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Christopher Hollyday January 3, 1970 in New Haven, Connecticut. He started playing alto when he was nine, developed quickly, and was playing in clubs by the time he was 14 years old. That same year he recorded his first album on his own Jazzbeat label. During his childhood years he was heavily influenced by Charlie Parker, but a few years later he almost sounded like a clone of Jackie McLean.
In 1988, he took a group into the Village Vanguard, and the following year he toured with Maynard Ferguson’s big band. One of the “Young Lions” at the end of the Eighties, his notoriety rose with his recording of four albums between 1989 and 1992 for the RCA Novus label. On his debut self titled album he enlisted Wallace Roney, Cedar Walton, David Williams and Billy Higgins, bringing in among others John Lockwood, Larry Goldings and Brad Mehldau .
In January 1992 he released his final album And I’ll Sing Once More with John Clark, Mark Feldman, Scott Colley, Kenny Werner, Scott Robinson and Douglas Purviance. After that, his recording career was interrupted abruptly when his record contract was not renewed at RCA Novus.
In 1997 he began a career as an educator, teaching first at the Orange Glen High School in Escondido, California, then switching to the Valley Center High School in Valley Center, California. Alto saxophonist Christopher Hollyday is currently teaching and working with jazz ensemble classes and the school band and continues to perform.
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Jack Montrose was born December 30, 1928 in Detroit, Michigan. After attending university in Los Angeles, California he worked with Jerry Gray, then Art Pepper and did arrangements for Clifford Brown. He became known for cool jazz and/or West coast jazz.
Beginning in the mid-1950s Montrose’s heroin addiction became a liability and by the time he had kicked his habit, his style of jazz was no longer popular. For a while he played in strip joints until relocating to Las Vegas, Nevada where he worked in the casinos. He returned to recording in 1977 and in 1986 found some success collaborating with Pete Jolly.
He recorded with Clifford Brown, Bob Gordon, Red Norvo, Ron Stout, Ross Tompkins, Richard Simon, Paul Kreibich, Chet Baker, Elmer Bernstein, Frank Butler, Shelly Manne, Shorty Rogers and Mel Torme. Tenor saxophonist and arranger Jack Montrose aka West Coast Jack, passed away on February 7, 2006 in Las Vegas, Nevada.
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Daily Dose Of Jazz…
Ted Nash was born December 28, 1960 in Los Angeles, California. His trombonist father, Dick, and reedman uncle Ted, were both well-known jazz and studio musicians and both exposed and encouraged the young man. He started playing the piano at seven, by 12 the clarinet, and a year later he picked up the alto saxophone. In high school he studied jazz improvisation with vibraphonist Charlie Shoemake and had his first gig when he was This was followed by a week with Lionel Hampton in Hawaii.
Ted went on to win an audition to play lead alto with the Quincy Jones band, and by the time he turned 17 he had toured Europe, appeared on three records, and was performing regularly with the likes of Don Ellis, Louie Bellson and Toshiko Akiyoshi, as well as leading his own quintet. The following year he moved to New York City, recorded Conception, his debut album as a leader for the Concord label and became a regular member of a variety of ensembles. He worked with the Gerry Mulligan Big Band, the National Jazz Ensemble and for ten years would be a part of the Mel Lewis Jazz Orchestra.
An accomplished composer his first composition, Tristemente, was recorded by Louie Bellson, he has been commissioned by the Davos Musik Festival in Switzerland to compose works featuring a string quartet in a jazz setting, and commissioned by the Jazz at Lincoln Center Orchestra to compose the well-received Portrait in Seven Shades. It is dedicated to the representation of seven different artists, each in their own movement and was nominated for a Grammy in 2010. The artists were Claude Monet, Salvador Dalí, Henri Matisse, Pablo Picasso, Vincent van Gogh, Marc Chagall, and Jackson Pollock.
Composer and alto saxophonist Ted Nash leads an eclectic group called Odeon, and is a member of the Jazz Composers Collective along with Ben Allison, Frank Kimbrough, and Michael Blake.
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Grover Washington Jr. was born on December 12, 1943 in Buffalo, New York. His mother was a church chorister and his father was a saxophonist and collected old Jazz gramophone records, which put music everywhere in the home. Growing up he listened to Benny Goodman, Fletcher Henderson, and others like them. At the age of eight his father gave him a saxophone and he practiced and would sneak into clubs to see famous Buffalo blues musicians.
Leaving Buffalo he played with a Midwest group called the Four Clefs and then the Mark III Trio from Mansfield, Ohio. Then drafted into the U.S. Army he met drummer Billy Cobham, who as a mainstay in New York City, he introduced Washington to musicians around the city. After leaving the Army, he freelanced around New York City, but eventually landed in Philadelphia in 1967. The first two years of the Seventies decade provided his first recording sessions on Leon Spencer’s debut and sophomore albums on Prestige Records, together with Idris Muhammad and Melvin Sparks.
