Daily Dose Of Jazz…
Jack Nimitz was born in Washington, DC on January 11, 1930. He first began playing clarinet at age 12, and picked up the alto saxophone at 14. He played in local DC bands and after specializing on baritone sax he found work in the territory bands of Willis Connover, Bob Astor, Johnny Bothwell and Daryl Harpa.
Through the Fifties Nimitz played with Woody Herman, Stan Kenton and Herbie Mann and was in the house band of the Savoy Theater. Moving to Los Angeles, California he worked in film music in addition to performing with Bill Berry, Benny Carter, Onzy Matthews, Gerald Wilson, Supersax, Frank Strazzen, Thelonious Monk, Terry Gibbs, Dizzy Gillespie, Louis Bellson, Quincy Jones, Kenny Burrell, Horace Silver, Gene Ammons, Shelly Manne, Chuck Mangione, Charles Mingus, Gil Fuller, Oliver Nelson, Milt Jackson, Frank Capp and Joey DeFrancesco into the 1980s.
Additionally Jack recorded with the vocalists Johnny Hartman, June Christy, Peggy Lee, Nat King Cole, Carmen McRae, Anita O’Day and Diane Schuur. By the Nineties he was recording again with Claire Fischer, Lalo Schifrin, Stewart Liebig, Bill Perkins, Bud Shank and Gerald Wilson.
In 1995 he released his first of two albums under his own name, The Jack Nimitz Quintet, and played his final performance on May 10, 2009, in Northridge, California. Baritone saxophonist Jack Nimitz passed away at the age of 79 one month later on June 10, 2009 from complications from emphysema in Studio City, Los Angeles, California.
Take A Dose On The Road
More Posts: saxophone
Daily Dose Of Jazz…
Allen Eager was born on January 10, 1927 in New York City and grew up in the Bronx. Reading by age 3, he learned to drive at the age of 9 with the help of his mother, after catching him driving a garbage truck near their hotels in the Catskill Mountains. He took clarinet lessons with David Weber of the New York Philharmonic at the age of 13 and went on to make the tenor saxophone his instrument.
When he was 15 Eager briefly played with Woody Herman and also took heroin for the first time. The next year he played in the Bobby Sherwood band, then went on to play with Sonny Dunham, Shorty Sherock, Hal McIntyre, Tommy Dorsey and John Bothwell all by 1945. After World War II he became a regular on the 52nd Street scene in New York, led his own ensemble there from 1945–47 and recorded his debut as leader for Savoy Records in 1946 with pianist Ed Finckel, bassist Bob Carter and drummer Max Roach.
Influenced by the playing of Lester Young, he was in good company with his contemporaries Zoot Sims, Stan Getz, Al Cohn and others. He adopted the musical forms pioneered in bebop but also adopted the drug dependency of a lot of the bebop players in the 1940s. As a white saxophonist of the time, Eager was a member of several bands led by black musicians including Coleman Hawkins, Fats Navarro, Charlie Parker, Red Rodney and Tadd Dameron by 1950.
During the Fifties he played with Gerry Mulligan, Terry Gibbs, Buddy Rich and Howard McGhee. He lived and performed in Paris from 1956-1957, returned to the States and recorded his last session for the next 25 years, The Gerry Mulligan Songbook with Mulligan leading. He essentially retired from jazz and while dealing with his own drug addiction did appear in Jack Kerouac’s 1958 book The Subterraneans as the character Roger Beloit. Allen went on to pursue other activities such as skiing, auto racing, and LSD experimentation with Timothy Leary. After several notable racing finishes at Sebring and Europe in 1963 a crash left him with broken bones.
He occasionally dabbled in music again, playing alto saxophone with Charles Mingus, Frank Zappa, recorded a 1982 Uptown Records session titled Renaissance. He toured with Dizzy Gillespie and Chet Baker and played in England. Tenor and alto saxophonist Allen Eager passed away from liver cancer on April 13, 2003 in Daytona Beach, Florida.
Give The Gift Of Knowledge
More Posts: saxophone
Daily Dose Of Jazz…
Frank Wellington Wess was born on January 4, 1922 in Kansas City, Missouri, the son of a principal father and a schoolteacher mother. He began with classical music training and played in Oklahoma in high school. He later switched to jazz after moving to Washington, DC and by nineteen was working with big bands.
