neighborhood of Bedford-Stuyvesant under the supervision of Andrew Liotta. While seeking a teaching certification, in addition to study under Liotta in orchestration and composition, Abdul-Malik also taught Sudanese in the junior high school language department. In the late 1970s he taught individual students private instruction in jazz improvisation at New York University.
Abdul-Malik is noted for integrating Middle Eastern and North African music styles in his jazz music. He recorded six albums as a leader with Johnny Griffin, Lee Morgan, Curtis Fuller, James Richardson and Benny Golson. He also held down the sideman duties as the bassist performing and recording nineteen albums with Art Blakey, Randy Weston, Thelonious Monk, Earl Hines, John Coltrane, Walt Dickerson, Jutta Hipp, Odetta, Herbie Mann and Dave Pike among others.
As an oud player he was engaged as a musical ambassador by the United States Department of State to tour South America, and he also performed at an African jazz festival in Morocco. On October 2, 1993 double bassist and oud player Ahmed Abdul-Malik passed away at the age of 66.
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Daily Dose Of Jazz…
Bill Ware III was born William Anthony Ware III on January 28, 1959 in East Orange, New Jersey. He played bass and piano early in his career at Harlem’s Jazzmobile, prior to choosing vibraphone as his main instrument. After spending several years playing Latin jazz he formed his own Latin Jazz group, AM Sleep.
In 1987 Ware joined saxophonist Roy Nathanson and trombonist Curtis Fowlkes’ Jazz Passengers as a regular memberand by 1990 had put together a group of sidemen as the Club Bird All-Stars, who accompanied him on a tour of Japan. Stretching out to other genres he played with Groove Collective and Steely Dan during the first half Nineties.
Later in the decade Bill teamed up with fellow former Jazz Passengers, Brad Jones and E. J. Rodriguez forming the ensemble Vibes. His 2001 tribute to Duke Ellington was recorded with guitarist Marc Ribot, and Deborah Harry on his 2002 effort Four.
During the mid-2000s, he recorded several projects blending jazz with Western Classical music as well as composing five film scores with Nathanson. He recorded fourteen solo projects as a leader for AM Sleep, Knitting Factory, Cathexis, Wollenware, Random Chance and Pony Canyon record labels. Vibraphonist Bill Ware continues to compose, perform and record.
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Daily Dose Of Jazz…
Israel Crosby was January 19, 1919 in Chicago, Illinois and was best known as the double-bassist in the Ahmad Jamal Trio from 1957 to 1962, but recorded eighteen albums with him from 1951 to 1967.
A close contemporary of Jimmy Blanton, Israel has been considered less as a pioneer, but rather for his interactive playing in Jamal’s trio and that of George Shearing. His playing exhibited how easily and fluently he displayed a modern approach to jazz double bass.
He is credited with taking the first recorded bass solo at age 16 on his 1935 recording of “Blues of Israel” with drummer Gene Krupa on the Prestige label. Beyond Jamal, Shearing and Krupa, Crosby performed and recorded with Albert Ammons, Charlie Christian, Vic Dickerson, Roy Eldridge, Herb Ellis, Edmond Hall, Coleman Hawkins, Fletcher Henderson, Horace Henderson, Sam Jones, Meade Lux Lewis, Jess Stacy and Earl Washington.
A consummate sideman, bassist Israel Crosby passed away on August 11, 1962 of a heart attack just two months after joining the Shearing Quintet.
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