Daily Dose Of Jazz…
LaDonna Smith was born on March 2, 1951 in Birmingham, Alabama. She learned to play violin and went on to perfect viola and piano. Since 1974 she has been performing free improvisational music with musicians Davey Williams, Leland Davis, Michael Evans, Gunther Christmann, Anne Lebaron, Derek Bailey, Eugene Chadbourne, Misha Feigin, Michael Evans, David Sait, Jack Wright, John Russell, Sergey Letov, Toshi Makihara, Andrew Dewar and many other world major improvisers.
As a performer, she has toured the United States, Canada, Europe, Russia, Siberia, Korea, India, China and Japan. She produced concerts and festivals in Alabama and the Southeast, including the Birmingham Improv Festival and The Improvisor Festival. She serves on the Board of Directors of the International Society of Improvised Music (I.S.I.M.).
In 1976, Smith co-founded TransMuseq Records with Davey Williams. She is editor-in-chief and publisher of The Improvisor magazine which began in 1980 as an extension of The Improvisor’s Network, a grass-roots organization in New York City that attempted to connect improvising musicians across America. She is a member of the Fresh-Dirt collective (Alabama Surrealism).
Avant garde violinist, violist, and pianist LaDonna Smith, who has recorded 37 albums, continues to perform and record.
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THE HARPER COLLECTIVE
The Harper Collective ~ Terence Harper ~ Trumpet, Dishan Harper ~ Bass, Winard Harper ~ Drums, Eric “Elew” Lewis ~ Piano, Frank Houston ~ Saxophone, Larry Strickland on percussion
This incredible lineup features world renown touring artist, Eric “ELEW” Lewis. In addition to ELEW, the collective consists of three members of the Legendary Harper Family, which includes, The Harper Brothers co-leader Winard Harper, Grammy Nominated Trumpeter Terence Harper and international touring bassist Dishan Harper!
The resumes between these amazing musicians are extraordinary. Collectively these musicians have been featured on hundreds of recordings including Grammy nominated and Grammy winning projects!
The two featured artists in The Harper Collective, Eric “ELEW” Lewis and Winard Harper have been an integral part of the New York Jazz scene for decades. They are considered to be among the greatest musicians of their generation!
Eric “ELEW” Lewis began his career playing as a sideman for jazz artists like Wynton Marsalis, Cassandra Wilson, Elvin Jones, Jon Hendricks, and Roy Hargrove. ELEW has also performed as a member of the Lincoln Center Jazz Orchestra and has toured and recorded with Josh Groban, Esperanza Spalding, Sting, The Roots and Natalie Cole, just to name a few.
Winard Harper was a member of the hit jazz group, The Harper Brothers, which gained international success and stardom back in the early 1990’s when they released their hit jazz song entitled Remembrance, on Verve Record label. Remembrance, which was written by the senior member of the Harper family, Danny Harper, reached number 1 on the billboard charts for 6 straight weeks! Winard has toured and recorded with Dexter Gordon, Betty Carter, Jimmy Heath, Johnny Griffin, Etta James, Frank Wes, Nancy Wilson and many more!
Terence and Dishan Harper who are some of the youngest members of the Harper Family Dynasty are currently touring around the world. They have played and recorded with the great Curtis Lundy, Steve Turre, Jimmy Heath, Musiq Soulchild, Solange, Keith David, Bobby Watson and Chinese Movie Star and Mandopop artist Andy Lau just to name a few! Terence and Dishan have also appeared on numerous television shows and movies including, The Orignals as well as the remake of the movie The Color Purple, directed by Blitz Bazawule and produced by Quincy Jones, Scott Sanders, Steven Spielberg and Oprah Winfrey!
