ELIANE ELIAS
A world-class pianist whose mastery of Jazz, Brazilian, Classical, Broadway and more has brought multiple awards, Eliane Elias celebrates the release of her new chart-topping album, “Quietude.” This all-Brazilian record follows her Grammy winning “Mirror Mirror.”
Jazz Weekly raves she is “not only one of the most adroit pianists in jazz, but with albums like this new one, has now entered the top tier of Brazilian vocalists.”
“Eliane Elias is of a generation of aggressive pianists who attack music like a lioness attacking its prey, at the same time expressing a tenderness within the core of her passion that at times has brought me to tears.”
– Herbie Hancock
December 9th & 10th Shows @ 7:00pm ~ SOLD OUT
More Posts: adventure,album,club,festival,genius,jazz,museum,music,piano,preserving,restaurant,travel,vocal
Daily Dose Of Jazz…
Sonny Phillips was born on December 7, 1936 in Mobile, Alabama. Phillips began playing jazz organ after hearing Jimmy Smith in his twenties. He studied under Ahmad Jamal, and played in the 1960s and 1970s with Lou Donaldson, Nicky Hill, Eddie Harris, Houston Person, and Gene Ammons.
His debut album Sure ‘Nuff was released on the Prestige Records label in 1969. He released several records as a leader in the Seventies before suffering a long illness in 1980. He also recorded twenty-three albums as a sideman with Harris, Person, Ammons, Rusty Bryant, Billy Butler, Willis Jackson, Etta Jones, Boogaloo Joe Jones and Bernard Purdie.
Electric organist and pianist Sonny Phillips went into semi-retirement after suffering a long illness. He moved to Los Angeles, California and has since performed and taught occasionally.
More Posts: bandleader,history,instrumental,jazz,music,organ,piano
Requisites
The Paris Concert, Edition One ~ Bill Evans | By Eddie Carter
Ever since I’ve been a jazz fan, the piano has always been one of my favorite instruments, and one of my favorite pianists is Bill Evans. My introduction to his playing began with Explorations (1961), Kind of Blue (1959), and Waltz For Debby (1962). Several of his originals have become jazz standards, and many of his albums still resonate with listeners and musicians today. Bill steps into the spotlight of this discussion with the first of two entertaining live dates. The Paris Concert, Edition One (Elektra Musician E1 60164) captures his trio’s performance at L’Espace Cardin on November 26, 1979. He’s joined on stage by Marc Johnson on bass and Joe LaBarbera on drums. My copy used in this report is the 1983 US Stereo album.
The concert opens with the ensemble’s touching rendition of I Do It For Your Love by Paul Simon. Bill begins with a delicately tender introduction segueing into a very pretty melody. Evans embodies a feeling and spirit of enduring love in the song’s only solo with an elegantly graceful interpretation. Marc and Joe supply the soft supplement ahead of the pianist ending the song sweetly. Quiet Now is a lovely tune by Denny Zeitlin. Evans takes the lead again in a hauntingly beautiful introduction ahead of the trio’s peaceful theme. Bill is provided with an excellent showcase to deliver a presentation of luxurious beauty with Johnson and LaBarbera complimenting him perfectly into the group’s affectionate finale.
Noelle’s Theme by Michel Legrand is a moving solo performance that Bill performs with heartfelt warmth and sensitivity in the melody and during his statement that not only touches the crowd but the listener as well. My Romance by Richard Rodgers and Lorenz Hart begins with a lively introduction by Evans, then the pace picks up for the group’s main theme. The highlight is the skillful construction of the first two readings by LaBarbera and Johnson who take turns on their alternate verses with impeccable brushwork and splendid bass lines. Evans unlocks a rich variety of creative ideas next, then LaBarbera adds a few final comments into the pianist’s vivacious closing chorus which receives enthusiastic approval from the crowd at its conclusion.
