Requisites

Repetition ~ Clifford Jordan Quartet | By Eddie Carter

This morning’s record from the library, Repetition (Soul Note SN 1084), is a delightful album by the Clifford Jordan Quartet. Clifford Jordan began playing the piano at a young age, then picked up the tenor sax at thirteen. Early in his career, he played with Max Roach and Sonny Stitt and was a member of a few rhythm and blues groups. He later moved to New York City, recorded three albums for Blue Note, and toured overseas in Africa and Europe. Jordan recorded thirty-six albums as a leader and was featured on many others as a sideman; his most appearances were with Art Farmer, Charles Mingus and Cedar Walton. The superb rhythm section accompanying him on this album is Barry Harris on piano, Walter Booker on bass, and Vernel Fournier on drums. My copy is the 1984 Italian Stereo release.

Side One kicks off with a trip to Third Avenue by Clifford Jordan. The trio sets a lively pace with their introduction before the saxophonist joins in for the melody. Clifford’s initial statement bursts with joyful exuberance, followed by Cedar’s swift and swinging interpretation. A delightful conversation between the leader and Vernel culminates in a reprise of the theme and a satisfying conclusion. Fun is a collaborative creation by Jordan, Harris, Booker, and Fournier. Vernel starts with a short, lively introduction preceding the quartet’s vivacious theme. Clifford sets the stage by diving into an energetic first solo. Barry takes a high-spirited interpretation next, and then Vernel shines in a short statement, leading to an abrupt yet perfect closing chorus.

The tempo slows down for Neal Hefti’s Repetition, a beautiful song where the trio’s introduction begins at a mid-tempo beat before the saxophonist completes the theme. Clifford is up first and whets the listener’s appetite for the following solo. Barry demonstrates how the right choice of notes can tell a compelling story preceding the closing chorus and a climatic finish. The pace remains at a moderate level for Thelonious Monk’s Evidence. The foursome dives straight into the theme, then Barry gets the nod for a first solo as refreshing as a cool breeze on a hot day. Clifford contributes to the outdoorsy feeling with a bluesy statement, and Walter wraps up the solos with an attractive portrait before the group exits.

The second side begins with a melody of Nostalgia by Fats Navarro and Casbah by Tadd Dameron. The quartet embarks on a lovely theme that would fit perfectly in a love story. Walter takes the opening solo and caresses each note delicately. Barry follows with a statement that is equally skillful and caring, and then Clifford closes with a warm, relaxed reading into the restatement of the theme and a velvety climax. The ensemble pays a House Call by Clifford Jordan next. Vernel’s drums introduce the song, segueing to the quartet’s melody. Vernel, Barry, and Walter each have a short word ahead of Clifford, who shares a conversation with Barry. The pianist takes over for a lengthy solo before the theme returns.

Clifford Jordan’s Quit ‘n Time ends the album on an upbeat note, with the rhythm section’s introduction leading to the foursome’s brisk theme. Clifford launches the opening statement with ease and mastery. Barry follows with a display of extreme agility. The leader returns to engage in a lively exchange with Vernel before the drummer gets the final spotlight until the quartet takes the song out. Giovanni Bonandrini produced Repetition, and Dave Baker was the man behind the dials of the recording. This is a beautiful pressing, and the album has a stunning sound. The vibrant soundstage allows the musicians to come alive in your listening room as if playing before you. The record is also silent until the music starts.

Clifford Jordan performed throughout the seventies, eighties, and nineties and was one of the best tenor saxophonists in the annals of jazz. Whether in the studio or when performing live, his music has given jazz fans great pleasure over the years. He led a big band and regularly performed at Eddie Condon’s in Greenwich Village and 52nd Street. He died from lung cancer at age sixty-one on March 27, 1993. If you’re a Clifford Jordan fan or enjoy the tenor sax’s sound, I invite you to consider Repetition by the Clifford Jordan Quartet on your next record hunt. It’s an outstanding album that has aged well, scores on all accounts, and no library should be without it!

