Daily Dose Of Jazz…
Leo Smith was born Ishmael Wadada Leo Smith on December 18, 1941 in Leland, Mississippi. He started out playing drums, mellophone and French horn before he settled on the trumpet. He played in various R&B groups and by 1967 became a member of the AACM and co-founded the Creative Construction Company, a trio with Leroy Jenkins and Anthony Braxton. In 1971 he formed his own label, Kabell, formed another band, the New Dalta Ahkri, with members including Henry Threadgill, Anthony Davis and Oliver Lake.
In the Seventies, Smith studied ethnomusicology at Wesleyan University and spent this time playing again with Anthony Braxton and recording with Derek Bailey’s Company. In the mid-1980s, Smith became Rastafarian and began using the name Wadada. In 1993, he began teaching at Cal Arts, a position he presently holds and has taught instrument making.
By 1998, Leo and guitarist Henry Kaiser released Yo, Miles! a tribute to Miles Davis’s lesser-known electric period. He has performed and/or recorded with Jack DeJohnette, Malachi Favors, John Zorn, Marion Brown, Frank Lowe and Matthew Shipp among others. In addition to playing the trumpet and flugelhorn, he plays several world music instruments, including the koto, kalimba and the ateneben.
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Daily Dose Of Jazz…
Clark Terry was born on December 14, 1920 in St. Louis, Missouri. After high school he started his professional career in the early 40s playing in local clubs, and then served as a bandsman in the U.S. Navy during World War II. He influenced both Quincy Jones and Miles Davis, teaching the later while in St. Louis.
Terry’s years with Basie and Ellington in the late 1940s and 1950s established him as a world-class jazz artist, blending the St. Louis tone with contemporary styles. After leaving Ellington, Clark’s international recognition soared when he became NBC’s first African-American staff musician. He a ten-year member of The Tonight Show band where his unique “mumbling” scat singing became famous when he scored a hit with “Mumbles.”
Terry continued to play with musicians such as J. J. Johnson and Oscar Peterson, and led a popular group with Bob Brookmeyer in the early 1960s. In the 1970s he concentrated on the flugelhorn, performed studio work and teaching at jazz workshops, toured regularly in the 1980s with small groups and performed as the leader of his Big B-A-D Band.
At the behest of Billy Taylor, early in his career he and Milt Hinton bought instruments and gave instruction to young hopefuls and the idea was planted the seed that became Jazz Mobile in Harlem. He toured with the Newport Jazz All Stars and Jazz at the Philharmonic, recorded for the Red Hot + Rhapsody and Red Hot + Indigo albums, composed more than two hundred songs, performed for seven U.S. Presidents, has been both leader and sideman on more than three hundred albums performing with Clifford Brown, Gary Burton, Charlie Byrd, Tadd Dameron, Eddie “Lockjaw” Davis, Lionel Hampton, Paul Gonsalves and Milt Jackson among others, recorded with symphonies and orchestras and established the Clark Terry Archive at William Paterson University.
Swing and bop trumpeter, pioneer of the flugelhorn and educator Clark Terry has received over 250 awards, medals and honors including a NEA Jazz Masters Award, has received a Grammy Lifetime Achievement Award, 16 honorary degrees, a knighthood, keys to several cities, the French Order of Arts and Letters and over the course of a seventy year career is the most recorded trumpet player of all time appearing on more than 900 known recording sessions.
Trumpeter, and flugelhorn player Clark Terry passed away from complications from advanced diabetes on February 21, 2015 at the age f 94 in Pine Bluffs, Arkansas.
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Daily Dose Of Jazz…
Chuck Mangione was born Charles Frank Mangione on November 29, 1940 in Rochester, New York. He attended the Eastman School of Music from 1958 to 1963, afterwards joining Art Blakey’s Jazz Messengers, for which he filled the trumpet seat.
In the late 1960s, Mangione was a member of the band The National Gallery, then served as director of the Eastman jazz ensemble from 1968 to 1972, and during this time returned to recording with the album Friends and Love, with the Rochester Philharmonic Orchestra.
Mangione’s quartet with saxophonist Gerry Niewood recorded “Bellavia” that won him a Grammy for Best Instrumental Composition. His music has been used during two Olympics, performed at the closing ceremonies, and composed the soundtrack for The Children of Sanchez starring Anthony Quinn, winning his second Grammy Award.
Chuck composed and performed the theme for The Cannonball Run among other films. Proficient on both trumpet and flugelhorn, he has performed with a 70-piece orchestra, recorded his hit album Feels So Good, and has worked with Dizzy Gillespie, Steve Gadd, and Chick Corea among other jazz luminaries.
Mangione, along with his brother Gap worked as the Jazz Brothers, recording three albums with Riverside Records. Later worked in one another’s band and orchestra. He has a recurring voice-acting role on the animated King of the Hill, and continues to perform and record with his current band.
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Daily Dose Of Jazz…
Don Elliott was born on October 21, 1926 in Somerville, New Jersey. He played mellophone in his high school band and played trumpet for an army band. After study at the University of Miami he added vibraphone to his arsenal of instruments. He recorded with Terry Gibbs and Buddy Rich before forming his own band.
From 1953 to 1960 he won the Down Beat readers poll several times for “miscellaneous instrument-mellophone.” Known as the “Human Instrument”, Elliott additionally performed jazz as a vocalist, trombonist, flugelhornist and percussionist. He pioneered the art of multi-track recording, composed over 5000 jingles with a countless number being prize-winning advertising jingles, prepared film scores, recorded over 60 albums and built a thriving production company.
Don scored several Broadway productions, such as The Beast In Me and A Thunder Carnival, the latter of which he performed with the Don Elliott Quartet, provided one of the voices for the novelty jazz duo the Nutty Squirrels, and lent his vocal talents to such motion picture soundtracks as The Getaway, $ (Dollars), The Hot Rock and The Happy Hooker.
His album Calypso Jazz is considered by some jazz enthusiasts to be one of the definitive calypso jazz albums. He worked with Paul Desmond, Bill Taylor, Billy Eckstine, Bill Evans, Urbie Green, Michel Legrand, George Shearing and Mundell Lowe among others over his career. Multi-instrumentalist, vocalist, publisher and producer Don Elliott, who was a longtime associate of Quincy Jones, passed away of cancer in Weston, Connecticut on July 5, 1984.
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