Requisites

The Witch Doctor ~ Art Blakey and The Jazz Messengers | By Eddie Carter

In this morning’s discussion, I’m excited to share a remarkable release from the library with you by Art Blakey and The Jazz Messengers. Although it was recorded back in 1961, The Witch Doctor (Blue Note BST 84258) didn’t become available to the public until 1967. The Jazz Messengers were renowned for their evolving roster of exceptional musicians, and this particular album features one of the drummer’s most memorable ensembles. The group consists of Lee Morgan on trumpet, Wayne Shorter on tenor saxophone, Bobby Timmons on piano, and Jymie Merritt on bass. The copy of this album I own is the 2021 Worldwide Blue Note Tone Poet Series stereo audiophile reissue, using the original catalog number.

The title tune by Lee Morgan opens the album, and the ensemble’s visit to The Witch Doctor sets a friendly tone with its mid-tempo introduction and inviting melody. Bobby starts us off with a relaxing solo, then Wayne takes a few easy-flowing choruses. Lee then takes over to give the following interpretation before Bobby returns to add a few comments, continuing to swing joyfully with the front line into the ending theme and climax. Lee’s Afrique begins with the trio’s animal sounds before Shorter’s piercing horn leads into the quintet’s medium-paced melody. Shorter kicks off the first solo with confidence, then Morgan adds an intense, steadily burning energy. Timmons approaches the third statement effortlessly, and Blakey finishes with a strong punch before the melody’s reprise and fadeout.

Wayne Shorter’s Those Who Sit and Wait grabs your attention right away with Art’s lively introduction to the quintet’s spirited theme. Wayne launches into a rapid-fire opening statement, followed by Lee’s energetic reading. Bobby jumps in next, meeting the challenge with an excellent solo that paves the way for a heated exchange between Lee, Wayne, and Art, propelling the ensemble to an electrifying climax. Side Two commences with the rhythm section’s infectious introduction, smoothly segueing into the group’s melody of Bobby Timmons’ A Little Busy. Timmons gets right to work first. Shorter keeps the lively mood going next, followed by another solo from the pianist. Lee paves a road back to the closing chorus, which softly fades away.

Joelle by Wayne Shorter comes at you with the rhythm section’s introduction gradually increasing into the ensemble’s upbeat theme. Lee makes the initial entrance with a nimble opening solo. Wayne delivers a captivating stream of ideas in the following reading. Bobby anchors the tune with a driving swing, culminating in a return to the melody that slowly dissolves into nothingness. Lost and Found by Clifford Jordan opens at a fast gallop for the quintet’s theme. Timmons leads the charge with a high-spirited statement, then steps aside for Shorter, who romps through the following solo. Morgan pours intense emotion into the third performance next, then Art engages the front line in a quick, dynamic exchange before the ensemble races to the conclusion with a sudden, abrupt stop.

The original recording session of “The Witch Doctor” was produced by Alfred Lion, with Rudy Van Gelder serving as the recording engineer. For the reissue, Joe Harley oversaw production, and Kevin Gray handled mastering, working directly from the original master tapes at Cohearant Audio. The result is exceptional audio quality, delivering a rich soundstage that truly immerses the listener. For those who are already collectors of the Blue Note Tone Poet Series, you know firsthand the exceptional quality and attention to detail these reissues offer, everything from high-resolution gatefold images and outstanding cover design to the premium 180-gram Virgin Vinyl, with the music itself being the ultimate highlight. But if you haven’t experienced them yet and you love jazz, you’re in for an absolute treat!

In addition to its outstanding musical performances, “The Witch Doctor” by Art Blakey and The Jazz Messengers is a fantastic album from beginning to end, perfectly embodying the essence of hard bop through vibrant compositions and dynamic group interplay. I highly recommend this Blue Note Tone Poet audiophile reissue as a great addition to your jazz library. I’m sure that whether you’re already a fan of Art Blakey or just starting to explore his extensive discography, this album is sure to become a favorite on your turntable!

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The Jazz Voyager

Leaving Michigan for Pennsylvania to a city known for its music and the birthplace of iconic jazz voices Billie Holiday, John Coltrane, Lee Morgan, Clifford Brown, and Benny Golson. The location is known as the City of Brotherly Love otherwise called Philadelphia. This week I will be checking out South, a jazz venue situated within the North Philly section of the city.

On stage for a three day engagement is a young Grammy nominated harpist who is revolutionizing the role of the harp in modern music. Brandee Younger is this artist and over the past fifteen years, she has worked relentlessly to stretch boundaries and limitations for harpists.

South is located at 600 N. Broad Street, 19130. For more information and to check seating availability, visit https://www.southjazzkitchen.com. Check available seatings for each day.

Tickets: $38.00 +$3.95 fee

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Daily Dose Of Jazz…

Michael Silva was born on November 12, 1925 in New York City, New York. After World War II he worked with Hot Lips Page, Milt Buckner Trio, the Robert Mavounzy Quintette and others. For a decade beginning in 1958 he was a member of Sammy Davis Jr.’s band.

In 1971 he settled in Paris, France where he recorded two albums with Ralph Sutton. Drummer Michael Silva died on March 8, 1990.

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KEMBA COFIELD & BERNARD LINNETTE INTERACTIVE

Vocalist Kemba Cofield joins the Bernard Linnette Interactive for the Unity Jazz “Brunch n Sip” Benefit event for Jazz 91.9FM WCLK. Two days filled with smooth, classic and contemporary jazz and blues vibes, delicious brunch bites, and refreshing sips and featuring some of the top performers Atlanta has to offer.

Saturday, November 15 at 7:00 PM
The Soul Brothers Quintet with Ron Adwaters
8:00 pm
Bernard Linnette Interactive with Kemba Cofield
Kebbi Williams
Kevin Griffin

Sunday, November 16 at 1:00 PM
Tomi Berry
Edwin Williams
Tony Hightower
Marcella Jones
Kevin McCoy

Tickets: $55.20 General Admission | Student $14.64

2 for 1 Deal: Sold Out

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Daily Dose Of Jazz…

Gerry Brown was born on November 9, 1951 in Philadelphia, Pennsylvania. He began playing the drums at the age of five and played with soul groups and played in high school with bassist John Lee, with whom he attended music academy in 1970.

In 1971, he moved to New York City where he played with Lionel Hampton. In 1972 he moved to the Netherlands with Lee to join Chris Hinze’s rock jazz group. They recorded a series of albums in the 1970s. Alongside Lee, he also worked for Jasper van ‘t Hof, Toto Blanke, Charlie Mariano, Eef Albers and Gary Bartz mid-decade. Subsequently, they were members of Larry Coryell’s The Eleventh House for two years; Brown also played for Stanley Clarke and Chick Corea. In 1979, he accompanied Didier Lockwood at the Montreux Jazz Festival.

Settling in Berlin, Germany for some time in 1982 and worked with George Gruntz, with Joachim Kühn, and with Chris Beckers, Herb Geller, Anne Haigis and Kraan until he returned to the United States. As a sideman Gerry has worked with including ones with George Benson, Michał Urbaniak, Urszula Dudziak, Marcus Miller, Lionel Richie, Sonny Fortune, Alphonso Johnson, Roberta Flack, Joe Sample, Tom Harrell, Dave Samuels, and Chuck Loeb, among others.

Drummer Gerry Brown continues to perform and record.

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