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Requisites
Overseas ~ Tommy Flanagan Trio | By Eddie Carter
Tommy Flanagan steps into the spotlight of this morning’s discussion with Overseas (Prestige PRLP 7134/PRST 7632), recorded during his 1957 tour with J.J. Johnson and released the following year. The pianist works with Wilbur Little on bass and Elvin Jones on drums on this album. My copy is the 2012 Analogue Productions US Mono audiophile reissue sharing the original catalog number. The album starts quickly with Relaxing at Camarillo by Charlie Parker. It was named for Bird’s six-month stay at Camarillo State Hospital, where he recuperated from drug addiction. Tommy takes off on the opening solo briskly. Wilbur’s bass walks lively on the next reading, then Elvin caps off the closing presentation, exchanging exquisite brushwork with Tommy ahead of the theme reprise and climax.
Chelsea Bridge by Billy Strayhorn is one of his best-loved compositions. Flanagan is the single soloist, and the pianist gives a gorgeous interpretation emphasizing his light touch. Eclypso, Flanagan’s first of six originals, has a Caribbean-flavored rhythm on the melody and closing chorus. Tommy offers a cheerfully bright mood in the opening solo, and Elvin shares an exuberant exchange with Flanagan before the song fades gracefully. Tommy’s tune Beat’s Up featuring him and Jones in two spirited interpretations with short interludes by Little that spices things up nicely. Skål Brothers is a concise midtempo blues by Flanagan, who cruises leisurely on the opening chorus and ending theme anchored by the relaxing foundation Wilbur and Elvin provide.
Little Rock opens Side Two with a delightful statement by Little. Flanagan and Jones join him; the pianist serves up some down-home cooking on a delicious performance. Wilbur delivers a tasty reading which walks firmly into the finale by Elvin, who adds a scrumptious dessert on the drums. Flanagan’s Verdandi brings the trio back to uptempo with an electrifying opening solo by Tommy and a fiery showcase for Elvin, who gives a virtuoso demonstration before the trio’s finale. Delarna is dedicated to the province in central Sweden, known for its breathtaking landscape. The trio opens with a beautiful melody that starts at a slow tempo but moves upward for Flanagan’s execution of a solo of extraordinary beauty into a gentle climax.
Willow Weep For Me comes from the pen of Ann Ronell, who also composed the lyrics. The jazz standard opens with a quiet demeanor collectively followed by a passionate performance by Tommy, and Wilbur takes us toward the album’s climax with a profoundly affecting presentation. Overseas began his forty-five-year career as one of the most respected and revered jazz musicians. The recording engineer was Gösta Wilholm, and Kevin Gray remastered the album. The sound quality of this Mono reissue is demonstration class with a superb soundstage that places the trio in your listening room with stunning definition. For anyone who’s a fan of this remarkable pianist, I invite you to treat yourself to Overseas by The Tommy Flanagan Trio on your next vinyl search. It’s a forty-minute trip that requires no luggage, passports, or plane tickets, just a turntable, stereo system, and your favorite drink to enjoy while you listen!
~ Chelsea Bridge, Relaxing At Camarillo, Willow Weep For Me – Source: JazzStandards.com ~ Tommy Flanagan – Source: Wikipedia.org © 2023 by Edward Thomas Carter
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Requisites
Dark Beauty ~ Kenny Drew Trio | By Eddie Carter
It had been a long while since I heard this morning’s album by The Kenny Drew Trio. I put the record on my turntable and listened to it while reading a few nights ago, which inspired this week’s discussion. Dark Beauty (SteepleChase Records SCS-1016) is the first of two trio dates featuring Kenny Drew on piano, Niels-Henning Ørsted Pedersen on bass, and Albert “Tootie” Heath on drums. Both were recorded in the same sessions over two days in May, and this release hit the stores in 1974. The companion album, If You Could See Me Now, came out a year later. My copy is the 1976 SteepleChase Series US Stereo reissue (Inner City Records IC 2016).
Side One leads off with Run Away by Danish flutist and saxophonist Per Carsten. The trio begins the introduction and melody, then Kenny starts things with a festive opening solo. Niels-Henning makes a stunning impression on the following reading, and Albert has a brief comment leading to the group’s rousing closing chorus. The title tune, Dark Beauty by Kenny Drew, is one of his most beautiful compositions. Drew and Pedersen open the ballad with gentle cascades on the piano and a gorgeous bowed solo in the introduction, central theme, and closing chorus, which weaves a haunting spell. In between, the pianist gives an intimately tender interpretation matched by the softness of the bassist and drummer’s accompaniment.
