Daily Dose Of Jazz…
Louis Albert Cottrell, Jr. was born in New Orleans, Louisiana on March 7, 1911. Raised in an upper class Creole musical family, his father Louis Cottrell Sr. was an influential drummer and cornetist Manny Perez was his godfather. Growing up around John Robichaux, A.J. Piron and Barney Bigard, the latter giving him lessons as well as studying under Lorenzo Tio, Jr.
He began his career in the 1920s with the Golden Rule Orchestra and by 1925 was playing with “Polo” Barnes. Louis would go on to work with Chris Kelly, Kid Rena, on the riverboat SS Island Queen with Lawrence Marrero’s young Tuxedo Brass Band and with Sidney Desvigne.
During this period he became a prominent union organizer, joining Don Albert’s orchestra soon after, recording an album with the orchestra in 1935 under the Vocalion label. Trying his hand at composing, with Lloyd Glenn and Albert wrote You Don’t Love Me (True) that became one of the hits of the R&B New Orleans era for bandleader Paul Gayten.
During the 40s he had an enduring collaboration with Paul Barbarin, played with Piron and Desvigne, formed and recorded for the first time as a leader in 1961 with the Louis Cottrell Trio for Riverside Records Living Legends series and with Barbarin revived the Onward Brass Band. His sideman duties led him to perform and record with Peter Bocage, Jim Robinson, Harold Dejan, Thomas Jefferson, Sweet Emma Barrett, Avery Kid Howard, Waldren Joseph, and Polo Barnes.
In 1971 Louis formed the Heritage Hall Jazz Band, leading that ensemble up until his death. Under his leadership the band rivaled Preservation Hall and with Blanche Thomas on vocals played Carnegie Hall in 1974. He went on to make several television appearances on the Perry Como and Mike Douglas shows, had a cameo and recorded Academy Award nominated Big Lip Blues for the soundtrack of 1978 film Pretty Baby.
Clarinetist and saxophonist Louis Cottrell died suddenly at his home after a short illness on March 21, 1978 at the age of 67. Fittingly, he was honored with a jazz funeral, as thousands assembled in a small Gentilly Catholic church to bid him farewell.
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Daily Dose Of Jazz…
James Dorsey was born on February 29, 1904 in Shenandoah, Pennsylvania. Known as “JD”, he played trumpet in his youth and appeared on stage with J. Carson McGee’s King Trumpeters in 1913 at age nine. He switched to alto saxophone two years later, then learning to double on the clarinet.
With his brother Tommy playing trombone, he formed Dorsey’s Novelty Six, one of the first jazz bands to broadcast. In 1924 he joined the New York City based California Ramblers with Paul Whiteman and Red Nichols, did freelance radio and recording work throughout the 1920s and joined the Ted Lewis band, with whom he toured Europe.
He went on to work with Rudy Vallee and other bandleaders, continued with the Dorsey Brothers Orchestra, appeared on seventy-five radio broadcasts, breaking with his brother changed the band to the Jimmy Dorsey Orchestra with Bobby Byrne, Ray McKinley, Donald Matteson, Skeets Herfurt, and vocalists Bob Eberly and Kay Weber, later hiring Helen O’Connell.
In the fifties he rejoined his brother under the auspices of Tommy Dorsey and His Orchestra featuring Jimmy Dorsey, appeared on Jackie Gleason’s show and got their own weekly variety program Stage Show, produced by Gleason.
Jimmy took over leadership of the orchestra after Tommy’s death but only survived a few months passing away from throat cancer at age 53 in New York City on June 12, 1957.
Jimmy received a gold record for the Herst/Sharpe composition So Rare, made Latin flavored records that topped the charts in 1941, appeared in several movies including their own bio-pic The Fabulous Dorseys, composed the classic tune I’m Glad There Is You, as well as a host of others collaborating with Jimmy Van Heusen, Sonny Burke, Frankie Trumbauer and Babe Russin to name a few.
Saxophonist Jimmy Dorsey is considered one of the most important and influential alto saxophone players of the Big Band and Swing era, had several #1 hits, honored with a U.S. postal stamp, had his recording of Brazil (Aquarela do Brasil) into the Grammy Hall of Fame, and was inducted into the Big Band and Swing Hall of Fame.
