TOMEKA REID

Described as a “New Jazz Power Source” by the New York Times, cellist extraordinaire Tomeka Reid presents her groundbreaking new work inspired by Duke Ellington. Be among the first to witness this Kennedy Center co-commission as Reid seamlessly captures the essence of Ellington, all while propelling jazz into bold new territories.

Described as a “New Jazz Power Source” by the New York Times, Tomeka Reid, a D.C. native, the 2022 MacArthur “Genius Grant” Fellow, and cellist extraordinaire, presents her groundbreaking new work inspired by Duke Ellington. Be among the first to witness this fusion of tradition and innovation as she seamlessly captures the essence of Ellington, all while propelling jazz into bold new territories. Lose yourself in the spirit of a genius reimagined through the lens of one of today’s most visionary artists.

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The Jazz Voyager

Hitting those friendly skies on British Airways back to the States is a fifteen hour fly time from Warsaw to Philly with a four hour layover at Heathrow, but it was fun seeing a new city, new venue and hearing Mr. Herring again up close and personal in a club setting. An old stomping ground, South Jazz Kitchen, is the destination that serves up elevated comfort food that combines America’s original music with Southern heritage cuisine.

Praised for its authentic, soulful, and orchestral sound, The String Queens (TSQ) is a dynamic group with violinist Kendall Isadore, Dawn Johnson on Viola, and cellist Élise Sharp. They create stimulating musical experiences that inspire diverse audiences to love, hope, feel, and imagine. This Jazz Voyager is anticipating the experience of a versatile repertoire and musical journey through time spanning from the Baroque era to the Jazz Age to today’s Billboard Hot 100 Chart.

Nestled in the Spring Garden neighborhood of the city, the venue is located at the intersection of Broad and Mt. Vernon, at 600 N. Broad Street, Philadelphia, PA 19130. For more info https://notoriousjazz.com/event/the-string-queens.

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Daily Dose Of jazz…

David Darling was born March 4, 1941 in Elkhart, Indiana. Interested in music from an early age, he began piano when he was four, cello at ten, and string bass in high school. He studied classical cello at Indiana State University and after graduating remained there another four years as a teacher.

Working as a studio musician in Nashville, Tennessee he was a member of the Paul Winter Consort until 1978. During the following year Gus was part of the chamber jazz group Gallery with Ralph Towner and released his first solo album, Journal October. His performance and composition draw on a wide range of styles, including classical, jazz, Brazilian, African, and Indian music.

He has written and performed music for more than a dozen major motion pictures from 1988 to 2004 and recorded a collaboration with the Wulu Bunun, a group of Taiwanese aborigines. In 2007 he recorded The Darling Conversations, with Julie Weber discussing his music philosophy. He followed this in 2009 with the release of the Grammy-winning Prayer for Compassion. 

In the Eighties he began his life as an educator of young children by joining Young Audiences, founded Music for People, which seeks to encourage self-expression through musical improvisation. He became part of a collaboration of music teachers and performers offering a training program in holistic and intercultural approaches to healing with sound and music at the New York Open Center Sound and Music School.

Cellist and composer David Darling died in his sleep on January 8, 2021.

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THE STRING QUEENS

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Daily Dose Of Jazz…

Jean-Charles Capon was born on July 29, 1936 in Vichy, France. A virtuoso on the cello, he began playing professionally at the beginning of the 60s before creating the Baroque Jazz Trio. His name was rapidly linked to different cult groups for whom he became the guest star for Confluence, Perception, and Speed Limit, but also with many more or less well-known free jazz musicians including David S. Ware with whom he recorded the impeccable duo From Silence To Music, as well as Philippe Maté, Michel Roques, André Jaume or Joe McPhee with Po Music.

Jef Gilson helped get his career under way (they recorded together as far back as 1968) before Pierre Barouh, owner of Saravah Records with whom Jean-Charles played alongside Brigitte Fontaine and Areski. He offered him the opportunity to record his first album: L’Univers-solitude.

Capon admired Duke Ellington, John Lewis and Gabriel Fauré, as can be heard on his later highly personal versions of Mood Indigo, Django and Après un rêve. As for Pierre Favre, he is not there just to make up the numbers: his timbral research and combinations of complex rhythms offer the French cellist wonderful interaction throughout this remarkable album which had finally been given a dignified rerelease.

The fluidity of the phrasing, timbral research, complex rhythmic combinations and rare sense of improvisation make this one of the best modern jazz recordings on the Saravah label in the 1970s.

Cellist Jean~Charles Capon transitioned on August 22, 2011 in the 10th Arrondissement, Paris, France.

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