Daily Dose Of Jazz…
Roy Anthony Hargrove was born October 16, 1969 in Waco, Texas to parents who discovered his musical abilities as a young child. He received trumpet lessons and was greatly influenced by David “Fathead” Newman when Ray Charles’ band played at his junior high school. By high school his jazz potential was discovered by Wynton Marsalis during a visit to Dallas’s Booker T. Washington High School for the Performing and Visual Arts. He went on to spend a year at Berklee College of Music in Boston but was regularly found at jam sessions in New York and finally transferred to the New School there.
He first recorded with saxophonist Bobby Watson followed by the group “Superblue” with Watson, Mulgrew Miller and Kenny Washington. He released his first solo album “Diamond In The Rough” on Novus/RCA and followed with four more releases. In 1993 he was commissioned by the Lincoln Center Jazz Orchestra and composed “The Love Suite: In Mahogany”. Hargrove went on to record “Family” in 1995, and then, experimenting with other musicians, as part of a trio, the album Parker’s Mood, in 1995 with bassist Christian McBride and pianist Stephen Scott.
Roy has played with a host of stellar musicians including Shirley Horn, Joe Henderson, Stanley Turrentine, Johnny Griffin, Branford Marsalis, Joshua Redman, Herbie Hancock and Wynton Marsalis. He has stretched his limits performing and collaborating with D’Angelo, Common, Erykah Badu, Worldwide Underground and played on the film album Like Water For Chocolate.
Hargrove won two Grammy Awards, one being in 1998 for the album Habana with the Afro-Cuban band he founded, “Crisol”. He is also the leader of the progressive group “RH Factor” which combines elements of jazz, funk, hip-hop, soul and gospel and has also ventured into big band with his latest album “Emergence”. Trumpeter Roy Hargrove continues to compose, arrange, perform and tour until he passed away on November 2, 2018 in Mount Sinai Hospital, New York City.
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Daily Dose Of Jazz…
Thaddeus Joseph Jones was born in Pontiac, Michigan on March 28, 1923 into a musical family of ten. His older brother Hank was a pianist and a younger brother Elvin, a drummer. A self-taught musician, Thad was performing professionally by the age of sixteen. Enlisting in the Army from 1943 – 1946, he played in the U.S. Army bands during World War II.
By 1954 Thad joined the Count Basie Orchestra and was a featured soloist on such tunes as April In Paris, Shiny Stockings and Corner Pocket. But his main contribution to the orchestra was his compositions and arrangements of The Deacon, Counter Block and H.R.H. in honor of their command performance in London for the Queen. This was followed by a hymn like ballad by Jones titled “To You” performed by the Basie and Ellington bands in their only performance together, and “Dance Along With Basie” recording with nearly all Jones un-credited arrangements of standards.
1963 saw Jones leaving Basie to become a freelance arranger and studio player in New York. Two years later he and drummer Mel Lewis would form The Thad Jones/Mel Lewis Orchestra that began as an informal jam session amongst New York’s studio elite. They found a home at the Village Vanguard with Thad at the helm for twelve years and in 1978 they won a Grammy for the recording “Live In Munich”.
That same year Jones moved to Copenhagen to the surprise of his New York colleagues. The band continued under Lewis’ direction until his death and is still currently in residence as the Village Vanguard Orchestra. During his life in Copenhagen he composed for the Danish Radio Big Band, taught jazz at the Royal Danish Conservatory, formally studied composition and took up the valve trombone. Ill health began to take its toll on Jones by the mid- eighties and on August 21, 1986 the composer, arranger, trumpeter and flugelhornist passed away in Copenhagen.
Thad Jones’ most notable album was “Suite For Pops” featuring intense bebop improvisations of saxophonist Billy Harper and high note screeching of trumpeter Jon Faddis. His most well known composition is “A Child Is Born”.
