Daily Dose Of Jazz…
Lem Davis was born Lemuel A. Davis on June 22, 1914 in Tampa, Florida. His career began in the 1940s during the small jazz combo era with pianist Nat Jaffe. He became best known for playing with the Coleman Hawkins Septet as well as Eddie Heywood and Rex Stewart and a variety of jazz groups.
After recording with jazz vocalist Billie Holiday as a member of Heywood’s band in 1944, Davis went on to record with John Kirby, Joe Thomas, and Eddie Safranski. Although he reached his apex in the 1940s, Davis continued to perform in the New York area during the 1950s , leading his own band featuring Emmett Berry on trumpet, trombonist Vic Dickerson and pianist Dodo Marmarosa.
By 1953 Lem appeared soloing on Buck Clayton’s Huckle-buck recording. He continued to play in New York City throughout the 1950s, but as bebop surpassed swing in popularity, he recorded little thereafter.
Unable to make the transition from swing to bebop, he faded into obscurity. Swing and jazz alto saxophonist Lem Davis passed away on January 16, 1970 in New York City.
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Daily Dose Of Jazz…
James Melvin Lunceford was born on June 6, 1902 on a 53 acre farm in the Evergreen community, west of the Tombigbee River, near Fulton, Mississippi. They moved seven months after his birth to his other’s hometown of Oklahoma City, Oklahoma and as a child he learned several instruments. By high school they were living in Denver, Colorado where he studied music under Wilberforce J. Whiteman, father of bandleader Paul Whiteman. He went on to continue his studies at Fisk University. By 1922, he was playing alto saxophone in a local band led by the violinist George Morrison which included Andy Kirk, another musician destined for fame as a bandleader.
In 1927 he organized a student band at Manassas High School in Memphis, Tennessee called the Chickasaw Syncopators, and later changed to the Jimmie Lunceford Orchestra. Under the new name, the band started its professional career in 1929 and made its first recordings in 1930. He gained recognition as the first public high school band director in Memphis. After a period of touring, the band accepted a booking at the Harlem nightclub The Cotton Club in 1934 for their revue ‘Cotton Club Parade’ starring Adelaide Hall. His orchestra, with their tight musicianship and the often outrageous humor in their music and lyrics, made an ideal band for the club, and his reputation began to steadily grow.
The band’s style of playing was based its ensemble work and for using a two-beat rhythm, called the Lunceford two-beat, as opposed to the standard four-beat rhythm, a distinction made possible by the imaginative arrangements by trumpeter Sy Oliver. Comedy and vaudeville also played a distinct part in Jimmie’s presentation incorporating costumes, skits and jabs at mainstream white bands.
Over the next decade the orchestra recorded on the Decca and Vocalion labels, toured Europe extensively, lost arranger Oliver to the Dorsey band and appeared in the movie Blues In The Night. Unfortunately, most of Lunceford’s sidemen were underpaid and left for better paying bands, leading to the band’s decline.
On July 12, 1947 while signing autographs at a local record store in Seaside, Oregon, saxophonist, flautist and bandleader Jimmie Lunceford collapsed and passed away on the way to the hospital. Accounts from other bandmates who also got sick within hours of the meal, substantiate the claims that they were poisoned by a disgruntled restaurant owner unhappy with having to serve Negroes. However the official autopsy has his caused of death as coronary occlusion.
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Daily Dose Of Jazz…
Noah Preminger was born on June 2, 1986 and grew up in Canton, Connecticut. While in high school, he studied with saxophonist Dave Liebman and went on to graduate from the New England Conservatory of Music.
Releasing his debut album Dry Bridge Road, that was a sextet session with guitarist Ben Monder, pianist Frank Kimbrough, trumpeter Russ Johnson, bassist John Hébert, and drummer Ted Poor. Noah’s sophomore album as a leader came three years later in 2011 titled Before the Rain on the Palmetto label and featured a quartet with Kimbrough, Hébert and drummer Matt Wilson. Both albums received critical acclaim from Jazz Review, Hartford Courant, New York Times and DownBeat. Dry Bridge Road was named Debut of the Year in the Village Voice critics poll, making top 10 lists in Stereophile, The Nation and JazzTimes.
Preminger has performed with Billy Hart, Dave Holland, Fred Hersch, Dave Douglas, Victor Lewis, John and Bucky Pizzarelli, Billy Drummond, George Cables, Roscoe Mitchell, Eddie Henderson, Rob Garcia, Andre Matos, Dan Cray and Julian Shore.
