Jazz Poems

CABARET (1927, Black & Tan Chicago) Rich, flashy, puffy-faced, Hebrew and Anglo-Saxon, The overlords sprawlhere with their glittering darlings, The smoke curls thick, in the dimmed light Surreptitiously, deaf-mute waiters Flatter the grandees, Going easily over the rich carpets, Wary lest they kick over the bottles Under the tables. The jazzband unleashes its frenzy. Now, now To it Roger; that’s a nice doggie Show your tricks to the gentlemen The trombone belches, and the saxophone Wails curdingly, the cymbals clash, The drummer twitches in an epileptic fit Muddy water Round my feet Muddy water The chorus sways in. The “Creole Beauties from New Orleans” (By way of Atlanta, Louisville, Washington, Yonkers, With stop-overs they’ve used nearly all their lives) Their creamy skin flushing rose warm O, le bal des belle quarterounes! Their shapely bodies naked save For tattered pink silk bodices, short velvet tights, Red bandanas on their sleek and close-clipped hair; To bring to mind (aided by the bottles under the tables) Life upon the river— Muddy water, river sweet (Lafitte the pirate, instead, And his doughty diggers of gold) There’s peace and happiness there I declare (In Arkansas, Poor half-naked fools, tagged with identification numbers, Worn out upon the levees, Are carted back to the serfdom They had never left before And may never leave again Bee—dap—ee-–DOOP, dee—ba—dee—BOOP The girls wiggle and twist Oh you too, Proud high-stepping beauties Show your paces to the gentlemen. A prime filly, seh. What am I offered, gentlemen, gentlemen…. I’ve been away a year today To wander and roar I don’t care if it’s muddy there (Now that the floods recede, What is there left the miserable folks? Oh time in abundance to count their losses, There is so little else to count.) Still it’s my home, sweet home From the lovely throats Moans and deep cries for home: Nashville, Toledo, Spout Springs, Boston, Creoles from Germantown;— The bodies twist and rock; The glasses are filled up again…. (In Mississippi The black folk huddle, mute, uncomprehending Wondering “how come the good Lord Could treat them this a way”) shelter Down to the Delta (Along the Yahoo The buzzards fly over, over, low Glutted, but with their scrawny necks stretching, Peering still.) I’ve got my toes turned Dixie ways Round that Delta let me laze The band goes mad, the drummer throws his sticks At the moon, a papier-maché moon, The chorus leaps into weird posturings, The firm-fleshed arms plucking at grapes to stain Their corralled mouths; seduction bodies weaving Bending, writhing, turning My heart cries out for MUDDY WATER (Down in the valleys The stench of the drying mud Is a bitter reminder of death Dee da dee DAAAAH STERLING A. BROWN

from Jazz Poems | Selected and edited by Kevin Young

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Daily Dose Of Jazz…

Donald Arthur Albert Weller was born on December 19, 1940 in Thornton Heath, Croydon, England. He began learning clarinet at the age of 14, and was classically educated for four or five years. He played the solo part in Mozart’s Clarinet Concerto at Croydon Town Hall aged 15, and began performing in Dixieland bands around the Croydon area, before switching to tenor saxophone and playing in Kathy Stobart’s rehearsal band.

During the 1970s he formed a jazz-rock group called Major Surgery that played a regular weekly gig at a local pub, the Dog & Bull. They played Weller’s compositions on the album released as The First Cut. This was followed by a quartet with drummer Bryan Spring and at the same time Don worked regularly with pianist Stan Tracey, and also with Harry Beckett and in a quintet with Art Themen. Renowned for his versatility, he has played with artists such as Alan Price, Tina May and Charlie Hearnshaw.

Weller played saxophone for rock records, working with the likes of David Bowie. He was the lead saxophonist with Tower of Power on the instrumental track Nascimento on Cat Stevens’ Back To Earth and also played on the Alex Harvey album The Mafia Stole My Guitar.

In the Eighties he stood in for Michael Brecker when the Gil Evans Orchestra played at the Bracknell Jazz Festival. This gig subsequently led to him touring the UK and recording with one of the band’s trumpeters, Hannibal Marvin Peterson, added on to the Weller–Spring Quartet. He went on to play and record with Evans’ British Orchestra, becoming a regular member of Rocket 88, as well as a first choice for TV and film soundtracks.

