Daily Dose Of Jazz…
Jimmy Bertrand was born on February 24, 1900 in Biloxi, Mississippi, and moved to Chicago, Illinois in 1913. He began playing in the State Theatre Orchestra before joining Erskine Tate’s Vendome Orchestra from 1918 to 1928. He became active on the blues and jazz scene of the 1920s in Chicago.
During the 1920 he did a great deal of teaching and his pupils included Wallace Bishop, Lionel Hampton, and Big Sid Catlett. He recorded with Louis Armstrong, Johnny Dodds, Erskine Tate, and Blind Blake, amongst many others.
Jimmy went on to play with Don Cooke and Lee Collins. He led own group, Jimmy Bertrand’s Washboard Wizards during that period, and worked often with pianist Jimmy Blythe.
He led his own band during the 1930s and early 40s before retiring and going to work in a meat packing plant. Percussionist and xylophonist Jimmy Bertrand, who was the brother-in-law of Jelly Roll Morton, transitioned in Chicago in August 1960.
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Daily Dose Of Jazz…
Frank Isola was born on February 20, 1925 in Detroit, Michigan and was heavily influenced by Gene Krupa. He played in the U.S. military during World War II and then studied and performed in California with Bobby Sherwood and Earle Spencer.
Moving to New York City he played with Johnny Bothwell and Elliot Lawrence in 1947. Following this, in the Fifties Frank played with Stan Getz and Gerry Mulligan, as well as with Mose Allison, Eddie Bert, Bob Brookmeyer, Jimmy Raney, Johnny Williams and Tony Fruscella.
By the late 1950s Isola returned to Detroit and kept working periodically with local bands or in jam sessions but well out of the spotlight. He was active in the Cass Corridor area of Detroit in the 1970s playing jazz standards with pianist Bobby McDonald and others at Cobb’s Corner Bar.
He worked as a drummer briefly at Captain Hornblower’s in Key West, Florida in the late 1980s with pianist Johnny Williams. By the early Nineties, he moved back north and was playing weekly at Tom’s Steamer’s Bar in Grosse Pointe, Michigan. In 1994 and 1995 Isola played at The Windsor Jazz Festival in Ontario, Canada backing Franz Jackson and Marcus Belgrave. The 1994 concert was released on Parkwood Records as Live at Windsor Jazz Festival III with Jackson and Belgrave as co-leaders.
He recorded fourteen albums between 1954 and 1981 with Getz, Mulligan, Mose Allison, Bob Brookmeyer, Dick Garcia, Franz Jackson, Charlie Parker and Bob Szajner. Drummer Frank Isola, who never led a recording session, transitioned on December 12, 2004.
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Daily Dose Of Jazz…
Ronald “Ronnie” Zito was born on February 17, 1939) in Utica, New York, into a musical family including his pianist brother Torrie Zito. He began playing drums at the age of 10 and at age 14 took a year and a half of formal lessons.
He has played with Woody Herman, J.R. Monterose, Frank Rosolino, Peggy Lee, Cher, Roberta Flack and Eartha Kitt. Zito was Bobby Darin’s personal drummer for four years.
Ronnie has recorded with David Pomeranz, Barry Manilow, Irene Cara, Frankie Valli, Roberta Flack, Jake Holmes, Cher, and Don McLean.
Drummer Ronnie Zito continues to perform and record.
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Three Wishes
While hanging out one evening during the conversation with Al Dreares, the Baroness asked him his three wishes. He told her this:
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- “I wish that I may become a great musician.”
- “And I also wish that I can be successful with my fellow musicians.”
- “And I wish my son grows up to be a fine young man. He’s four and a half months old.”
*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter
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JOHNATHAN BLAKE
Johnathan Blake, one of the most accomplished drummers of his generation, has also proven himself a complete and endlessly versatile musician. Blake’s gift for composition and band leading reflects years of live and studio experience across the aesthetic spectrum. Heralded by NPR Music as “the ultimate modernist,” he has collaborated with Pharoah Sanders, Ravi Coltrane, Tom Harrell, Hans Glawischnig, Avishai Cohen, Donny McCaslin, Linda May Han Oh, Jaleel Shaw, Chris Potter, Maria Schneider, Alex Sipiagin, Kris Davis and countless other distinctive voices. DownBeat once wrote, “It’s a testament to Blake’s abilities that he makes his presence felt in any context.” A frequent presence on Blue Note records over the past several years, Blake has contributed his strong, limber pulse and airy precision to multiple leader releases from Blue Note artists including Dr. Lonnie Smith’s Breathe (2021), All in My Mind (2018) and Evolution (2016) and Kenny Barron’s Concentric Circles (2018), the latter whose trio Blake has been a vital member for nearly 15 years.
Born in Philadelphia in 1976, Blake is the son of renowned jazz violinist John Blake, Jr. — himself a stylistic chameleon and an important ongoing influence. After beginning on drums at age 10, Johnathan gained his first performing experience with the Lovett Hines Youth Ensemble, led by the renowned Philly jazz educator. It was during this period, at Hines’s urging, that Blake began to compose his own music. Later he worked with saxophonist Robert Landham in a youth jazz ensemble at Settlement Music School. Blake graduated from George Washington High School and went on to attend the highly respected jazz program at William Paterson University, where he studied with Rufus Reid, John Riley, Steve Wilson and Horace Arnold. At this time Blake also began working professionally with the Oliver Lake Big Band, Roy Hargrove and David Sanchez. In 2006 he was recognized with an ASCAP Young Jazz Composers Award, and in 2007 he earned his Masters from Rutgers University, focusing on composition. He studied with the likes of Ralph Bowen, Conrad Herwig and Stanley Cowell. Deeply aware of Philadelphia’s role as a historical nerve center of American music, Blake has immersed himself in the city’s storied legacy — not just jazz but also soul, R&B and hip-hop. In many ways he’s an heir to Philadelphia drum masters such as Philly Joe Jones, Bobby Durham, Mickey Roker and Edgar Bateman, not to mention younger mentors including Byron Landham, Leon Jordan and Ralph Peterson, Jr..
Fridays at 7pm & 8:30pm – Running time for each set is 90 minutes
Reserved Seating – $20
All Access Ticket – $35
Premium Reserved Velvet Couch/Chair – $38
Blue Velvet Loveseat for 2 – $50
Dinner & A Show – $55 – updated prix fixe menu here
$15 food and beverage minimum – Full menu can be found here!
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