Although his career was interrupted during World War, he played with a military band in the period. After leaving the military, he joined Billy Eckstine’s orchestra, then a few years later he returned to DC and received a degree in flute at the Modern School Of Music. He played tenor saxophone and flute with Count Basie from 1953 to 1964.
Wess was considered one of the best jazz flautists of his time and from 1959 to 1964 he won the Down Beat Critic Poll for flute. He went on to be a member of Clark Terry’s big band from 1967 into the 1970s, played in the New York Jazz Quartet with Roland Hanna and did a variety of work for TV.
In 1968 Frank contributed to the landmark album The Jazz Composer’s Orchestra. Over the course of his career he played with Kenny Barron, Rufus Reid, Buck Clayton, Benny Carter, Billy Taylor, Harry Edison, Mel Torme, Ernestine Anderson, Louie Bellson, John Pizzarelli, Milt Jackson, Quincy Jones, Yusef Lateeef, Howard Alden, Dick Hyman, Jane Jarvis, Frank Vignola, Toshiko Akiyoshi Jazz Orchestra, Hank Jones and the list continues.
NEA Jazz Master, flautist, alto and tenor saxophonist Frank Wess passed away from a heart attack related to kidney failure on October 30, 2013.
Take A Dose On The Road
Daily Dose Of Jazz…
Ralph Moore was born on December 24, 1956 in London, England and grew up in a crowded inner city area. He showed no particular musical interest until his mother bought him a trumpet when he was 13. He studied with Brixton local musician Alan Briggs and was soon sitting in with pub bands. Briggs had a tenor saxophone that the young musician fell in love with the look of the instrument and soon made the switch.
1972 saw Ralph moving to California to live with his American father, graduating from Santa Maria High School where he played in the jazz orchestra and collected several music awards.Three years later he enrolled at Berklee Colege of Music, studied with saxophonist Andy McGhee and another three years later received the Lenny Johnson Memorial Award for outstanding musicianship from the college.
He launched his professional career with a tour of Scandinavia, later joined Frank Quintero for recording and a tour of South America. He moved to New York City in 1981 and within two months joined the Horace Silver Quintet for an association that lasted four years and included tours of Europe and Japan.
Moore has worked with Roy Haynes, Charles Mingus Dynasty, Freddie Hubbard, Dizzy Gilespie’s Reunion Big Band, Kevin Eubanks, Bill Mays, Valery Ponoomarev, Roy Hargrove, Jimmy Knepper, Brian Lynch, J.J. Johnson, Billy Hart, Oscar Peterson, Superblue, Cedar Walton and Ray Brown. He continues to perform, tour and record as a leader and sideman.
Jazz Is Global – Share
More Posts: saxophone
Daily Dose Of Jazz…
Samuel Most was born on December 16, 1930 in Atlantic City, New Jersey and learned to play the flute, saxophone and piano. He began his career in music at the age of 18 with the bands of Tommy Dorsey, Shep Fields, Boyd Raeburn and Don Redman. He also performed many times with his older brother Abe, a clarinetist.
His first recording was at age 23, a single called Undercurrent Blues and the following year he was awarded Down Beat magazine’s “Critic’s New Star Award”. Between 1953 and 1958 Sam led and recorded sessions for the Prestige, Debut, Vanguard and Bethlehem record labels. He also worked as a session player for Chris Connor, Paul Quinichette and Teddy Wilson and was a member of the Buddy Rich band from 1959 to 1961. He would go on to work as a sideman with Clare Fischer, Lalo Schifrin and Louie Bellson.
Most resurfaced in the late 1970s and recorded six albums on the Xanadu label, was given a gift of an expensively carved flute by Frank Sinatra who had used it for breath control, and in the late Eighties recorded four albums, including Solo Flute with producer Fernando Gelbard of Liquidjazz.com. He was the guest of and played for the King of Thailand three times and was the subject of Edmond Goff’s 2001 documentary film Sam Most, Jazz Flutist.
Flautist and tenor saxophonist Sam Most, who according to jazz historian Leonard Feather, was probably the first great jazz flutist, passed away on June 13, 2013 from cancer, at the age of 82.
Give A Gift Of Jazz – Share