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Daily Dose Of Jazz…
Snooky Young was born Eugene Young in Dayton, Ohio on February 3, 1919. Taking up the trumpet at the age of five, he didn’t begin making a name for himself until he joined the Jimmie Lunceford band as lead trumpeter in 1939, a relationship that lasted for three years.
He played a total of eight years over three stints with Count Basie, Lionel Hampton and was an original member of the Thad Jones/Mel Lewis Big Band. However, his longest engagement was as a studio trumpeter with NBC’s Tonight Show Band from 1967 to 1992 when Johnny Carson’s departure broke up the band and the network replaced it with a new, smaller group.
Young only recorded three albums as a leader but was a sideman on nearly three-dozen albums and he continued to perform in L.A. with several big bands and holds membership in the Clayton-Hamilton Jazz Orchestra. Known for his mastery of the plunger mute, he is able to create a wide range of sounds. He can make his horn speak, shout, growl, and sigh with his mutes while always swinging irresistibly.
On October 17, 2008 he received the NEA Jazz Masters Award. Trumpeter and flugelhornist Snooky Young passed away on May 11, 2011 in Newport Beach, California at the age of 92.
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Daily Dose Of Jazz…
Kenny Wheeler was born Kenneth Vincent John Wheeler and came into this world on January 14, 1930, in Toronto, Canada. He began playing the cornet at the age of 12, becoming interested in jazz in his mid-teens. Spending a year at the Royal Conservatory in Toronto, he moved to Britain in 1952 at the age of 22 and found his way into the jazz scene of London playing with Tommy White, Tubby Hayes and Ronnie Scott.
In the 60’s Wheeler worked with John Dankworth, recording “Windmill Tilter” which is now a collector’s item since the master tapes have been lost. He has also enjoyed being active in free improvisation creating orchestral writing with passages of free improvisation infused in the bi band album “Song For Someone” in 1973 named Album of the Year by Melody Maker magazine in 1975.
Kenny’s lists of recordings or performances are too vast but includes Paul Gonsalves, Dave Holland, Anthony Braxton, Keith Jarrett, Steve Coleman, John Taylor, and Lee Konitz among a host of other notables in jazz.
Highly respected among his peers for his beautiful tone and extensive range on the trumpet and flugelhorn, Wheeler has written over one hundred compositions and is a skilled arranger for small groups and larger ensembles. His compositions blend lyrical melodies with a distinctive and ever changing harmonic palette. He has occasionally contributed to rock music recordings, is the patron of the Royal Academy Junior Jazz course, has been based in the UK since 1950 and remained faithful to the jazz genres of avant-garde, post bop, chamber jazz and free improvisation until his passing on September 18, 2014 at age 84 in London, England.
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Daily Dose Of Jazz…
Leo Smith was born Ishmael Wadada Leo Smith on December 18, 1941 in Leland, Mississippi. He started out playing drums, mellophone and French horn before he settled on the trumpet. He played in various R&B groups and by 1967 became a member of the AACM and co-founded the Creative Construction Company, a trio with Leroy Jenkins and Anthony Braxton. In 1971 he formed his own label, Kabell, formed another band, the New Dalta Ahkri, with members including Henry Threadgill, Anthony Davis and Oliver Lake.
In the Seventies, Smith studied ethnomusicology at Wesleyan University and spent this time playing again with Anthony Braxton and recording with Derek Bailey’s Company. In the mid-1980s, Smith became Rastafarian and began using the name Wadada. In 1993, he began teaching at Cal Arts, a position he presently holds and has taught instrument making.
By 1998, Leo and guitarist Henry Kaiser released Yo, Miles! a tribute to Miles Davis’s lesser-known electric period. He has performed and/or recorded with Jack DeJohnette, Malachi Favors, John Zorn, Marion Brown, Frank Lowe and Matthew Shipp among others. In addition to playing the trumpet and flugelhorn, he plays several world music instruments, including the koto, kalimba and the ateneben.
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