Daily Dose Of Jazz…
Alvin Stoller was born October 7, 1925 in New York City, New York and studied with drum teacher Henry Adler. He launched his career touring and recording with swing era big bands led by Benny Goodman, Tommy Dorsey, Harry James, and Charlie Barnet. He backed singers including Billie Holiday, Mel Tormé, and Frank Sinatra on some of their major recordings.
His drums may be heard on many of Ella Fitzgerald’s Songbook recordings; on Ella Fitzgerald Sings the Duke Ellington Songbook, having performed with the Duke Ellington orchestra itself, alongside Ellington’s own Sam Woodyard. From the moment Frank Sinatra started to record with Capitol Records in 1953, Stoller was the singer’s preferred percussionist and performed on nearly all Sinatra recordings until 1958.
He recorded with Art Tatum, Roy Eldridge, Oscar Peterson, Coleman Hawkins, Ben Webster, Benny Carter, Herb Ellis, and Erroll Garner among many other jazz musicians. The 1950s saw Stoller settlling in Los Angeles, California where he became respected for his work in the Hollywood studios which lasted for several decades.
Leonard Feather considered him a first-rate, swinging drummer. Buddy Rich, whom some consider to have been the greatest of all jazz drummers, chose Alvin to play drums on an album in which Rich sang suggests the esteem Stoller earned from his fellow musicians. He was the drummer on both Mitch Miller’s recording of The Yellow Rose of Texas and Stan Freberg’s parody of Miller’s recording.
Drummer Alvin Stoller, though an in-demand drummer during the Forties and Fifties and recorded more than five dozen albums, and eventually appeared to have been largely forgotten, transitioned on October 19, 1992.
More Posts: drums,history,instrumental,jazz,music
Daily Dose Of Jazz…
Alexander Louis Bigard, Jr. was born on September 25, 1899 in New Orleans, Louisiana into a musical family. His brother was Brney and his cousins were Natty Dominque and A.J. Piron. He studied drums under Louis Cottrell, Sr., and played at times with Cottrell in A.J. Piron’s band in the 1910s.
He played with the Excelsior Brass Band and Maple Leaf Orchestra, as well as with Peter DuConge, Buddy Petit, and Chris Kelly in the late 1910s and early Twenties. He was a member of Sidney Desvigne’s band in 1925, then with Kid Shots Madison. For much of the Thirties he worked with John Robichaux.
In the mid-1940s he was in Kid Rena’s band, then formed his own ensemble, the Mighty Four, in the 1950s.During the Dixieland revival period of the 1960s, he was a regular at Preservation Hall, and performed or recorded with Harold Dejan, Kid Howard, Punch Miller, De De Pierce, Billie Pierce.
Becoming deaf around 1967 he left active performance. Drummer Alex Bigard, who was involved for decades with the New Orleans jazz scene, transitioned on June 27, 1978 in his hometown.
More Posts: bandleader,drums,history,instrumental,jazz,music
Daily Dose Of Jazz…
Tiny Bradshaw was born Myron Carlton Bradshaw on September 23, 1907 in Youngstown, Ohio. Graduating from high school he went on to matriculate through Wilberforce University with a degree in psychology, then turned to music for a living.
In Ohio, he sang and played drums with Horace Henderson’s campus oriented Collegians. Relocating to New York City in 1932 he drummed for Marion Hardy’s Alabamians, the Charleston Bearcats, and the Mills Blue Rhythm Band, and sang for Luis Russell. Two years later Bradshaw formed his own swing orchestra, which recorded eight sides in two separate sessions for Decca Records that year in New York City. The band would go on to record in 1944 for Manor Records with the music leaning more towards rhythm and blues than jazz or swing. In 1947 he recorded for Savoy Records.
The band recorded extensively for the rhythm and blues market with King Records between late 1949 and early 1955. His influence as a composer is evidenced in the rock world with his 1951 song The Train Kept A-Rollin’ that has been recorded by Johnny Burnette & The Rock and Roll Trio, The Yardbirds with Jeff Beck, Aerosmith, Motörhead and performed by Jimmy Page as the first song played, at the very first rehearsal of the band that would become Led Zeppelin.
Returning to R&B with Soft and Heavy Juice, he brought along with him on both of these 1953 hits, Red Prysock on tenor saxophone. Tiny’s later career was hampered by severe health problems, including two strokes, the first in 1954, that left him partially paralyzed. However he made a return to touring in 1958.
As a bandleader, he was an invaluable mentor to important musicians and arrangers including Sil Austin, Happy Caldwell, Shad Collins, Wild Bill Davis, Talib Dawud, Gil Fuller, Gigi Gryce, Big Nick Nicholas, Russell Procope, Red Prysock, Curley Russell, Calvin “Eagle Eye” Shields, Sonny Stitt, Noble “Thin Man” Watts, and Shadow Wilson.
Weakened by the successive strokes as well as the rigors of his profession, bandleader, singer, composer, pianist, and drummer Tiny Bradshaw, who was important to the development of rock and roll, transitioned from a final stroke on November 26, 1958 in Cincinnati, Ohio at 51 years of age.
More Posts: bandleader,composer,drums,history,instrumental,jazz,music,piano,vocal
Daily Dose Of Jazz…
Winston Clifford was born on September 19, 1965 in Islington, England and began playing drums as a child. He studied with former Tubby Hayes drummer Bill Eyden and Trevor Tomkins at the Guildhall School of Music. His playing is free from the usual restraints of stylistic expectations and a true reflection of listening and responding in the moment.
This training has led him to become one of the most in-demand drummers in Britain. He has performed or recorded with over five dozen luminary jazz musicians from both sides of the Atlantic. To name a few one must include Bheki Mseleku, Joanne Bracken, Stanley Turrentine, Benny Golson, James Williams, Chico Freeman, Phillip Catherine, John Abercrombie, Birelli Lagrene, Joe Lovano, Eddie Henderson, Archie Sheep, Carmen Lundy, Ronnie Laws, Freddie Hubbard, Art Farmer, Gary Bartz, Joey Calderazzo, Dave Valentin, Larry Coryell, Monty Alexander, Eddie Harris, Bobby Watson, Billy Childs, Houston Person, Courtney Pine, Julian Joseph, and the list goes on.
Post bop drummer Winston Clifford continues to perform and record.
More Posts: drums,instrumental,jazz,music
Daily Dose Of Jazz…
Joe Kayser was born St. Louis, Missouri on September 14, 1891 and at age 26 in 1917 he relocated to New York City to join Earl Fuller’s band, which played at a restaurant called Rector’s. He enlisted in the U.S. Navy during World War I, forming a band which included Benny Kubelsky on violin. Following the war, the Meyer Davis Organization hired him to lead a dance band which played in North and South Carolina.
Forming his own self-named dance jazz band in 1921 and shortly after he attempted to tour across the Carolinas. Three years later he relocated to Chicago, Illinois where his band performed through 1936.
During those Chicago days Joe began in 1929 to take positions as musical director of theater orchestras with the Diversey Theater in Chicago, followed by the Midland Theatre in Kansas City, Missouri. He continued to tour with his orchestra while holding these positions.
He played at the 1933 World’s Fair, accompanying Sally Rand but by 1963 had dissolved the band to work for NBC. Afterwards Kayser became an executive for MCA in 1943, remaining there until his retirement in 1955.
Drummer and bandleader Joe Kayser transitioned on October 3, 1981 in Evanston, Illinois.
More Posts: bandleader,drums,history,instrumental,jazz,music