LIZZ WRIGHT

Through an inimitable voice that The New York Times touts as, “a smooth, dark alto possessed of qualities you might associate with barrel-aged bourbon or butter-soft leather,” renowned vocalist and songwriter Lizz Wright sings with a soaring reflection of the cultural fabric of America. She lies beneath the script of history, transcending social divides with an offer of love and deep sense of humanity. Her music accepts the beauty of reality and creates a collective experience of belonging for the listener. Wright’s songs embody a tradition that allows us to always feel at home.

Wright’s 2024 studio album release, Shadow, presents Lizz in a gentle and triumphant light. With five originals penned by Wright, Shadow is anchored by acoustic guitars and layered with string quartets, harp, Carnatic Indian classical strings, gospel vocals, and bare emotion. It celebrates the intimacy of romantic love, loss, community, and healing. The album was produced by Chris Bruce and executive produced by Wright on Blues & Greens Records (with licensing/distribution through Lightyear Entertainment/Virgin Music). Wright worked with renowned engineer Ryan Freeland (who recorded Grace and has also worked with music legend Bonnie Raitt), and the album features acclaimed guest artists Angelique Kidjo and Meshell Ndegeocello.

At the age of 22, Wright first made a name for herself nationally as a vocalist with a touring concert tribute to Billie Holiday. At 23, she signed with Verve Records for the release of Salt, which topped Billboard’s contemporary jazz charts. She went on to record for Universal Music Group and released the albums Dreaming Wide Awake (2005), The Orchard (2008), and Fellowship (2010). On Concord, Wright released Freedom & Surrender (2016) – featuring the single “Lean In,” which landed on President Obama’s Summer 2016 playlist – and Grace (2017). Wright’s (2022) release of Holding Space (a live recording of a concert in Berlin at the Columbia Theater) was her debut live album on Blues and Greens Records.

Wright looks forward to the release of a duo album in 2026.

Tickets: $43.21 ($35.00 + $8.21 fees) | $54.54 ($45.00 + $9.54 fees)

Discounted Parking: $18.80 ($15.00 + $3.80 fees)

$20.00 Minimum Per Person

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VANESSA RUBIN

Revered as both a torchbearer and a storyteller, jazz vocalist Vanessa Rubin possesses a voice hailed for crystalline clarity, hearth-like warmth and playful lioness sass. The Cleveland native brings a wealth of diverse influences to her vocal performance from both the Trinidadian/Caribbean roots of her mother and traditional jazz by way of her Louisiana-born father. Rubin’s passion for rich musical stories are evidenced throughout her eight albums thus far plus numerous guest appearances.

Highlight s ongs include the evocative “Voyager II” from the pen of Teri Thornton, “Inside a Silent Tear” written by Blossom Dearie, a refashioned waltz version of John Coltrane’s “Giant Steps” lyricized by New York Voices and an arrangement of “Superwoman” by Stevie Wonder insipired by the Ahmad Jamal recording of “Poinciana”. So while she has one foot planted in tradition – sticking close to timeless melodies and exquisite vocal forms – Rubin waxes adventurous, embracing stories lesser told while employing lessons of acclaimed storytellers in song such as Carmen McRae, Shirley Horn, and Freddy Cole.

Bandmates:
Allyn Johnson ~ Piano
Kenny Davis ~ Bass
Alvester Garnet ~ Drums

Cover: $35.46 ~ $45.76

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PHILIP HARPER FEATURING WINARD HARPER

Philip and Winard Harper are celebrated jazz musicians born in America, a trumpeter and drummer respectively, known for leading the acclaimed post-bop group, The Harper Brothers, during the late 1980s and early 1990s. They recorded successful albums for Verve Records and toured internationally, with Winard continuing as a prominent bandleader and sideman.

The Band
Philip Harper / Trumpet
Winard Harper / Drums
Rico Jones / Tenor Saxophone
Raphael Silverman / Guitar
Maki Nientao / Piano
Jason Maximo Clotter ~ Bass

Tickets: $40.00

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GREGORY HUTCHINSON’S – KIND OF NOW

Growing up Gregory Hutchinson played with his drummer father. He studied under Marvin “Smitty” Smith and Kenny Washington in the late 1980s, and began his career playing with Red Rodney in 1989–1990.

During the 1990s, he worked with Betty Carter, Roy Hargrove, Stephen Scott, Ray Brown, Eric Reed, Joe Henderson, Marcus Printup, Antonio Hart, Joshua Redman, Greg Gisbert, Frank Wess, Steve Wilson, Johnny Griffin, LaVerne Butler, Peter Bernstein, Claire Martin, Mark Whitfield, Teodross Avery, Jimmy Smith, Arturo Sandoval, John Patitucci, Joey Calderrazo, Michael Brecker, and Rodney Whitaker.

The Band:
Gregory Hutchinson ~ Drums
Josh Evans ~ Trumpet
Nicole Glover ~ Tenor Saxophone
Emmanuel Michael ~ Guitar
Christian Sands ~ Piano
Larry Grenadier ~ Bass

Tickets: $40.00

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BOBBY WATSON QUARTET

Bobby Watson sits among the pantheon of present-day jazz greats. Born in Lawrence, Kansas, his career now spans more than four decades. A multi-Grammy-nominated saxophonist, composer, bandleader, educator and producer, Watson trained formally at the University of Miami and then, from 1977-1981, earned his “doctorate” as musical director of Art Blakey’s Jazz Messengers. During his four-plus years with the legendary drummer, the saxophonist contributed to 14 Jazz Messengers recordings, more than anyone else in the group’s 35-year (1955-1990) storied history.

Early on, in addition to Blakey, the saxophonist also worked with notable jazz icons and elder statesmen such as Max Roach, Louis Hayes, George Coleman and Sam Rivers, as well as sharing music experiences with innumerable noteworthy peers and colleagues as well as legendary vocalists such as Joe Williams, Lou Rawls, Betty Carter, Dianne Reeves and Carmen Lundy.

Not surprisingly, Watson has received a number of well-deserved awards that in various ways recognize his musical contributions throughout his career. In 2011 the saxophonist was inducted into the Kansas Music Hall of fame. In 2013 he received the prestigious Benny Golson Jazz Masters Award from Howard University in Washington, D.C. Simultaneously, the Black National Caucus officially recognized his work in the Congressional Record.

On August 23, 2014 – serendipitously Watson’s 61 st birthday – he was selected as one of the first inductees into the then-newly established 18th and Vine “Jazz Walk of Fame.” Joining him was Pat Metheny as the only other living selection; four of the city’s jazz cornerstones also received recognition: Count Basie, Jay McShann, Parker and Mary Lou Williams.<

The Band:
Bobby Watson / Alto Saxophone
Jordan Williams / Piano
urtis Lundy / Bass
ictor Jones / Drums

Admission: $40.00

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