Daily Dose Of Jazz…
Allie Wrubel was born in Middletown, Connecticut on January 15, 1905. He attended Wesleyan and Columbia Universities prior to playing saxophone and clarinet for a variety of famous swing bands. His musical career began in Greenwich Village where he roomed with his close friend and actor, James Cagney.
1934 saw Allie’s move to Hollywood to work for Warner Brothers as a contract songwriter. He was a major contributor to a large number of movies including Busby Berkeley films before moving to Disney in 1947. He also contributed to films such as “Make Mine Music”, “Duel In The Sun”, “I Walk Alone”, “Melody Time”, “Tulsa”, “Midnight Lace” and “Never Steal Anything Small”.
He collaborated with many lyricists such as Abner Silver, Herb Magidson, Charles Newman, Mort Dixon, Ned Washington and Ray Gilbert, the latter collaboration penned Zip-A-Dee-Doo-Dah from the 1947 film Song Of The South, which won Gilbert and Wrubel an Oscar for Best Song that year. A few recognizable songs from his huge collection of compositions, some that have become staples in the jazz catalog – Gone With The Wind, As You Desire Me, Music Maestro Please, I’ll Buy That Dream, Mine Alone, How Long Has This Been Going On and The Masquerade Is Over.
After a long and successful career Allie Wrubel was inducted into the Songwriters Hall Of Fame in 1970, just three years before his death on December 13, 1973 in Twentynine Palms, California.
Daily Dose Of Jazz…
Jimmy Lytell was born on December 1, 1904 in New York, NY. His first professional experience came at age twelve, and by the beginning of the 1920s he was recording with early jazz ensembles. Jimmy played in the Original Indiana Five in 1921 and the Original Memphis Five from 1922 – 1925, and also played in the Original Dixieland Jazz Band for two years beginning in1922.
After the 1920s Lytell rarely performed in jazz settings, spending more time as a studio and orchestra musician. He worked as a staff musician for NBC during this time. From 1949 into the late 1950s he appeared in the New Original Memphis Five revival band, and recorded with Connee Boswell late in the 1950s.
As a leader, he recorded 18 titles during the Roaring Twenties and six more for London Records in 1950. Clarinetist Jimmy Lytell, player of Dixieland and early jazz continued to perform up until a year before his death on November 28, 1972 in Kings Point, New York.
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Daily Dose Of Jazz…
Phil Woods was born Philip Wells Woods on November 2, 1931 in Springfield, Massachusetts. He studied music with his great influence Lennie Tristano, at the Manhattan School of Music and at The Julliard School.
After moving to France in 1968, Phil led the avant-garde jazz group The European Rhythm Machine, and then returned to the United States in 1972 and unsuccessfully attempting to establish an electronic group formed a quintet, which is still performing with some changes of personnel.
Although Woods is primarily a saxophonist he is also a fine clarinet player and solos can be found scattered through his recordings. His pop credits include the alto solos on Billy Joel’s Just The Way You Are, Steely Dan’s Doctor Wu and Paul Simon’s Have A Good Time.
Phil has worked with the likes of Manny Albam, Kenny Burrell, Gary Burton, Ron Carter, Lou Donaldson, Bill Evans, Art Farmer, Dizzy Gillespie. Stephane Grappelli, Milt Jackson, Quincy Jones, Mundell Lowe, the Modern Jazz Quartet, Thelonious Monk, Oliver Nelson, Lalo Schifrin, Shirley Scott, Clark Terry and Ben Webster among others.
He has amassed 34 sessions as a sideman and nearly four-dozen albums as a leader and has been nominated for seven Grammy Awards and won one for Images: “Best Large Jazz Ensemble Performance”, and three for “Best Instrumental Jazz Performance, Individual or Group” for Live from the Show Boat, More Live, and At the Vanguard.
His 2005 documentary film “A Life in E Flat” – Portrait of a Jazz Legend” offers an intimate portrait of Woods during a recording session of the Jazzed Media album This is How I Feel About Quincy. In 2007, Phil received a “Jazz Master” award from the National Endowment of the Arts. Saxophonist, clarinetist and composer Phil Woods was married to Chan Parker, the widow of Charlie Parker, until her death in 1999. He continued to perform, record and tour until his passing on September 29, 2015 in East Stroudsburg, Pennsylvania.
Daily Dose Of Jazz…
Ernie Watts was born Ernest James Watts on October 23, 1945 in Norfolk, Virginia. He began playing saxophone at thirteen, attended West Chester University and later matriculated through Berklee College of Music on a Downbeat scholarship. He toured with Buddy Rich in the mid-1960s, occupying one of the alto saxophone chairs along with Lou Marini.
Watts visited Africa on a US State Department tour with Oliver Nelson’s group, played tenor saxophone with the Tonight Show Band under Doc Severinsen for twenty years and was a featured soloist on many of Marvin Gaye’s original Motown albums during the 1970s. A first-call musician he has sat in on many other pop and R&B sessions during 25 years in the studios in Los Angeles.
By the mid-1980s Ernie decided to rededicate himself to jazz, recording and touring with German guitarist and composer Torsten de Winkel, drummer Steve Smith and keyboardist Tom Coster. He would join bassist Charlie Haden’s Quartet West, play saxophone on the Grease soundtrack, clarinet on The Color Purple and sax on the opening theme song of the popular 80s sitcom Night Court.
Watts has won two Grammy Awards as an instrumentalist, toured with the Rolling Stones, appeared in the 1982 film Let’s Spend The Night Together, was featured on Kurt Elling’s 2010 Grammy-winning album Dedicated To You, formed his own label Flying Dutchman Records, and tours Europe with his quartet.
With flute added to his instrument list, saxophonist Ernie Watts has released eighteen albums as a leader and nearly three dozen as a sideman working with Billy and Bobby Alessi, Paul Anka, Wilie Bobo, Brass Fever, Kenny Burrell, Donald Byrd, Stanley Clarke, Billy Cobham, Randy Crawford, Dizzy Gillespie, Bobby Hutcherson, Milt Jackson, Carol King, John Mayall, Blue Mitchell, New Stories, Lalo Schifrin and Gabor Szabo among others. He continues to perform record and tour.
Daily Dose Of Jazz…
John Gilmore was born on September 28, 1931 and grew up in Chicago, Illinois but didn’t start playing the clarinet until age 14. While in the Air Force in the late Forties he took up the saxophone, then pursued a musical career, playing briefly with pianist Earl Hines before encountering Sun Ra in 1953.
For the next four decades, Gilmore recorded and performed almost exclusively with Sun Ra. Thought to have the makings of stardom like Rollins or Coltrane, the latter taking informal lessons from Gilmore in the late 50s and partially inspired by his sound on “Chasin’ The Trane”.
By 1957 he was co-leading a Blue Note date with Clifford Jordan titled Blowing In From Chicago, that is regarded as a hard bop classic with Horace Silver, Curley Russell and Art Blakey. In the mid-1960s John toured with the Jazz Messengers, participated in recording sessions with Paul Bley, Andrew Hill, Pete LaRoca, McCoy Tyner and a handful of others. In 1970 he co-led a recording with Jamaican trumpeter Dizzy Reece, however his main focus throughout remained with the Sun Ra Arkestra.
Gilmore was devoted to Sun Ra’s use of harmony, which he considered both unique and a logical extension of bebop. He was the Arkestra’s leading sideman and soloist, performing with fluency and tone on straight-ahead post bop sessions and abstractly capable of long passages based exclusively on high-register squeals. Though his fame was shrouded in the relative anonymity as a member of Sun Ra’s Arkestra, he led the band after Ra’s death up until his own passing of emphysema in 1995.