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Lambert, Hendricks & Ross were a vocalese trio formed by jazz vocalists Dave Lambert, Jon Hendricks and Annie Ross. This was their fourth album of the six they would record before Annie Ross left the group.

The Hottest New Group In Jazz is a 1960 album for the CBS record label and consists of ten compositions recorded: Charleston Alley, Moanin’, Twisted, Bijou, Cloudburst, Centerpiece, Give Me That Wine, Sermonette, Summertime and Everybody’s Boppin’.

The cover photo was taken by Vernon Smith.

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One For Lady was a 1977 recording session led by vocalist Kimiko Kasai, with pianist Mal Waldron, bassist Yoshio Suzuki and drummer Hiroshi Murakami . It was released the following year originally on the Catalyst International label out of Japan.

The albums consists of the eight recognizable and memorable compositions: Don’t Explain, My Man, Some Other Day, Willow Weep For Me, Yesterdays, Lover Man, You’re My Thrill and Left Alone.

The album design is by Keijiro Kubota, photography by Takashi Arihara, the producer/recording director was Tetsuya Shimoda and the recording engineer was Hideo Takada

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Soul Fountain is an album featuring saxophonist Clifford Jordan which was recorded in 1966 and but not released on the Atlantic Records subsidiary Vortex label until 1970.

All compositions were composed by Clifford Jordan with the exception as noted: T.N.T. composed by Ben Tucker, Grady Tate and Bob Dorough, I’ve Got a Feeling for You, H.N.I.C. composed by Tate and Tucker, I Got You (I Feel Good) by James Brown, Caribbean Cruise, Señor Blues by Horace Silver, Eeh Bah Lickey Doo and Retribution composed by Abbey Lincoln.

The personnel included Clifford Jordan on tenor saxophone, flute, piano, Jimmy Owens – trumpet, flugelhorn, Julian Priester – trombone, John Patton – organ (tracks 6-8), Frank Owens – piano, organ (tracks 1-5), Ben Tucker – bass (tracks 1-5), Bob Cranshaw – bass, electric bass (tracks 1-5), Bobby Durham (tracks 1-5), Billy Higgins (tracks 6-8) – drums, Ray Barretto – congas (tracks 6-8), Joe Wohletz – bongos, percussion and Orestes Vilato – percussion (tracks 1-5)

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Cosmic Vortex – Justice Divine is the debut 1974 album by jazz pianist and keyboardist, Weldon Irvine. It explores the deeply spiritual and political landscape with a focus on lyrics and vocals in conjunction with elements of funk and improvisation.

Writing all of the compositions, Weldon included on this album Love Your Brother, Walk That Walk; Talk That Talk, Love Jones, I’ll Name It Tomorrow, Cosmic Vortex (Justice Divine), Quiet (In Memory of Duke Ellington), Let Yourself Be Free and Love Your Brother (Sanctified Version)” 1:30

To execute the task of giving this project life, along with himself on keyboards, soprano saxophone and vocals Irvine brought to the session Henry Grate, Jr., Cornell Dupree and Joe Caro on guitar, Bob Cranshaw, Gordon Edwards and George Murray on bass, Wesley “Gator” Watson, Jimmy Young, Lenny White and Chipper Lyles on drums, Napoleon Revels on percussion, Bud Johnson, Jr. on the congas and bongos, Gene Jefferson on tenor saxophone, Jimmy Owens, Roy Roman and Everett “Blood” Hollins on the trumpet, Bill Barnwell on flute, and on vocals he enlisted the talents of Nalo and Ojuleba.

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With Sweet Smell Of Success drummer Chico Hamilton got his first brush (no pun intended) with Hollywood in 1957. Riding high on the popularity of his adventurous quintet of the time – reed/flutist Paul Horn, bassist Carson Smith, cellist Fred Katz, guitarist John Pisano, he and the band were cast in the film after being watched around the country for six months to insure they were drug free, on the heels of Gerry Mulligan’s recent release from jail on similar charges.

This gritty black-and-white film about a ruthless Walter Winchell-style, New York City tabloid-gossip columnist, J.J. Hunsecker, played by a dour Burt Lancaster, who wields his power like a club from Club 21. The plot of this sharp-edged media satire thickens when J.J.’s younger sister, played by Susan Harrison, begins dating the clean-cut young jazz guitarist in the Chico Hamilton Quintet, Steve Dallas, played by Martin Milner. Tony Curtis turns in a brilliant performance as the unctuous Broadway press agent Sidney Falco, who would sell his own mother to get an item in J.J.’s column. It’s your basic “guitarist finds girl, guitarist loses girl, guitarist loses gig but ends up with girl” story.

The music composed by Elmer Bernstein, Fred Katz and Chico Hamilton and performed by Elmer Bernstein Orchestra and the Chico Hamilton Quintet. The personnel in the group are Chico Hamilton – drums, Paul Horn – tenor saxophone, alto saxophone, flute, clarinet, Fred Katz – cello, John Pisano – guitar and Carson Smith on bass. They appear on the soundtrack on compositions by Hamilton and Katz:  Hot Dogs and Juice (Goodbye Baby), Hunsecker Operates (Goodbye Baby), Goodbye Baby Blues and Love Scene (Susan – The Sage).

The group also performed Jazz Themes composed by Hamilton and KatzGoodbye Baby, Cheek to Chico, Susan (The Sage), Sidney’s Theme, Jam, Night Beat and Concerto of Jazz Themes from the Soundtrack of “Sweet Smell of Success.

 

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