Currently based in Brooklyn, saxophonist Noah Preminger has released eight albums since his debut in 2008 and continues to compose, perform and record.
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Red Holloway was born James Wesley “Red” Holloway on May 31, 1927 in Helena, Arkansas and started playing banjo and harmonica, switching to tenor saxophone when he was 12 years old. He graduated from DuSable High School] where he had played in the school big band with Johnny Griffin and Eugene Wright. He attended the Conservatory of Music in Chicago, Illinois and then joined the Army when he was 19 and became bandmaster for the U.S. Fifth Army Band.
After completing his military service returned to Chicago and played with Yusef Lateef and Dexter Gordon, among others. In 1948 he joined blues vocalist Roosevelt Sykes, and later played with other rhythm & blues musicians such as Willie Dixon, Junior Parker, and Lloyd Price.
In the 1950s he played in the Chicago area with Billie Holiday, Muddy Waters, Chuck Berry, Ben Webster, Jimmy Rushing, Arthur Prysock, Dakota Staton, Eddie “Cleanhead” Vinson, Wardell Gray, Sonny Rollins, Red Rodney, Lester Young, Joe Williams, Redd Foxx, B.B. King, Bobby Bland, and Aretha Franklin. During this period, he also toured with Sonny Stitt, Memphis Slim and Lionel Hampton. He became a member of the house band for Chance Records in 1952. He subsequently appeared on many recording sessions for the Chicago-based independents Parrot, United and States, and Vee-Jay record labels.
From 1963 to 1966, he was in organist “Brother” Jack McDuff’s band, which also featured a young guitarist, George Benson. In 1974, Holloway recorded The Latest Edition with John Mayall and toured Europe, Japan, Australia and New Zealand. From 1977 to 1982, Holloway worked with Sonny Stitt, recording two albums together, and following Stitt’s death, played and recorded with Clark Terry.
As a leader/co-leader he recorded with Big John Patton, Eric Gale, Shuggie Otis, Horace Parlan, Cedar Walton, Harry “Sweets” Edison, Matthias Bätzel Trio, T.C. Pfeiler, Norman Simmons, Phil Upchurch, O.C. Smith, Plas Johnson, Dr. Lonnie Smith, Melvin Sparks, Sacha Boutros, Henry Johnson, Chris Foreman, Greg Rockingham, Bernhard Pichi Trio
As a sideman he has performed and recorded with Gene Ammons, George Benson, Joe Dukes, Wade Marcus, Joe Williams, Eddie “Cleanhead” Vinson, Carmen McRae, Atle Hammer, Knut Riisnæs, Clark Terry, Freddy Cole, Horace Silver, Junior Mance and Etta James among others.
Saxophonist Red Holloway passed away in Morro Bay, California, aged 84 of a stroke and kidney failure on February 25, 2012, one month after Etta James, with whom he had worked extensively.
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Mark Taylor was born on May 22, 1961 in Seattle, Washington. He earned his Bachelor’s degree from the University of Washington then moved to New York City to get his Masters from the Manhattan School of Music. While there he performed with an array of musicians including Dick Oatts, Jim McNeely, Bob Brookmeyer, Garry Dial, David Liebman, Don Sickler, Steve Turre, Sir Roland Hanna, Bob Mintzer, John Riley, Steve Slagle, and Ted Rosenthal and the Vanguard Jazz Orchestra.
Mark performs and records extensively with such diverse and award winning groups as Matt Jorgensen +451, Jim Knapp Orchestra, Frieze of Life, Victor Noriega Trio + 2, Tom Varner’s Tentet and Quintet, Thomas Marriott, Wayne Horvitz, Seattle Repertory Jazz Orchestra, and the Randy Halberstadt Quintet, as well as having appeared locally with Ray Charles, Quincy Jones, and Ernestine Anderson, Sam Yahel, Maria Schneider, the Seattle Symphony and Pacific Northwest Ballet, among many more.
As a leader, Taylor has released two projects on Origin Records titled After Hours and Spectre which was named NW Jazz Recording in 2009 and a year earlier was honored as the NW Jazz Instrumentalist, both by Earshot Jazz Magazine.
Putting on his educator cap, he has served on the music faculty at Pacific Lutheran University, has full schedule of private students and is a guest artist and clinician for festivals, workshops and clinics throughout the region. One of the most in demand saxophonists in the Pacific Northwest, alto saxophonist Mark Taylor continues to perform and record.
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