CORY WEEDS LITTLE BIG BAND

Take it from Downbeat Magazine: “renaissance man Cory Weeds has the Midas Touch!” An indefatigable force on the Vancouver scene, the tenor saxophonist and impresario keeps the flame of classic straight-ahead jazz burning bright. Inspired by tenor heroes Eddie “Lockjaw” Davis and Gene Ammons, Weeds calls on all-star cast of Vancouver musicians to perform with Weeds before heading into the studio!

Conducted by Jill Townsend, the Little Big Band features Cory Weeds on tenor saxophone, Steve Kaldestad on alto sax, James Danderfer on tenor sax, Dave Say on baritone sax, Brad Turner on trumpet, Chris Davis on trumpet, Brian Harding on trombone, Jim Hopson on trombone, Chris Gestrin on piano, John Lee on bass and Jesse Cahill on drums

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The Jazz Voyager

In the air once again and sailing onwards to the West Coast to witness a talented vocalist at the Purple Room in Palm Springs, California. This is the Jazz Voyager’s first trip to this venue and I am looking forward to this excursion. Performing this weekend is Tony nominated Ann Hampton Calloway for two nights only. She will be celebrating one of America’s most beloved artists, Peggy Lee.

The sophistication and glamour of the Rat Pack era comes alive at Michael Holmes’ Purple Room, the desert’s premier supper club.  Tucked away in the Club Trinidad Hotel, The Purple Room is where Frank, Sammy, Dean, and their pals cavorted on and off the stage in the swinging 60s. Step in and you’ll be transported back to the elegance of the era:  an intimate and inviting room, classic cocktails with a modern twist, world-class cuisine, and the best in live entertainment – six nights a week!  Hobnob with celebrities, locals, and visitors alike at Michael Holmes’ Purple Room.

The Purple Room is located at 1900 E Palm Canyon Drive 92264 and their number is 760-322-4422. In order to get more information on showtimes and tickets then visit notoriousjazz.com/event/ann-hampton-callaway.

CALIFORNIA JAZZ FOUNDATION

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THE MUSIC OF BURT BACHARACH

Burt Freeman Bacharach | May 12, 1928 – February 8, 2023 

An American composer, songwriter, record producer, and pianist who is widely regarded as one of the most important and influential figures of 20th-century popular music. Starting in the 1950s, he composed hundreds of pop songs, many in collaboration with lyricist Hal David. Bacharach’s music is characterized by unusual chord progressions, influenced by his background in jazz harmony, and uncommon selections of instruments for small orchestras. He arranged, conducted, and produced much of his recorded output.

Over 1,000 different artists have recorded Bacharach’s songs. From 1961 to 1972, most of Bacharach and David’s hits were written specifically for and performed by Dionne Warwick, but earlier associations from 1957 to 1963 saw the composing duo work with Marty Robbins, Perry Como, Gene McDaniels, and Jerry Butler. Following the initial success of these collaborations, Bacharach wrote hits for singers such as Gene Pitney, Cilla Black, Dusty Springfield, Tom Jones, and B. J. Thomas.

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The Jazz Voyager

Off to the City That Never Sleeps aka The Big Apple on my way to Harlem and the venue that still represents the standard of the community. It is still called The Apollo. After a fantastic performance in Boston it is good to be back home to experience the delights of the neighborhood.

Critically acclaimed composer and trumpeter Russell Gunn and his Royal Krunk Jazz Orkestra brings to life poet and author Amiri Baraka’s groundbreaking work, Blues People: Negro Music in White America. Special guests include Weedie Braimah, Davell Crawford, Miles Griffith, Craig Harris, Stefon Harris, Jazzmeia Horn, Oliver Lake, Jessica Care Moore, and Leon Timbo.

The building that later became the Apollo Theater was built in 1913 and was designed by architect George Keister. It was originally Hurtig and Seamon’s New (Burlesque) Theater, which enforced a strict “Whites Only” policy. The theater was operated by noted burlesque producers Jules Hurtig and Harry Seamon. They made alterations to the theater that same year and renamed it The Apollo.

In 1924, the Minskys took a long-term lease for burlesque shows, some of which included integrated casts with black performers such as Pigmeat Markham. After New York City mayor Fiorello La Guardia cracked down on burlesque, the theater was purchased in 1933 by Sidney Cohen, who owned other theaters in the area. Lavish renovations were made and it re-opened on January 26, 1934 catering to the Black community of Harlem. On February 14, 1934, the first major star to appear at the Apollo was jazz singer and Broadway star Adelaide Hall in Clarence Robinson’s production Chocolate Soldiers, which featured Sam Wooding’s Orchestra. The show ran for a limited engagement and was highly praised by the press, which helped establish Apollo’s reputation.

The Apollo’s number is 212-531-5300. If you want to get more show information visit https://notoriousjazz.com/event/russell-gunn-the-royal-krunk-jazz-orchestra.

CALIFORNIA JAZZ FOUNDATION

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PAUL BOLLENBACK | HARLEM JAZZ SESSION

Paul Bollenback – guitar, Pat Bianchi – organ, Anthony Pinciotti – drums

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