Three Wishes

Calo Scott had one simple answer to the Baroness de Koenigswarter question of three wishes:

  1. “To realize myself.”

*Excerpt from Three Wishes: An Intimate Look at Jazz Greats – Complied and Photographed by Pannonica de Koenigswarter

THE WATCHFUL EYE

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David Nathaniel Baker Jr. was born on December 21, 1931 in Indianapolis, Indiana and took up the trombone attending Crispus Attucks High School. He went on to matriculate through Indiana University, earning his Bachelor and Master degrees in Music, having studied with J. J. Johnson, János Starker, and George Russell.

His first teaching position was at Lincoln University in Jefferson, Missouri in 1955, a historic black institution, but Baker had to resign his position under threats of violence after he had eloped to Chicago, Illinois to marry white opera singer Eugenia (“Jeanne”) Marie Jones. Thriving in the Indianapolis jazz scene of the time, he was as a mentor of sorts to Indianapolis-born trumpeter Freddie Hubbard. Forced to abandon the trombone due to a jaw injury that left him unable to play, he subsequently learned to play cello.

The shift to cello largely ended his performing career but began his life as a  composer and pedagogue. Among the first and most important people to begin to codify the then largely aural tradition of jazz he wrote several seminal books on jazz, including Jazz Improvisation in 1988. Baker taught in the Jazz Studies Department at Indiana University and made the school a highly regarded destination for students of jazz. His students included Michael Brecker, Randy Brecker, Peter Erskine, Jim Beard, Chris Botti, Jeff Hamilton, and Jamey Aebersold.

Baker’s compositions range from Third Stream to traditional to symphonic works. He composed some 2000 compositions, has been commissioned by over 500 individuals and ensembles, nominated for a Pulitzer and a Grammy award, honored three times by Down Beat magazine, and was the third inductee to their jazz Education Hall of Fame, as well as several other jazz awards.

Trombonist, cellist, composer and pedagogue David Baker, who performed with his second wife Lida, a flautist, since the Nineties and has more than 65 recordings, 70 books, and 400 articles to his credit, passed away on March 26, 2016, at age 84 at his Bloomington, Indiana home.

ROBYN B. NASH

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Lars Danielsson was born on September 5, 1958 in Smålandsstenar, Sweden and was educated at the music conservatory in Gothenburg and studied double bass, electric bass and cello. In 1985, he formed a quartet with saxophonist Dave Liebman, pianist Bobo Stenson and drummer Jon Christensen, producing several albums. He also worked with big bands.

He played and recorded with, among others, John Scofield, Jack DeJohnette, Mike Stern, Billy Hart, Charles Lloyd, Terri Lyne Carrington, Leszek Możdżer, Joey Calderazzo, Gino Vannelli and Dave Kikoski.

Since 1980, he has released eight solo albums with the Lars Danielssons Quartet. In these albums, Alex Acuña, John Abercrombie, Bill Evans, Kenny Wheeler, Rick Margitza and Niels Lan Doky were featured.

As a producer he has been responsible for productions with Cæcilie Norby and the Danish radio orchestra among others. Bassist, cellist, composer and record producer Lars Danielsson continues to compose, record, perform and tour.

SUITE TABU 200

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Isla Eckinger was born on May 6, 1939 in Dornach, Switzerland and played cello as a child, moving to the trombone during his teenage years. After studying trombone at the Conservatory in Basel, he taught himself to play the bass.

As a professional musician Isla made his debut playing with Oscar and Miriam Klein. In the 1960s, he accompanied on tour with Ben Webster, Buck Clayton, Don Byas and Johnny Griffin.

After a move to Munich, Eckinger began working with Mal Waldron, Joe Haider and Philly Joe Jones. From 1970 to 1976 he became an educator, teaching at the Swiss Jazz School while working with Haider, Peter Giger and Heinz Bigler in Group Four for Jazz.

With a new quartet with Waldron, Steve Lacy and Manfred Schoof, Eckinger toured Japan in 1975, and Italy with Chet Baker the following year. By the end of the 1970s he belonged to Wolfgang Engstfeld’s quartet, then worked with Klaus Weiss, Fritz Pauer and also with Dizzy Gillespie.

Mid-1980 saw Isla in Los Angeles, California recording with Chuck Manning. He played with Roman Schwaller and Jimmy Cobb as well as with Charly Antolini, Andy Scherrer and Paul Haag. Double bassist, vibraphonist and trombonist Isla Eckinger transitioned on April 8, 2021.


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Akua Dixon was born July 14th and raised in New York City, growing up in a family suffused with music, starting with her early experience singing in the Baptist church. She began playing cello in the fourth grade and soon was playing with her sister, the late violinist Gayle Dixon. By junior high they were playing little gigs and in high school she started freelancing.

After graduating from the High School of the Performing Arts, Dixon studied at the Manhattan School of Music and post graduation she joined the pit band at the Apollo Theater as an essential proving ground. There she backed such artists as Rev. James Cleveland, Barry White, James Brown and Dionne Warwick, but after Sammy Davis Jr. insisted the Westbury Music Fair include Black musicians in the orchestra she broke into Broadway pit bands and worked shows the likes of Charles Aznavour, Liza Minnelli (Liza with a Z), La Cage Aux Folles, Cats, Doonesbury, Dream Girls, and many others.

Finding a home with the Symphony of the New World, she experienced the Ellingtonian epiphany that led her to her study and immersion into jazz, spirituals and the secret s of improvising. In the Seventies she joined Noel Pointer’s String Reunion, served as director of new music and supplied the group with a steady stream of compositions and arrangements. At the same time, Akua launched her own string quartet, Quartette Indigo, which made its big league debut at the Village Gate with her sister Gayle Dixon, Maxine Roach, and John Blake Jr.

Throughout her career Dixon has worked and collaborated with Archie Shepp, Rahsaan Roland Kirk, Woody Shaw, Jimmy Heath, Frank Foster, Leroy Jenkins, Charles Burnham, Abdul Wadud, Archie Shepp, Don Cherry, Buster Williams, Carmen McRae, Dizzy Gillespie, Abbey Lincoln, Tom Harrell, and her former husband Steve Turre, She was a founding member of the Max Roach Double Quartet where she learned to phrase bebop. She’s conducted for the Alvin Ailey American Dance Theatre, lectured at the Smithsonian Institution, and composed an opera commissioned by the Rockefeller Foundation, The Opera of Marie Laveau that premiered at Henry Street New Federal Theatre in New York City.

As an educator she has spent much of her time teaching at various institutions and conducting dozens of performances through the Carnegie Hall Neighborhood Concert Series. Cellist, arranger, composer, vocalist and educator Akua Dixon stays busy composing new music for her string group, the Moving On Quartet and other ensembles in addition to performing and recording.


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