SHEDRICK MITCHELL

Pianist Shedrick Mitchell leads a quartet in celebration of his new album. After releasing his debut recording in 1997, Mitchell began a history-making run supporting some of the biggest names in music including Maxwell, Stevie Wonder, Chaka Khan, Jay-Z, Whitney Houston, Christian McBride, and Dianne Reeves. After a 25-year hiatus of recording as a leader, Mitchell released a follow-up and has been refocusing on his own music that synthesizes classical, jazz, blues, and gospel.

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JACKY TERRASSON TRIO

Jacky Terrasson – piano
Burniss Travis – bass
Jeremy Dutton – drums

Pianist Jacky Terrasson makes a rare New York appearance from his base in Paris leading an exciting trio. For over three decades, Jacky Terrasson has been subtly reimagining the possibilities of the piano trio and even the sound and role of the piano itself within that context to great acclaim. Unorthodox approaches to standards, surprising choices of repertoire, and bracing, dramatic solos are some of the hallmarks of his celebrated playing. London Jazz News reports, “Terrasson has presence and theatricality, and his performance(s) brim with good ideas,” while JazzTimes reports, “There’s excitement and ingenuity embedded throughout (his) wholly original, shrewdly executed arrangements.” Terrasson spent important formative time early in his career alongside two giants in Betty Carter and Eddie Harris. Today, Terrasson shares those invaluable lessons with the next generation. His trio features the outstanding tandem of bassist Burniss Travis and drummer Jeremy Dutton.

Livestream: $15.00 + fees

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ERIC REED

Eric Reed – piano
Chris Lewis – saxophone
Dezron Douglas – bass
Kendrick Scott – drums

Eric Reed celebrates the release of his inspiring new album Black, Brown, and Blue, which features a program of compositions written by composers of color. It includes works by jazz masters such as Duke Ellington, Thelonious Monk, McCoy Tyner, Wayne Shorter, Benny Golson, Horace Silver, Buddy Collette, and Buster Williams, along with jazz-conversant pop/R&B songwriters Stevie Wonder and Bill Withers. Reed calls Black, Brown, and Blue, “the culmination of my life thus far. I’m freer than I’ve ever been in my personal life, and I’m freer than I’ve ever been in my music. I’m accepting who I am. I love who I am. And as I continue to evolve – my artistry, my sexuality, and my overall humanity – my music will continue to become more and more personal.” A widely respected and popular musician and mentor, he first rose to fame with Wynton Marsalis and has performed with artists as varied as Jessye Norman, Quincy Jones, and Patti Labelle. His perpetually swinging and sophisticated style has made him one of the important ambassadors of the music.

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KEVIN BALES QUARTET

By some measures, Kevin Bales was a latecomer to jazz, already 17 when he encountered the sounds and structures and became captivated by the freedom and corresponding challenges of the music. But if late to the party, he wasted no time in immersing himself in the celebration, declaring total commitment to what would be his life’s work and backing his announcement by resigning his job and designated career in computer programming. Kevin could commit to jazz with a reasonable degree of expectation. He was already an accomplished pianist, with classical chops refined since the age of 10. So accomplished he was invited to audition for the Atlanta Symphony Orchestra, then under the direction of its most storied conductor Robert Shaw, at age 16.

Kevin’s initial career move was to the University of North Florida and a budding if little-known jazz program. There he met and performed with, and went on to record and tour with, a number of monumental artists who had settled into that burgeoning North Florida jazz scene. Giants like Wynton Marsalis, Louie Bellson, Eddie Daniels, James Moody, Ben Tucker, Ira Sullivan, Sam Rivers, and Nat Adderley. He counts among his mentors bassist Ben Tucker, multi-instrumentalist Ira Sullivan, guitar legends Nathen Page and Jack Petersen, and the fiercely individual saxophonist Bunky Green. His meeting with Bunky Green led to five years of tours. His encounter with guitarist Nathen Page blossomed into 15 years of spot tours and four albums. And his work with trumpeter extraordinaire Marcus Printup has become a lifetime association that has included recordings on Blue Note/Capital records. Ten years touring and recording with vocal iconoclast Rene Marie culminated in a Grammy Nominated album. His most recent recording of music composed by Fred Rogers was selected as one of the top 10 albums of 2018 by Cadence Magazine and AllAboutJazz.com

Few artists have the patience for teaching – as are few teachers accomplished players. But Kevin has amassed a reputation for his prowess in both professions. While still a senior at North Florida he was drafted into a full teaching load, and continued to be an integral part of the school’s jazz program for upwards of a decade. Today, Kevin manages his own jazz program, overseeing an ambitious schedule of ambitious jazz students and runs the improvisation and small group programs at Georgia State University.

Kevin has amassed a long list of awards and a reputation as one of the finest jazz pianists performing anywhere. In 1994, less than a decade into jazz, he won the American Pianist Association’s Jazz Piano Competition. In addition to nearly every important jazz venue in the South, he has performed in some of the most acclaimed clubs and festivals in America and around the world: the JVC Jazz Festival in New York, The Bakery in Los Angeles, The Kennedy Center and Lincoln Center jazz series, the Toronto and Edinburgh jazz festivals, and the Moscow Center for the Performing Arts.

Shows ~ 7:30pm | 9:30pm

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Daily Dose Of Jazz…

Fernand Coppieters was born in Brussels, Belgium on March 3, 1905. He took up piano in his youth and also played the Hammond organ. His first professional work was with the ensemble Bistrouille ADO in 1920 at age 15. Following this, he played in the Red Mills Ragtime Band and the Rhythmic Novelty Dance Orchestra.

Leaving Belgium for France he landed a place in Fud Candrix’s ensemble in France and Holland. Returning to Brussels in 1929, he played in a trio with René Compère and again with Candrix. Soon after this, he joined the 16 Baker Boys, led by Robert de Kers and, later, Oscar Aleman.

In the early 1930s, he accompanied Josephine Baker on tours of Europe, then worked with Roland Dorsay, Candrix once again, and Willie Lewis. In the 1940s and 1950s, he recorded as a leader and worked as a house pianist for Radio Schaerbeek, an independent Belgian radio station.

In the late 1950s and 1960s, he recorded several albums on Hammond organ, for Fontana Records and Philips Records. Pianist and organist Fernand Coppieters, who also played accordion, saxophone, and violin, transitioned on September 9, 1981 in Brussels.

CALIFORNIA JAZZ FOUNDATION

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