Daily Dose Of Jazz…
Carlo Krahmer was born William Max Geserick on March 11, 1914, Shoreditch, London, England. He was partially sighted at birth. He made his first record in 1939 and in the early Forties recorded with Johnny Claes’s band. He later joined Claude Bampton’s Blind Orchestra, a body sponsored by the National Institute for the Blind (now the RNIB), of which George Shearing was also a member. He worked in various bands, sometimes as leader, taking his own group to the Paris Jazz Festival in 1949.
In 1947, Krahmer co-founded Esquire Records with Peter Newbrook, a label which recorded bebop and licensed recordings from American blues and jazz labels. By 1950, Krahmer had retired from active performance, but had begun to teach aspiring drummers such as Victor Feldman.
Drummer and record producer Carlo Krahmer, whose label has continued to release music under the guidance of his wife Greta, transitioned on April 20, 1976 in London.
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The Jazz Voyager
The Jazz Voyager is off to Canada for a first time experience at Frankie’s Jazz Club in British Columbia. Located in Vancouver at 755 Beatty Street V6B 2M4. This week I’m going to witness three young up and coming musicians, guitarist Alvin Brendan, keyboardist Benjamin Millman, and drummer Trent Otter.
A home to live jazz and blues, Frankie’s features local, national and international world class musicians. They offer an evening of casual intimacy with a selection of spirits and wine coupled with an Italian menu to enjoy music to.
Frankie’s Jazz Club phone number is +1 604-688-6368. For more information on showtimes and tickets visit https://www.frankiesjazzclub.ca/
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E. J. STRICKLAND
Jaleel Shaw – alto & soprano saxophone
Myron Walden – tenor sax & bass clarinet
Victor Gould – piano
Eric Wheeler – bass
E.J. Strickland – drums
Drummer E.J. Strickland leads an impressive quintet featuring saxophonists Jaleel Shaw and Myron Walden, pianist Victor Gould, and bassist Eric Wheeler. Strickland is a world-class, world-traveled drummer who has toured, performed, and recorded with some of the greatest names in contemporary music including Cassandra Wilson, Terence Blanchard, Lizz Wright, Wynton Marsalis, George Colligan, David Gilmore, Vincent Herring, and Nnenna Freelon. The Hartford Courant reports his drumming “has a rare balance of subtlety and power” while All About Jazz adds, “(he) belongs to a technically brilliant and forward-thinking group of young musicians.” And Downbeat says he emits “fields of cumulative energy, clouds of feather-touch and heavy-handed syncopations, latent with power like an oncoming storm.”
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HAYS ~ STREET ~ HART
Kevin Hays – piano
Ben Street – bass
Billy Hart – drums
This all-star collective trio featuring pianist Kevin Hays, bassist Ben Street and drum legend Billy Hart make a special Wednesday night appearance to warm up for a recording session. Hays has appeared on over 60 albums recording with Chris Potter, Joshua Redman, Nicholas Payton, and Al Foster. Other notable collaborations include a widely acclaimed duo project with Brad Mehldau, as well as performances with James Taylor, Sonny Rollins, Joe Henderson, and Roy Haynes. Bassist Street is esteemed for his work with John Scofield, Kurt Rosenwinkel, Mark Turner, Sam Rivers, and as a member of Billy Hart Quartet with whom he’s developed a strong rapport. Billy Hart has had a rich and varied career including tenures with Jimmy Smith, Wes Montgomery, Herbie Hancock’s Mwandishi, McCoy Tyner, and Stan Getz. He also leads his own quartet and has released a series of acclaimed albums. The Detroit Free-Press has stated, “Want to know what jazz is really about? Listen to Billy Hart.”
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Daily Dose Of Jazz…
Joe Daniels was born in Zeerust, South Africa on March 9, 1909 and left his native South Africa for England as a young boy. In 1922 at 14 years of age he was already part of the 1920s London club scene, playing in bands led by Harry and Burton Lester, Billy Mason and Fred Elizade.
Daniels went on to play with Sid Roy before forming his own band with trumpeter Max Goldberg in 1926. Around 1930, he started recording as Joe Daniel’s Hot Shots, and they became a popular recording band. The band, with Bobby King as the vocalist, performed on early BBC radio shows many times, and recorded on Parlophone.
At the outbreak of the Second World War, Joe joined the Royal Air Force, where he organized an air force band, and produced shows for the troops. After the war and throughout the 1950s, 1960s and 1970s, he played in both small and in big bands, including recording under the name Washboard Joe and His Scrubbers. Their recording of I Love Onions / Paper Kisses was released on Parlophone in 1955.
In 1957, he toured as the Big DixieLand Group, while Joe Daniels and the Hot Shots were his ballroom band for Butlin’s Holiday Camp during the mid 1960s. He often played to a full house and was in tune with the campers’ frivolity: one of the most popular dances that got everyone on the floor was the March of the Mods.
Among his more popular numbers was Experiments with Mice. Drummer Joe Daniels, who continued to play Dixieland until 1990, transitioned on July 2, 1993, in Northwood, Middlesex, England, at the age of 84.
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