His big break came when alto saxophonist Hank Crawford couldn’t make a recording date with Creed Taylor’s Kudu Records and Grover took his place. This led to his first solo album, Inner City Blues in which he displayed his talent on the soprano, alto, tenor, and baritone saxophones.
His rise to fame with his first three albums established him as a force in jazz and soul music, but it was his fourth album in 1974, Mister Magic, that became his major commercial success. The album crossed over all the charts and with guitarist Eric Gale in tow again for the 1975 follow-up album Feels So Good proved both could reach #10. A string of acclaimed records brought Washington through the 1970s, culminating in the signature piece Winelight in 1980, in which he collaborated on Just The Two Of Us with Bill Withers and dedicated Let It Flow to Dr. J of the Philadelphia 76ers. The album went platinum, won two Grammy awards for Just the Two Of Us and Winelight and was nominated for both Record and Song Of The Year.
During the late 1980s and early 1990s Washington gave rise to Kenny G, Walter Beasley, Steve Cole, Pamela Williams, Najee, Boney James and George Howard. Over the course of his career he performed and recorded with Kathleen Battle, Kenny Burrell, Charles Earland, Dexter Gordon, Urbie Green, Eddie Henderson, Masaru Imada, Boogaloo Joe Jones, Gerry Mulligan, Don Sebesky, Johnny “Hammond” Smith, Mal Waldron and Randy Weston.
On December 17, 1999 while waiting in the green room after performing four songs for The Saturday Early Show, at CBS Studios in New York City, saxophonist Grover Washington Jr. collapsed. He was pronounced dead at about 7:30 pm at St. Luke’s-Roosevelt Hospital and his doctors determined he had suffered a massive heart attack. He was 56. In tribute, a large mural of him, part of the Philadelphia Mural Arts Program, is just south of the intersection of Broad and Diamond streets.
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Alvin Owens “Red” Tyler was born on December 5, 1925 and raised in New Orleans, Louisiana. He was known as “Red” because of his light tanned skin.He grew up listening to the city’s marching bands but didn’t begin playing saxophone until after he joined the US Navy in 1945. After his discharge he joined the Grunewald School of Music and by 1949 he started his career by joining the Dave Bartholomew’s R&B band, whose other members included Ernest McLean, Frank Fields, and Earl Palmer.
Red made his recording debut on Fats Domino’s first session at Cosimo Matassa’s studio, when he recorded The Fat Man. He went on to play on recording sessions for Little Richard, Lloyd Price, Aaron Neville, Lee Dorsey, and numerous other rhythm and blues artists, often helping with the songs’ arrangements. In 1955, he began working for Johnny Vincent’s Ace Records as an A&R man, overseeing sessions by Huey “Piano” Smith, Frankie Ford and others. He also recorded an album, Rockin’ and Rollin’, credited to Alvin ‘Red’ Tyler and the Gyros, with a band that included Fields, Allen Toussaint, and James Booker.
Leaving Ace in 1961, Tyler helped Harold Battiste found his AFO (All For One) record label, which had a hit with Barbara George’s I Know in 1962. He then moved to California where he recorded with Sam Cooke, Larry Williams and others, before returning to New Orleans in the mid-1960s. He co-owned Parlo Records, which found success in 1967 with Aaron Neville’s Tell It Like It Is. He is listed as one of three songwriters of the instrumental, Java, originally recorded by Allen Toussaint. Covered by New Orleans trumpet player Al Hirt, it eventually reached the charts in 1964 and peaked at #4.
Though he primarily played R&B during th early part of his career, during this period Red also played jazz in club jam sessions and regarded himself as primarily a jazz musician. From the mid-1960s Red worked as a liquor salesman and began leading his own jazz band, the Gentlemen Of Jazz, in clubs and hotel residencies in New Orleans, and played with other jazz musicians including Ellis Marsalis.
The baritone saxophone had been his primary instrument during his years as a studio musician, but his jazz playing gradually came to rely on the tenor saxophone. He recorded two jazz albums, Graciously and Heritage In the mid-1980s, with vocals by Johnny Adams and Germaine Bazzle, on the Rounder Records label. In 1994, he recorded the album The Ultimate Session with Toussaint, Earl Palmer, Mac Rebennack, and other New Orleans musicians.
Red Tyler passed away at age 72 in New Orleans on April 3, 1998. After his death, the New Orleans Jazz Festival organised a concert in his honor, featuring many New Orleans leading musicians.
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