Daily Dose Of Jazz…
Howard Rumsey was born on November 7, 1917 in Brawley, California and first began playing the piano, followed by the drums and finally the bass. After jobs with Vido Musso and Johnnie Davis, he became part of Stan Kenton’s first band. After an argument ensued he left Kenton and played with Charlie Barnet and Barney Bigard before taking a short hiatus from music.
Upon his return Howard hit the Los Angeles jazz scene and formed the Lighthouse All-Stars. For most of the 1950s this group played each Sunday at the Lighthouse Cafe in Hermosa Beach. During its lifetime, the Lighthouse All-Stars were one of the primary modern jazz institutions on the West Coast that provided a home for many Los Angeles musicians. He opened his debut show on May 29, 1949 to immediate success.
Rumsey employed in the first Lighthouse All-Stars group the Los Angeles musicians who had been a part of the Central Avenue scene in the 1940s, including Teddy Edwards, Sonny Criss, Hampton Hawes, Frank Patchen, Bobby White and Keith Williams. His second band featured a new wave of players, Jimmy Giuffre, Shorty Rogers, and Shelly Manne. The success of this group soon had them recording for Les Koenig’s Contemporary Records. This contract expanded to include many of the members of the group leading sessions for this same label, such as Art Pepper and Stan Getz.
This third edition of the Lighthouse All-Stars included Bud Shank, Bob Cooper, Rolf Ericsson and Max Roach. This band took part in a historic recording in 1953 that featured both Chet Baker and Miles Davis, along with Russ Freeman and Lorraine Geller.
Various editions of the band hosted other players until the early Sixties when jazz interest faded in Los Angeles, but during its heyday some seventy-five musicians came through their ranks until the group eventually dissolved. From 1971 to 1985 he owned and operated the 200 seat club Concerts by the Sea in Redondo Beach, California.In 2005 the film Jazz on the West Coast: The Lighthouse was released about the group. Double-bassist Howard Rumsey passed away on July 15, 2015 from complications of pneumonia in Newport Beach, California, at the age of 96.
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Daily Dose Of Jazz…
Anthony Cox was born October 24, 1954 in Minneapolis, Minnesota. He matriculated through the University of Wisconsin – Eau Claire studying and honing his craft of playing bass. After graduating from college he spent time in New York before returning to the Twin Cities.
Cox plays mainly in the post-bop, avant-garde and traditional styles, though versatile enough to work in any style effectively. His bass sound is full of beauty and warmth and his ability to accompany and still add very creative ideas into whatever music he is playing is remarkable.
Equally proficient on the upright acoustic bass, electric guitar and the Spanish style acoustic bass guitar, Anthony is also an adept composer open to all kinds of music from around the world and can be heard as a leader or as a sideman on over a hundred recording sessions with such artists as Geri Allen, Dewey Redman, Dave Douglas, John Scofield, Pat Metheny, Billy Higgins, Uri Caine, Gary Thomas, Marty Ehrlich, Ed Blackwell, Joe Lovano and Dave King.
Bassist Anthony Cox currently resides and performs in his hometown and is attracting a young audience with his full, warm sound and creative ideas.
Daily Dose Of Jazz…
Esperanza Spalding was born October 18, 1984 in Portland, Oregon. Raised in a single parent household she was greatly influenced by her mother who was a singer, though she attributes cellist Yo-Yo Ma as her inspiration to make music her life. By the time Spalding was five, she had taught herself to play the violin and was playing with the Chamber Music Society of Oregon, staying with them until fifteen and left as concertmaster.
While homeschooled through elementary years Esperanza gleaned lessons from her mother’s guitar instructor when she was eight and would return home and play what she learned. She played oboe and clarinet before discovering the bass at 14 while attending The Northwest Academy. Bored with the ease of high school when she was 15 or 16 years old, Spalding dropped out and started writing lyrics for music for the local indie rock/pop group Noise for Pretend, touching on any topic that came to mind.
Spalding had begun performing live in Portland with her first gig at 15 in a blues club, when she could play only one line on bass and was soon learning from seasoned professionals during the band’s rehearsals. She went on to get her GED, enroll in Portland State University, then left with full scholarship to attend Berklee College of Music.
Almost immediately after graduation Esperanza was hired by her alma mater at age 20, becoming one of the youngest instructors in the institution’s history. In 2006 she released her debut album “Junjo” followed by her sophomore project “Esperanza” in which she sings in English, Spanish and Portuguese. These two projects were followed up with “Chamber Music Society” and her fourth album “Radio Music Society”.
She was personally chosen by President Obama to perform at the 2009 Nobel Peace Prize ceremonies and concert, she has won a Grammy for Best New Artist in 2011, Jazz Artist of the Year at the Boston Music Awards, has collaborated with Tineke Postma, Nicholas Payton and Teri Lyne Carrington among others, performed at the 84th Academy Awards and has donated a portion of her 2012 tour proceeds from merchandise sales to the non-profit organization “Free The Slaves” that combats worldwide human trafficking.
She has gone on to record an album in 77 hours while streaming the process live on Facebook, compose and record her 7th album 12 Little Spells, due out this October 2018 and has received an honorary Doctorate of music from Berklee. Bassists and vocalist Esperanza Spalding continues to compose, record, perform and tour.
Daily Dose Of Jazz…
Matthew Parrish was born on October 14, 1969 in Fresno, California. Traveling with his parents most of his formative years, the bassist developed a wide appreciation for culture and arts and his family finally settled in New Jersey for his high school years. This led to his tenure at Rutgers Mason Gross School of the Arts. From there he moved to Philadelphia where his music studies really began at Ortliebs Jazz Haus.
At Ortliebs, Parrish played with Mickey Roker and Shirley Scott, backing everyone from Cecil Payne, Johnny Coles and Danny Turner to Sylvia Simms. He was soon partnered with Al Grey and while touring hit with Clark Terry, Marian McPartland, Dr. Lonnie Smith, Lou Donaldson, Joe Cohn, Savion Glover, Bill Charlap and many others.
Considering himself an East Coast player his list of accolades is more than sufficient to fall in the lineage of great Philly players. He has toured all over the world and his beautiful, warm and complex sound has earned him an impressive reputation in the music community. He has toured with Greg Osby, Stefon Harris and Regina Carter among others and continues to tour with the Dave Leonhardt group, Houston Person as well as the Vana Gierig Trio with Paquito D’Rivera. Bassist Matthew Parrish also continues to perfect his arrangements and compositions – a true passion for the music.
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Daily Dose Of Jazz…
Steve Swallow was born on October 4, 1940 in Fair Lawn, New Jersey. As a child he studied piano and trumpet before turning to the double bass at age 14. While attending a prep school, he began trying his hand in jazz improvisation. In 1960 he left Yale, settled in New York City and played with Jimmy Giuffre’s trio with Paul Bley.
After joining Art Farmer’s quartet in 1964, Swallow began to write. It is in the 1960s that his long-term association with Gary Burton’s various bands began. The early 1970s saw him switch exclusively to electric bass guitar, preferring the 5-string.
Steve became an educator in 1974 for two years teaching at the Berklee School of Music. In ‘78 he became an essential and constant member of Carla Bley’s band, toured extensively with John Scofield in the early 1980s, has returned to this collaboration several times over the years.
Bassist Steve Swallow has consistently won the electric bass category in Down Beat magazine’s Critics and Readers yearly polls since the mid-80s. Having grown a catalogue of some five-dozen albums as a leader and sideman, he continues to compose, perform and record.
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