Daily Dose Of Jazz…
Hamid Drake was born Henry Lawrence Drake on August 3, 1955 in Monroe, Louisiana but his family moved to Evanston, Illinois, when he was a child. There he started playing with local rock and R&B bands, which eventually brought him to the attention of Fred Anderson, an older saxophonist who had also moved to Evanston from Monroe as a child decades before. Drake worked with Anderson from 1974 to 2010 including on his 1979 The Missing Link.
At Anderson’s workshops, he met Douglas Ewart, George E. Lewis and other members of Chicago’s Association for the Advancement of Creative Musicians (AACM). Percussionist Ed Blackwell had a great influence on Drake, during this period. His flowing rhythmic expressions and interest in the roots of the music drew like-minded musicians together into a performance and educational collective named the Mandingo Griot Society, which combined traditional African music and narrative with distinctly American influences.
During the Seventies he met Don Cherry and with Adam Rudolph toured Europe and worked extensively with him from 1978 until Cherry’s death in 1995. It was during this period where they explored the interior landscape of percussion and shared deeply in Mr. Cherry’s grasp of music’s spiritually infinite transformational possibilities.
By the close of the 1990s, Hamid was widely regarded as one of the best percussionists in jazz and improvised music. Incorporating Afro-Cuban, Indian, and African percussion instruments and influence, in addition to using the standard trap set, Drake has collaborated extensively with top free jazz improvisers, performed world music and reggae during his career.
Drummer and percussionist Hamid Drake, who also plays the tabla, continues to perform.
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Daily Dose Of Jazz…
Alan Lee was born on July 29, 1936 in Melbourne, Australia. He was one of the first Australian jazz musicians to fuse classical music with jazz and to utilize Latin American rhythms in his music.
He led several jazz bands in Melbourne and Sydney from the late 1950s through the 1980s. Some of his recorded albums include his Seventies’ projects Gallery Concerts, The Alan Lee Jazz Quartet, Moomba Jazz ’76, Live from the Dallas Brooks Hall, and Alan Lee and Friends: Jazz at the Hyde Park Hotel in 1990, among others.
Bandleader, vibraphonist, guitarist, and percussionist Alan Lee at 86 continues to dabble in music.
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BELA DONA
Washington DC is the birthplace of this exciting and diverse all-female band.The high-energy concert style presentation and dynamic musicianship exuded on stage is the selling point of these phenomenal ladies.
Their unique style of Funk, Jazz, R&B and Rock command an impressive drawing power attracting many beloved fans and local promoters. Individually, each band member has toured with various national artists such as Nile Rodgers(Chic), Pieces of a Dream, Chuck Brown, High Five, EU, Salt & Pepa, Pleasure, Stephanie Mills, Ginuwine, Crystal Waters, and many others.
Vocals: Sweet Cherie ~ MD/Keys, Karis Hill ~ MC, Kim Scott; Chella Davis; Taylor Gamble ~ Guitar; Shannon Browne ~ Drums; Tempest “Storm” Thomas ~ Bass, Claudia”Kool Keys”Rodgers ~ Keys; Natarsha Proctor ~ Percussion
Actual Showtime:
Streaming: Thu, July 28, 7:30 PM | $10 + $1.70 fee
Live: Thu, July 28, 7:30 PM | $30 – $35 + $3.10 – $3.46 fee
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Three Wishes
Sun Ra had three wishes for the Baroness when she inquired what his would be:
- “A flexible instrument which could reflect every mood of any being, even a cat’s or a bird’s.”
- “A center where I would be free to present what I am actually doing to the world in the proper manner. Lights, shadows, colors, music would all be working at the same time, and it would be a synopsis of cosmic things so concentrated that, in an hour, you could be enlightened about the entire universe.”
- “The means to do things precisely, directly, and unhampered.”
*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter
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Daily Dose Of Jazz…
Joseph A. Venuto, Jr. was born on June 20, 1929 in Bronx, New York into an Italian immigrant family where he received his first drum kit from his grandfather. Having had lessons with Henry Adler, he moved on to Phil Kraus to learn mallet percussion. After earning a master’s degree from the Manhattan School of Music, he became a member of the Sauter-Finegan Orchestra, with whom he made his first recordings Doodletown Races on the RCA label in 1953. He was a featured soloist with the orchestra on Solo for Joe and Swingcussion. The DownBeat Reader’s Poll voted him the best vibraphonist that year.
From the mid-1950s, Venuto worked with Billy Byers in the Westchester Workshop, the Kent Harian Orchestra, Bobby Dukoff, and the Johnny Richards Orchestra before joining Radio City Music Hall as a session musician in the recording and television studios. By 1959 he recorded his debut album for Everest Records under his own name.
Between 1953 and 1975 Joe was involved in 104 recording sessions with Jack Teagarden, Kenyon Hopkins, Rex Stewart, The Creed Taylor Orchestra, Irene Kral/Al Cohn Orchestra, Mary Ann McCall, Don Costa, Hal Mooney, Ruth Brown, Gene Krupa and His Orchestra, LaVern Baker, Budd Johnson, Marion Montgomery, Benny Goodman, Shirley Scott, Solomon Burke, Gary McFarland, Johnny Hodges, Hank Jones/Oliver Nelson, and numerous more.
the early 1970s when he was in his Forties, he left New York City and moved to Reno, Nevada. He met, married, performed and recorded with his wife, harpist Bev Colgan, in a harp/vibes duo. Percussionist Joe Venuto, who also played the vibraphone, marimba, bongos and drums, transitioned on Feb. 14, 2019 at age 89.
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