Three Wishes
The question was posed to Kenny Burrell related to three wishesand he told the Baroness Pannonica:
- “No race prejudice.”
- “Much less emphasis on materialistic values.”
- “Ample opportunity for and encouragement of individual expression of humanistic values.”
*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter
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Daily Dose Of Jazz…
Ernesto Caceres was born on November 22, 1911 in Rockport, Texas and learned to play the clarinet, guitar, alto and baritone saxophone. He first played professionally in 1928 in local Texas ensembles. He and his brother Emilio moved to Detroit, Michigan before moving to New York City, taking work as session musicians. In 1937 they made live nationwide appearances on Benny Goodman’s popular radio series Camel Caravan which created a sensation and made them jazz stars.
In 1938 Ernesto became a member of Bobby Hackett’s band, then worked as a sideman with Jack Teagarden and Glenn Miller’s orchestra from 1940 to 1942. While with Miller, he made an appearance in the films Sun Valley Serenade and Orchestra Wives. Time with Benny Goodman, Woody Herman, and Tommy Dorsey followed later in the 1940s. In 1949 he put together his own quartet, playing at the Hickory Log in New York. He was a frequent performer with the Garry Moore Orchestra on television.
At the beginning of the 1960s he played with the Billy Butterfield Band. In 1964 he moved back to Texas and played in a band with brother Emilio from 1968 until his death. He spent some time in 1965 and 1966 at Mint Hotel in Las Vegas, Nevada and at the Holiday Hotel in Reno, Nevada with the Johnny Long Band. Saxophonist, clarinetist and guitarist Ernesto Caceres passed away from cancer on January 10, 1971.
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Clifton “Skeeter” Best was born on November 20, 1914 in Kinston, North Carolina. Playing in Philadelphia, Pennsylvania from 1935 to 1940, he recorded with Slim Marshall and Erskine Hawkins. By 1940, he was a member of Earl Hines’s orchestra, playing with him until he joined the U.S. Navy in 1942.
After the war, he played with Bill Johnson, toured East Asia with Oscar Pettiford, and formed his own trio in the 1950s. He did a critically acclaimed session with Ray Charles and Milt Jackson in 1957 called Soul Brothers.
In 1958, he recorded with Mercer Ellington and taught in New York City. He also recorded with Harry Belafonte, Etta Jones, Nellie Lutcher, Milt Hinton, Osie Johnson, Paul Quinichette, Jimmy Rushing, Sonny Stitt, Charles Thompson, and Lucky Thompson.
Guitarist Skeeter Best passed away on May 27, 1985 in New York City.
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Daily Dose Of Jazz…
Satoshi Inoue 井上智 was born on November 12, 1956 in Kobe, Japan and studied at Kyoto’s Fuji School of Music from 1979 to 1981. Between 1981-1988, he led his own groups in Japan.
Moving to New York City in 1989 he studied at The New School for Jazz and Contemporary Music where he met Jim Hall, who has been on the faculty of the university since his senior year.
Over the years, Inoue has toured with jazz greats such as James Moody, James Williams, Cecil Bridgewater, Frank Foster, Slide Hampton, Barry Harris, Jimmy Heath, Arnie Lawrence, Jack McDuff, Junior Mance, Jon Faddis, Akira Tana, The Clayton Brothers and Toshiko Akiyoshi.
His own band has gigged at New York’s top jazz venues, and for twelve years, Inoue has brought American musicians to Japan to conduct fall tours for concerts and workshops, including the Big Apple in Nonoichi festival. His lectures on jazz standards appear monthly in a Japanese jazz magazine called Jazz Life.
Guitarist Satoshi Inoue, who performed together on Hall’s widely used instructional video collection called Jazz Guitar Master Class Volumes 1&2, continues to compose, record and perform.
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Malcolm Mitchell was born in London, England on November 9, 1926 and was originally taught by Ivor Mairants. In 1947 he was teaching jazz guitar when he formed The Trio with pianist Johnny Pearson and bassist Lennie Bush. At the BBC Maida Vale studios the trio would broadcast live on a Saturday morning.
1948 saw Mitchell become the first British musician to play with Duke Ellington and earn money for doing so. In 1933 the Duke of Windsor had insisted on sitting in on drums with the Ellington Band when it visited Britain but he didn’t get paid for it. Mitchell’s debut with Ellington was equally eccentric in its way.
Throughout the 40s and into the 50s the brutish Musicians’ Union, in tandem with the all-powerful fraternity, Ministry of Works, had a rule which banned American musicians from playing in England. In 1948 the Dizzy Gillespie and Spike Jones Orchestras had to cancel projected tours and the only way Ellington was able to work there was as a variety act without his band. He played piano at the London Palladium and music halls in nine other cities with his trumpeter Ray Nance, allowed in as a dancer and thus “Showbiz”, and his singer Kay Davis weren’t banned. The Union presumably didn’t regard them as musicians.
While the Union Ban was in place the Mitchell Trio, now with Johnnie Valmore Pearson on piano and Teddy Broughton on bass, accompanied other bewildered Americans variety artists including Hoagy Carmichael and Maxine Sullivan when they toured England. During those years he toured eight weeks in Sweden with Stephane Grappelli and Django Reinhardt.
His Mitchell Trio, with pianist Johnny Pearson and Teddy Broughton on bass, became well known supporting U.S. jazzmen and singers touring in the UK. Guitarist, bandleader and educator Malcolm MItchell passed away in Bognor Regis, England on March 9, 1998.
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