He contributed to several films composed for jazz big bands and was commissioned for his Electric Jazz Octet. Tenor saxophonist, and composer Don Weller had a triple bypass in 2012 and eight years later transitioned on May 30, 2020 in Croydon at the age of 79.

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PETE ESCOVEDO

Pete Escovedo toured internationally with the legendary guitarist, Carlos Santana, for five years and performed on three Santana albums:  Moonflower, Oneness, and Inner Secrets. Mr. Escovedo left Santana to follow in the musical footsteps of his mentor, the late Great Tito Puente who influenced his music and decision to form his own orchestra consisting of a five-person horn section with strong rhythm and percussion personnel.

Mr. Escovedo finished working on his last CD released in April 2018 a labor of love musically titled ” Back to the Bay ” which received a Grammy Nomination in November 2018. Rhythm of the NIght released September 21,2021 could be his last recording project stay tuned .

In 2013 Pete Escovedo was honored with a Jazz Tribute Award at the Los Angeles Jazz Society 30th Anniversary. In 2009 Mr. Escovedo had the honor of performing at the White House for President Obama and was requested to return for a repeat performance. A proud native of Pittsburg California he remains the humble person he is.

In, 2023 Escovedo celebrated 67 years in the entertainment business and his 86th birthday and has received a lifetime Achievement Award from the Latin Grammy’s in Las Vegas Nevada at the MGM Grand Hotel in the Grand Garden Arena.

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MARIA HOWELL

Mere words can only capture the refrain of Maria Howell’s awesome talent. She is the ballad of beauty and elegance. The melodies flowing from the petite vocalist are truly amazing. While casting a spellbinding smile, she mesmerizes her captive audience with incredible harmonies and rhythms. Best known for her role as the choir soloist in the 1985 Oscar-nominated film The Color Purple, Maria Howell is the perfect combination of artistry and entertainment.

A song stylist in her own right, Maria has shared the musical stage with such legendary artists as Nancy Wilson, George Benson, Ray Charles and Earl Klugh, and Ronnie Laws. After a very successful 6 year stint in Asia, Maria relocated back to the U.S. and performed at Sambuca Jazz Café for 9 consecutive years. She and pianist Bill Wilson (son of legendary jazz pianist Teddy Wilson), held the distinction of being the longest running act at the Atlanta, GA location. As of 2017, Maria hosts her live Hollywood music series called #DUETS, featuring “songs to soothe your soul.”

Maria is not only a song stylist and actor, but a very devoted supporter of her charity of choice, Students Without Mothers, where she has served as a board member for over 8 years. As the leader of the Noel Freidline Quintet for the last 26 years, Freidline has recorded 8 CDs, performed at jazz festivals as diverse as the Jacksonville (FL) Jazz Festival to the Bethlehem (PA) Musikfest to the Montreux Jazz Festival in Switzerland, served as artistic director for the Columbia Museum of Art jazz concert series, Jazz on Main, launched a new jazz concert series in Jacksonville, FL called Jazz with Noel Freidline and Friends, held down a three-year house band position at the Bellagio in Las Vegas and performed for actress Julia Roberts’ surprise 35th birthday party.

Show Ticket :$55 | New Year’s Eve Gala Prix Fixe  Dinner: $155++ includes 4-course dinner, champagne toast, party favors

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KEITH DAVID

 A classically trained, multiple Emmy award winning actor and voiceover talent, he is  also a remarkable singer. He has presented Too Marvelous for Words, in which he portrays the legendary singer Nat King Cole, at venues around the country. He is developing a show about the legendary blues singer Joe Williams, Here’s to Life.

Born and raised in New York, Keith became interested in the arts at a very young age. After appearing in his school’s production of The Wizard of Oz, he knew this was what he wanted to do for the rest of his life. He enrolled in New York’s High School of the Performing Arts and continued his studies at The Juilliard School. After graduation, he was immediately hired by Joseph Papp as an understudy for the role of Tullus Aufidius in William Shakespeare’s Coriolanus. His work with Mr. Papp and the New York Shakespeare Festival launched his incredible career.

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