Daily Dose Of Jazz…
Edwin Leon Chamblee was born in Atlanta, Georgia on February 24, 1920 and grew up in Chicago, Illinois where he began learning the saxophone at the age of 12. After leaving Wendell Phillips High School he studied law at Chicago State University, playing in clubs in the evenings and on weekends.
Chamblee played in U.S. Army bands between 1941 and 1946 and after leaving the service joined Miracle Records. He played on Sonny Thompson’s hit record Long Gone in 1948, and on its follow-up Late Freight credited to the Sonny Thompson Quintet featuring Eddie Chamblee. Both records reached no. 1 on the national Billboard R&B chart and two following records also charted in 1949.
From 1947, Eddie led his own band in Chicago clubs, as well as continuing to record with Thompson, work on other sessions in Chicago, including The Four Blazes hit Mary Jo in 1952. By 1954 he switched gears joining Lionel Hampton’s band for two years, touring in Europe, before returning to lead his own group again in Chicago. He accompanied Amos Milburn, Lowell Fulson and Dinah Washington during the late 50s to early 60s. The two performed vocal duets in a style similar to that later adopted by Washington with Brook Benton.
Known also by his nickname Lone Gone, he recorded for the Mercury and EmArcy labels and with his own group in the early 1960s for Roulette and Prestige Records. In the 1970s he rejoined Hampton for tours of Europe, where he also played with Milt Buckner, recorded for the French Black & Blue label, and performed with the Count Basie Orchestra in 1982. From the 1980s until his passing at age 79 on May 1, 1999, tenor and alto saxophonist Eddie Chamblee performed with the Harlem Blues and Jazz Band.
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Daily Dose Of Jazz…
Les Hite was born in DuQuoin, Illinois on February 13, 1903. He attended the University of Illinois and played saxophone with family members in a band in the 1920s. Following this, he played with Detroit Shannon, then with the Helen Dewey Show, but when this group disbanded abruptly, he relocated to Los Angeles, California.
In L.A. he played with The Spike Brothers Orchestra, Mutt Carey, Curtis Mosby and Paul Howard. He became leader of Howard’s band in 1930, and played at the Cotton Club in Los Angeles for several years, accompanying Louis Armstrong and Fats Waller among others. The band also recorded frequently for film soundtracks and occasionally appeared on camera.
Hite’s big band, known as Sebastian’s Cotton Club Orchestra, primarily played in Los Angeles, though they occasionally went on tour. Musicians who played in the band included Lionel Hampton, Marshal Royal, Lawrence Brown, Britt Woodman, Joe Wilder, T-Bone Walker and Dizzy Gillespie.
Rarely recorded, for this reason much of the details of his life and work are poorly documented. The only sessions he did were 14 numbers recorded between 1940 and 1942. Saxophonist and bandleader Les Hite passed away at St. John’s Hospital in Santa Monica, California on February 6, 1962 from complications following a heart attack one week before his 59th birthday.
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Daily Dose Of Jazz…
Joe Maini was born on February 8, 1930 in Providence, Rhode Island. Early in his career he played alto saxophone in the big bands of Alvino Rey, Johnny Bothwell and Claude Thornhill. He moved to Los Angeles, California and found work as a session musician and continued working in big bands, usually holding the lead alto chair.
Some of the leaders Joe worked with over the course of his career were Terry Gibbs, Onzy Matthews, Gerald Wilson, Bill Holman, Louis Bellson, Jack Montrose, Dan Terry, Johnny Mandel and Shelly Manne. He recorded in small group settings with Clifford Brown and Max Roach, Zoot Sims, Jack Sheldon, Red Mitchell, Lin Halliday, Kenny Drew and Jimmy Knepper. He also worked with his close friend, comedian Lenny Bruce.
Alto saxophonist Joe Maini passed away at age 34 in Los Angeles on May 7, 1964. History states it was while playing Russian roulette as the cause, but family and witnesses contend it was simply a firearms accident. Forty-four years after his death, Lone Hill Jazz issued a four-CD set with many of his small group recordings.
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