© 2025 by Edward Thomas Carter

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JAVON JACKSON

A gifted tenor saxophonist hailed as one of the ’80s Young Lions, Javon Jackson has been leader on 23 albums, most recently his first film score, and played on over 150 others.

With roots in both the hard bop tradition he played in the final lineup of Art Blakey’s Jazz Messengers and soul-funk jazz inviting Les McCann to be a special guest in his bandj, Javon’s considerable breadth and formidable technique have long wowed audiences.

Tickets: $35.00 +fee

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Daily Dose Of Jazz…

Eddie Wasserman was born on March 5, 1923 in Smackover, Arkansas. Growing up he had played the saxophone with many black kids in the neighborhood. After his father died, he moved with his mother to Tyler, Texas and it’s where he fell in love with jazz. His first paid job was in a dance band at age 14.

At the onset of World War II in 1941, Wasserman attended New York’s Juilliard School for a couple of years but he was soon drafted and wasn’t discharged until 1946. He returned to Juilliard to complete his studies and graduated in 1948, and that’s when he started playing with Benny Goodman. In addition to playing with Goodman, he was in big-band live and studio recordings led by Artie Shaw, Manny Albam, Stan Kenton, Louie Bellson and Chico O’Farrell, with whom he co-led a big band in 1953.

By 1955, big band work was beginning to dry up on the East Coast was starting to dry up. On the request of an agent O’Farrell and Wasserman formed a small group to play Latin music in Miami Beach, Florida. Not a good experience but Eddie’s late-1950s quartet recordings with Gene Krupa were great recordings.

Given that the youth-culture explosion in 1966 was changing the face of music, jazz was no longer an ideal way for him to earn a living. So giving up the road and having a degree in education, he became an assistant director of the concert band at Clifton High School in New Jersey. He continued to play club dates and find work in Broadway pit bands.

Saxophonist, clarinetist and flutist Eddie Wasserman died after suffering a heart attack on May 27, 1992. He was 69.

CALIFORNIA JAZZ FOUNDATION

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ARTEMIS

ARTEMIS is a powerful ensemble of modern jazz masters, founded in 2017 by pianist and musical director Renee Rosnes. In Real Time––the band’s second release on Blue Note Records––has been garnering universal acclaim. NPR wrote that “it further establishes their prowess both as individuals and as a collective…a femme fatale supergroup,” and from the Times of London, “robust voicings, free-jazz diversions and searching modal patterns all feature in the intricate style of ARTEMIS…so distinctive is each voice and so striking is their sense of unity.” DownBeat hailed the music as “deep swinging” and a “stellar follow up” to the band’s debut album in 2020. Each musician is a bandleader and composer and every performance encompasses inspired arrangements of classics and originals.

Renee Rosnes ~ piano & keyboard
Ingrid Jensen ~ trumpet
Nicole Glover ~ tenor saxophone
Noriko Ueda ~ bass
Allison Miller ~ drums

Tickets: $35.00 ~ $45.00 + fee | Streaming:  $15.00 + fee

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RONNIE LAWS

Ronnie Laws is an award-winning tenor saxophonist and composer whose career has, since the early 1970s, straddled the worlds of jazz and R&B. Since 1975, he has placed seven albums in the Top 200 — including his 1975 Blue Note debut Pressure Sensitive — as well as being the first saxophonist for Earth, Wind & Fire. He has worked as an in-demand session man and live musician with a who’s-who of jazz and R&B greats including Ramsey Lewis, Gregory Porter, B.B. King, George Duke, Quincy Jones, Stanley Jordan, and dozens more.

The Performers:

Ronnie Laws ~ saxophone
David Dyson ~ bass
Alvin White ~ guitar
Tim Steele ~ drums
Vince Evans ~ keys
Shawn Allen ~ vocals

Tickets: $55.00 ~ $65.00 + fee | Streaming: 5:00pm Only ~ $15.00 + fee

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