The group’s first of four jazz standards is Summer Nights by Harry Warren and Al Dubin. It opens with an elegantly constructed introduction by Niels-Henning; next, Kenny and Albert enter to complete the nostalgically dreamy melody. Drew caresses the song’s lyrics with sensuous beauty in his playing of the only statement into the ending theme and gentle climax. All Blues by Miles Davis closes the first side. Drew and the rhythm section get things underway with an energetically charged melody, and the opening statement by Kenny is hotter than fireworks in July. The closing interpretation allows Heath’s drums a brisk workout while Pedersen’s bass keeps the beat flowing ahead of the song’s lively conclusion.
Side Two starts with It Could Happen To You by Jimmy Van Heusen and Johnny Burke. Kenny introduces the jazz standard slowly and then moves up the tempo to a brisk melody and first interpretation. Albert engages in a zesty exchange with the leader preceding the theme’s reprise and exit. Love Letters by Victor Young and Edward Heyman is up next. This song is featured in the 1945 film of the same name, and the ensemble’s rendition begins with a gorgeous introduction by Niels-Henning and Kenny. The pianist has the first say and turns the tempo up for the opening statement. Pedersen takes his first opportunity to solo with an extensive presentation that flows into the trio’s closing chorus and finish.
Silk Bossa comes from the pen of Danish pianist Thomas Clausen, and Niels-Henning sets the mood with a solo introduction that grows into a pleasant melody by Kenny. The rhythm section lays a lush foundation for the pianist to present a delicately expressed statement. Pedersen ends the way he began with an unaccompanied bowed solo which ends softly. The album ends with Blues Inn by Kenny Drew, which starts with the trio swinging at an easy beat during the melody, giving way to Drew’s charming opening statement. Pedersen is equally adept in the dazzling display that follows; then, Heath carries on a concise conversation with Drew in the finale ahead of the theme’s reprise and fade out.
Nils Winther produced the initial session, and Freddy Hansson was the recording engineer. The music on Dark Beauty is as lovely as the young woman in the front cover photo, Kenny’s daughter, Sabrina. This reissue’s sound quality is excellent, with an outstanding soundstage that transports the trio to the sweet spot in your listening room with superb definition. If you are a fan of Kenny Drew and enjoy jazz piano trios, I invite you to consider Dark Beauty by The Kenny Drew Trio on your next vinyl shopping trip. It’s an excellent trio album that is perfect for late-night listening and highly recommended for a spot in your library!
~ If You Could See Me Now (SteepleChase Records SCS-1034) – Source: Discogs.com ~ All Blues, It Could Happen To You, Summer Nights – Source: JazzStandards.com ~ Love Letters – Source: Wikipedia.org © 2023 by Edward Thomas Carter
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LOSTON HARRIS TRIO
Meet Loston Harris. His piano playing has been described as “percussive” with “incredibly fluid”. His vocals noted as “suave.” Loston himself will tell you he has worked hard during his career but knows he’s been blessed with the opportunities to play the music closest to his heart, jazz.
For more than a decade Loston has headlined at a “home” that shares his passion for timeless music. The Legendary Bemelmans Bar located in The Carlyle in Manhattan’s storied Upper East Side, has a legacy of hosting great cabaret and jazz greats from the likes of Bobby Short, Eartha Kitt, Elaine Stritch, John Pizzarelli and the Modern Jazz Quartet (MJQ).
The innate and dazzling talent of Loston is a beacon of quality in a cacophonous world. He is contemporary, stylish, joyful, playful, powerful, soulful and an immensely satisfying musician. Simply put, his music is a combination of humanity and genius.— MICHAEL FEINSTEIN
Loston Harris – piano & vocals | Gianluca Renzi – acoustic bass | Mike Lee – tenor saxophone
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