Side Two gets underway with I Loves You Porgy by George and Ira Gershwin, and DuBose Heyward. It made its debut in the 1935 Broadway opera, Porgy and Bess, and later became a jazz standard. Bill has the stage to himself in a second solo showcase of melodic beauty that he performs with the greatest assurance and sensitive delicacy. Up With The Lark by Jerome Kern and Leo Robin is the first of two duets of piano and bass. Evans and Johnson operate in perfect communication during the opening chorus. Bill takes the lead and delivers an illustrious solo that’s pure magic. Marc provides the exclamation point in an exquisite performance preceding Bill’s ending theme and the audience’s appreciative applause.
The duo returns for All Mine (Minha) by Ruy Guerra and Francis Hime. Bill instills the melody and song’s only statement with expressive beauty, anchored by Marc’s subtle accompaniment into an ending of perfect tranquility. The ensemble returns to full form for Beautiful Love by Wayne King, Victor Young, Egbert Van Alstyne, and Haven Gillespie, which Bill first performed on Explorations. A brief introduction sets the tone for the group’s lively theme. Bill soars over the rhythm section with a vigorous romp on the opening solo. Marc cuts loose with some scintillating notes on the second statement. Bill and Joe unleash a dazzling exchange of infectious riffs and explosive brushwork before Bill swings into the climax. The album concludes with excerpts from a conversation between Bill and Harry Evans.
The Paris Concert, Edition One was produced by Helen Keane, and Yves Abiteboul produced the concert for radio broadcast. This concert was recorded by Radio France and the recording engineer was Stew Romaine. This is a first-rate recording with a superb soundstage that makes the listener feel like they’re in the audience as the trio is performing. If you’re a fan of Bill Evans and are in the mood for something soothing after a long day or week, I invite you to check out The Paris Concert, Edition One on your next vinyl shopping trip. It’s an enticing invitation to explore a remarkable live album by Bill Evans that’s an assortment of delights you’re sure to enjoy!
Explorations (Riverside RLP 351/RLP 9351), Kind of Blue (Columbia CL 1355/CS 8163), The Paris Concert, Edition Two (Elektra Musician E1-60311), Waltz For Debby (Riverside RLP 399/RLP 9399) – Source: Discogs.com
~ I Loves You Porgy, My Romance – Source: JazzStandards.com ~ Beautiful Love – Source: Wikipedia.org © 2022 by Edward Thomas Carter
More Posts: choice,classic,collectible,collector,history,instrumental,jazz,music,piano
Daily Dose Of Jazz…
Joe Bishop was born November 27, 1907 in Monticello, Arkansas and learned piano, trumpet, and tuba when he was young. He also played flugelhorn and mellophone. He attended Hendrix College and played professionally with the Louisiana Ramblers in 1927, including in Mexico.
Bishop played with Mart Britt, Al Katz, and Austin Wylie before joining the Isham Jones band for five years. He was a founding member of Woody Herman’s band in the 1930s, but he contracted tuberculosis in 1940 and had to leave the group. He was rehired by Herman as a staff arranger later in the 1940s, and his arrangements and compositions were recorded frequently by Herman, appearing on some 50 of Herman’s albums.
As a performer, Joe played with Cow Cow Davenport and Jimmy Gordon’s Vip Vop Band, but retired from studio work due to his health in the 1950s. Joe quit music and opened a store in Saranac Lake, New York, and later retired to Texas. His compositions include Midnight Blue, Woodchopper’s Ball, and Blue Prelude with Gordon Jenkins.
Tubist, pianist and composer Joe Bishop, whose work has been covered by musicians as diverse as Ten Years After and Lawrence Welk, transitioned on May 12, 1976.
More Posts: composer,history,instrumental,jazz,music,piano,tuba
ALAN PASQUA TRIO
Alan Pasqua is an American rock and jazz pianist, a Steinway Piano Artist, Grammy Nominee and Professor of Jazz Studies at USC Thornton School of Music. He has been a member of the bands of Bob Dylan and Santana, played and recorded with jazz artists including Tony Williams, Jack DeJohnette, Paul Motian, Dave Holland, Michael Brecker, Randy Brecker, Joe Henderson, Stanley Clarke, Gary Burton and worked with composers John Williams, Quincy Jones, Dave Grusin, Jerry Goldsmith and Henry Mancini.
More Posts: adventure,album,club,festival,genius,jazz,museum,music,piano,preserving,restaurant,travel